She's headed for the bright lights and big times of Biloxi, and even she knows she needs help getting there. But help's not hard to come by when you look like Fay. There's a highway patrolman who gives her a lift, with a detour to his own place. There are truck drivers who pick her up, no questions asked. There's a crop duster with money for a night or two on the town. There's a strip-joint bouncer who deals on the side. And in the end, there are five dead bodies stacked in Fay's wake. Fay is a novel that could only have been written by Larry Brown, whom the Boston Globe called "one of our finest writers -- honest, courageous, unflinching."

    Here two very different women discover how to find their place in the world--no matter how out of place they feel. Emily Benedict came to Mullaby, North Carolina, hoping to solve at least some of the riddles surrounding her mother’s life. Such as, why did Dulcie Shelby leave her hometown so suddenly? And why did she vow never to return? But the moment Emily enters the house where her mother grew up and meets the grandfather she never knew--a reclusive, real-life gentle giant--she realizes that mysteries aren’t solved in Mullaby, they’re a way of life: Here are rooms where the wallpaper changes to suit your mood. Unexplained lights skip across the yard at midnight. And a neighbor bakes hope in the form of cakes.Everyone in Mullaby adores Julia Winterson’s cakes--which is a good thing, because Julia can’t seem to stop baking them. She offers them to satisfy the town’s sweet tooth but also in the hope of rekindling the love she fears might be lost forever. Flour, eggs, milk, and sugar . . . Baking is the only language the proud but vulnerable Julia has to communicate what is truly in her heart. But is it enough to call back to her those she’s hurt in the past? Can a hummingbird cake really bring back a lost love? Is there really a ghost dancing in Emily’s backyard? The answers are never what you expect. But in this town of lovable misfits, the unexpected fits right in.

    The last volume in an unforgettable trilogy (with A Short History of a Small Place and Off for the Sweet Hereafter)

    Haunted by unanswered questions and her own uncertain future, she flees to Charleston, South Carolina, the place where her parents met, convinced it holds the key to understanding her fractured family and saving her career in academia. Kate is determined to unearth groundbreaking information on a failed 1822 slave revolt—the subject of her mother’s own research.Nearly two centuries earlier, Tom Russell, a gifted blacksmith and slave, grappled with a terrible choice: arm the uprising spearheaded by members of the fiercely independent African Methodist Episcopal Church or keep his own neck out of the noose and protect the woman he loves.Kate’s attempts to discover what drove her mother’s dangerous obsession with Charleston’s tumultuous history are derailed by a horrific massacre in the very same landmark church. In the unimaginable aftermath, Kate discovers a family she never knew existed as the city unites with a powerful message of hope and forgiveness for the world.

    At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, "cold as death, mean as a snake," becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney—and leads to a final, harrowing encounter from which there can be no turning back.

    Ephram Jennings has never forgotten the beautiful girl with the long braids running through the piney woods of Liberty, their small East Texas town. Young Ruby, "the kind of pretty it hurt to look at," has suffered beyond imagining, so as soon as she can, she flees suffocating Liberty for the bright pull of 1950s New York. Ruby quickly winds her way into the ripe center of the city--the darkened piano bars and hidden alleyways of the Village--all the while hoping for a glimpse of the red hair and green eyes of her mother. When a telegram from her cousin forces her to return home, thirty-year-old Ruby Bell finds herself reliving the devastating violence of her girlhood. With the terrifying realization that she might not be strong enough to fight her way back out again, Ruby struggles to survive her memories of the town's dark past. Meanwhile, Ephram must choose between loyalty to the sister who raised him and the chance for a life with the woman he has loved since he was a boy.Full of life, exquisitely written, and suffused with the pastoral beauty of the rural South, Ruby is a transcendent novel of passion and courage. This wondrous page-turner rushes through the red dust and gossip of Main Street, to the pit fire where men swill bootleg outside Bloom's Juke, to Celia Jennings's kitchen where a cake is being made, yolk by yolk, that Ephram will use to try to begin again with Ruby. Utterly transfixing, with unforgettable characters, riveting suspense, and breathtaking, luminous prose, Ruby offers an unflinching portrait of man's dark acts and the promise of the redemptive power of love.

    This widowed mother of a thirteen-year-old has decided it's time for a fresh start for both of them, time to leave behind Carbondale, Illinois, and the pain of loss. Tessie and her daughter move to Gainesville, Florida, where they discover that they aren't the only ones struggling to move forward in the wake of tremendous grief. Betsy Carter has perfectly captured both the innocence of the 1950s, when even the complex events of our lives seemed somehow easier to endure, and the startling and irreversible changes of the 1960s. A story about the relationships people develop in the face of loss, The Orange Blossom Special introduces us to a remarkable cast of characters, all of whom are tested—and transformed—by the changes in their midst. In her own touching and funny style, Carter shows us the unexpected ways in which strangers can become family.

    What’s more, Lilith suggests their daughters, both incoming freshman, room together. What Wilda doesn’t know is that it's all part of Lilith’s plan to ensure her own daughter receives an Alpha Delt bid—no matter what.Cali Watkins possesses all the qualities sororities are looking for in a potential new member. She’s kind and intelligent, makes friends easily, even plans to someday run for governor. But her resume lacks a vital ingredient. Pedigree. Without family money Cali's chances of sorority membership are already thin, but she has an even bigger problem. If anyone discovers the dark family secrets she's hiding, she’ll be dropped from Rush in an instant.For twenty-five years, Miss Pearl—as her “babies” like to call her—has been housekeeper and a second mother to the Alpha Delt girls, even though it reminds her of a painful part of her past she’ll never forget. When an opportunity for promotion arises, it seems a natural fit. But Lilith Whitmore slams her Prada heel down fast, crushing Miss Pearl’s hopes of a better future. When Wilda and the girls find out, they devise a plan destined to change Alpha Delta Beta—and maybe the entire Greek system—forever. Achingly poignant, yet laugh-out-loud funny, RUSH takes a sharp nuanced look at a centuries-old tradition while exploring the complex, intimate relationships between mothers and daughters and female friends. Brimming with heart and hope for a better tomorrow, RUSH is an uplifting novel universal to us all.

    Nathan Coulter begins Wendell Berry's sequence of novels about the citizens of Port William, Kentucky- a setting that is taking its place alongside Yoknapatawpha County, Mississippi, and Winesburg, Ohio, as one of our most distinctive and recognizable literary locales.

    It’s the late eighties in Long Island, New York, and eighteen-year-old Harlan Kessler plays in a band, parties with friends, and struggles with a family that offers anything but a Kodak moment. The one ray of hope in Harlan’s life is Sarah DeRosa. With her by his side, Harlan just might make the right choices between love and aggression, intimacy and absence, finding himself and losing his mind. . . .

    At thirty-one and still, shockingly, unmarried, Grace has scandalized her staunchly traditional Italian family by moving in with her boyfriend Michael—who, though a truly great guy, is agnostic, commitment-phobic, a scientist, and (horror of horrors) Irish!Grace adores her parents even though they drive her crazy—and she knows they'd love Michael if they got to know him, but Big Al won't let him into their house. And so the stage is set for a major showdown—which, along with a devastating, unexpected crisis and, perhaps, a miracle or two, just might change Grace's outlook on love, family, and her new life in the new South.

    Her husband is mostly absent, and, in 1929, her scandalous, beloved younger sister is one of the 42 killed in an explosion at the local dance hall. Who is to blame? Mobsters from St. Louis? The embittered local gypsies? The preacher who railed against the loose morals of the waltzing couples? Or could it have been a colossal accident? Alma thinks she knows the answer—and that its roots lie in a dangerous love affair. Her dogged pursuit of justice makes her an outcast and causes a long-standing rift with her own son. By telling her story to her grandson, she finally gains some solace—and peace for her sister. He is advised to "Tell it. Go on and tell it"—tell the story of his family's struggles, suspicions, secrets, and triumphs.

    Easter finds her life in the Pentecostal Holiness church and its music, while Anneth dances and drinks in less-than-holy honky-tonks. Will the differences in their young lives and in their very natures tear them apart or will the bond of the sisters prevail? In lucid prose with an ear for the voice of the sisters’ time and place, Silas House brings readers a rich and moving story of coal country.This novel was named The Appalachian Book of the Year, and was a finalist for the Southern Book Critics Circle Prize.Blair brings this novel into a beautiful new paperback edition, along with two other Silas House novels, Clay’s Quilt and A Parchment of Leaves. The three novels, which share a common setting and some characters, are companion novels. They may be read individually, in any order, but collectively, they form a rich tableau of life in rural mountain Kentucky in the last century.

    People depend on her to slaughter the hogs and nurse the dying. People are weak, and there is so much to do. At just seventeen she marries and moves down into the valley of Gap Creek, where perhaps life will be better.But Julie and Hank's new life in the valley, in the last years of the nineteenth century, is more complicated than the couple ever imagined. Sometimes it's hard to tell what to fear most—the fires and floods or the flesh-and-blood grifters, drunks, and busybodies who insinuate themselves into their new life. To survive, they must find out whether love can keep chaos and madness at bay. Their struggles with nature, with work, with the changing century, and with the disappointments and triumphs of their union make Gap Creek a timeless story of a marriage.A native of the North Carolina mountains, Robert Morgan was raised on land settled by his Welsh ancestors. An accomplished novelist and poet, he has won the James B. Hanes Poetry Prize, the North Carolina Award in Literature, and the Jacaranda Review Fiction Prize. His short stories have appeared in Prize Stories: The O. Henry Awards and New Stories from the South, and his novel The Truest Pleasure was a finalist for the Southern Book Critics Circle Award for Fiction.

    Not since the love of her life, Pierce McGovern, left her years ago without a word. Now, she leads a quiet life surrounded by her four matchmaking sisters, running a historic movie theater and collecting old wartime letters. But she leaves the letters unopened, preferring to imagine their possibilities rather than risk being disappointed.Then Pierce comes back to town, shattering Brenna's hard-earned peace-and forcing her to re-examine everything, and realize that if she doesn't come to terms with the life she let slip away, she may never have the courage to go after the life she wants.