Now get all three books for one low price: I Love This Bar, Hell, Yeah, and My Give a Damn's Busted. About the Books in this Contemporary Romance Bundle 1. I Love This Bar Serving two counties, the Honky Tonk is the gathering place for every hothead, thirsty rancher, and lusty lady looking for a good time. Owner Daisy O'Dell vows she'll run the place until they drag her cold dead body through the swinging doors. That is, until Jarod McElroy walks in, looking for a cold drink and a moment's peace from his ornery Uncle Emmitt. The minute Jarod sees Daisy, he knows he's met not only his own match, but Uncle Emmitt's as well. Now, if only he can convince her to come out from behind that bar and come on home with him... 2. Hell, Yeah When Cathy O'Dell buys the Honky Tonk, the nights of cowboys and country tunes come together to create the home she's always wanted. Then in walks a ruggedly handsome oil man who tempts her to trade in the happiness she's found at the Honky Tonk for a life on the road. Travis Henry has found his best friend and so much more in Cathy. When his job is done in Texas, how is he ever going to hit the road without her? 3. My Give a Damn's Busted Hank Wells thinks he can dig up dirt on the new owner of the Honky Tonk for his employer, but he's got no idea what kind of trouble he's courting. Larissa Morley isn't going down without a fight. If this dime store cowboy thinks he's going to get the best of her—or her Honky Tonk—then he's got another thing coming. As secrets emerge, and passion vies with ulterior motives, it's winner takes all at the Honky Tonk...

    The women, Lani, Starr and Jada are back and facing their biggest challenges of the season. All hell will break loose as the women fight to hold on to the people and things they love. There will be love found and love lost. For Lani will she finally put Black behind her and start anew with Shakur? Will Starr and Trey ever get back together or has their time pass by? And will Jada and Shamari get themselves out of a difficult situation with Craig or will the law finally catch up to them? Part 8 is filled with the twist and turns you never saw coming!

    Discover a breathless fairy-tale romance with swoon-worthy characters set in a glittering celebrity world. Fans of reality TV will devour this pulse-pounding, sexy Hollywood drama. Follow the lives and loves of those who work at Captive Films: Riley Johnson — Captive Films’ CEO and millionaire playboy is hot, privileged, and seriously single. He’s got it all—a brand new jet, exotic cars, a luxury penthouse, and a different aspiring actress (or two) in his bed every night. His life is perfect until the only girl he ever loved walks back into it, causing him to wonder if he truly has it all. Keatyn Douglas — Hollywood’s sweetheart and owner of Captive Films leads a chaotic, glamorous life. But running a successful film studio, writing scripts, and her own acting career leave little time for the things she dreams of, like marrying the man she loves and having babies. When drama starts at work, she may decide to give it all up for life out of the fast lane. Dawson Johnson — The dark and dreamy marketing consultant joins Captive to escape his past. For the last two years, his sole focus has been on caring for his adorable daughters after tragedy struck their lives. He comes to Captive looking for a fresh start and, if all goes well, he might find a lot more than that in Hollywood. Knox Daniels — Considered the sexiest man alive by a certain magazine, the sentiment is echoed by the actor’s adoring fans. While romance abounds in the roles he plays, he’s convinced he’ll never find his own happily ever after—until he meets a woman who just might change that. Shelby Benson — The beautiful cocktail waitress and wanna-be actress struggles to make ends meet. A chance encounter with Riley Johnson is her lucky break and the golden ticket to everything she’s ever dreamed of—fame, power, money, sex, and love. Written soap-opera style with multiple points of view, you can expect lots of drama, sex, and tabloid-worthy events.

    From dealing with her religious zealot of a grandmother to birthing a child that was a product of rape, Lavender deals with more issues at thirteen than most women twice her age. Not ready to be a mother, Lavender leaves her baby on her grandmother’s doorstep and finds the first ride she can out of the city. On a quest to find herself, Lavender rides a rocky road, teetering between life and death. Fifteen years later, she’s still searching for herself when she meets Shyheim Roosevelt. A caring, charming, and handsome youth pastor, Shyheim Roosevelt has been tasked with finding Lavender and bringing her back home. Carnal opposites attract when, in finding Lavender, Shyheim finds himself. From her outspoken opinions and alluring personality, she’s everything he could ever ask for in a woman. Her past is of no consequence to Shyheim, who also has a rocky past but has been living how his parents wanted him to for a little over a decade: by the Word. However, after spending just a small amount of time with Lavender, he understands that, like the Bible, people are capable of being multifaceted. The only things standing in the way of their love are Lavender’s reservations, his parents—and the woman he’s due to walk down the aisle with.

    The extracts and essays included here examine Great Expectations in structural, symbolic, political, psychological, social and sexual terms, relating it to its own time and to a range of 20th century critical and theoretical perspectives. Exploring secondary sources from the first reviews in the 1860s to the most up-to-date critiques of the 1990s, the Guide is an essential resource for the study of one of Dickens's most complex novels.

    It ran for five years, won 15 Emmys and set the pace for the sophisticated sitcom. Written with the full cooperation of Dick Van Dyke, Carl Reiner and Mary Tyler Moore, The Official Dick Van Dyke Show Book is the first and only authorized backstage history of TV's most enduring comedy, an ultimate viewer guide to the dhow, both on and off camera. The book reads like a great dramatic script itself, beginning with the task of getting the show on its feet, moving on to the struggles to keep it alive.The first and only complete, fully authorized "biography" of one of TV's most beloved sitcoms, including the first complete viewer's guide to all 158 episodes, including a rare look at Carl Reiner's Head of the Family, the pilot film that started it all, as well as special behind-the-scenes trivia and a full chapter concordance. 50 black and white photos.

    If connecting with the heart of God brings pleasure, then reading the Bible can be a pleasure.  The Everyday Bible is the Bible to use every single day of the year.With a new and contemporary look, The Everyday Bible line will meet the needs of every Bible reader.

    Enter Nothing Nice to Say. Mitch Clem's Nothing Nice to Say leaves no mohawked, leather-jacket-clad stone unturned in its mission to expose the awesomeness and the absurdity of punk culture. Sometimes esoteric and always hilarious, Nothing Nice is so punk you'd think the book was bound with safety pins.

    They are the poems of a worker and fighter, filled with courage, who loved life and hated oppression.

    By describing his own struggle to find a basis for belief in a skeptical world, Bushman poses the question of how scholars are to write about subjects in which they are personally invested. Does personal commitment make objectivity impossible? Bushman explicitly, and at points confessionally, explains his own commitments and then explores Joseph Smith and the Book of Mormon from the standpoint of belief.Joseph Smith cannot be dismissed as a colorful fraud, Bushman argues, nor seen only as a restorer of religious truth. Entangled in nineteenth-century Yankee culture--including the skeptical Enlightenment--Smith was nevertheless an original who cut his own path. And while there are multiple contexts from which to draw an understanding of Joseph Smith (including magic, seekers, the Second Great Awakening, communitarianism, restorationism, and more), Bushman suggests that Smith stood at the cusp of modernity and presented the possibility of belief in a time of growing skepticism.When examined carefully, the Book of Mormon is found to have intricate subplots and peculiar cultural twists. Bushman discusses the book's ambivalence toward republican government, explores the culture of the Lamanites (the enemies of the favored people), and traces the book's fascination with records, translation, and history. Yet Believing History also sheds light on the meaning of Joseph Smith and the Book of Mormon today. How do we situate Mormonism in American history? Is Mormonism relevant in the modern world?Believing History offers many surprises. Believers will learn that Joseph Smith is more than an icon, and non-believers will find that Mormonism cannot be summed up with a simple label. But wherever readers stand on Bushman's arguments, he provides us with a provocative and open look at a believing historian studying his own faith.

    Delightfully nonsensical, they in fact make the best of sense, accomplishing what only real poetry can -- allowing the reader to discover what he didn't know he already knew or felt.

    Although Charlotte Brontë's heroine is outwardly plain, she possesses an indomitable spirit, and great courage. Forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order which circumscribes her life when she becomes governess to the daughter of the mysterious, sardonic Mr Rochester.Villette is based on Charlotte Brontë's personal experience as a teacher in Brussels. It is a moving tale of repressed feelings and cruel circumstances borne with heroic fortitude. Rising above the confinement of a rigid social order, it is also a story of a woman's right to love and be loved.Wuthering Heights is Emily Brontë's wild, passionate tale of the intense and almost demonic love between Catherine Earnshaw and Heathcliff, a foundling adopted by Catherine's father. After Mr Earnshaw's death, Heathcliff is bullied and humiliated by Catherine's brother Hindley and, wrongly believing that his love for Catherine is not reciprocated, he leaves Wuthering heights. When he returns years later as a wealthy man, he proceeds to exact a terrible revenge for his former miseries.Agnes Grey, Ann Brontë's deeply personal novel, is a trenchant expose of the frequently isolated, intellectually stagnant and emotionally starved conditions under which many governesses worked in the mid-nineteenth century.The Tenant of Wildfell Hall shows Ann Brontë's bold, naturalistic and passionate style. It is a powerful and sometimes violent novel of expectation, love, oppression, sin and betrayal. It portrays the disintegration of the marriage of Helen Huntingdon, the mysterious 'tenant' of the title, and her dissolute, alcoholic husband.

    Fletchen gang kill her grandpa Laban Costello and hold pa hostage for Colorado horse-breeding ranch.2 Galloway - Flagan flees, naked, from Apaches, wolf, to settle north of Shalako with brother Galloway and Nick Shadow despite nasty Dunn family gang.

    The resulting journey through dark and desperate futures of aliens, diseases, and humanity's own madness is brain-bending and utterly bizarre.

    Within a year of his death, two posthumous collections were published. At the time of this death, as Leon Stokesbury asserts in his introduction, “Stanford was the best poet in America under the age of thirty-five.”The Light the Dead See collects the best work from those nine volumes and six previously unpublished poems. In the earlier poems, Stanford creates a world where he could keep childhood alive, deny time and mutability, and place a version of himself at the center of great myth and drama.Later, the denial of time and mutability gives way to an obsessive and familiar confrontation with death. Although Stanford paid an enormous price for his growing familiarity with Death as a presence, the direct address to that presence is a source of much of the striking originality and stunning power in the poetry.