He becomes obsessed with a young dancer whom he believes is the double of his beloved wife, leading him to psychological torment and humiliation, culminating in a deranged murder. This 1892 work is a poet's novel, dense, visionary, and haunting. Bruges, the 'dead city', becomes a metaphor for Hugues' dead wife as he follows its mournful labyrinth of streets and canals in a cyclical promenade of reflection and allusion--the ultimate evocation of Rodenbach's lifelong love affair with the enduring mystery and mortuary atmosphere of Bruges.

    Together they embark upon a riotously Bohemian life, full of gaiety, color and bustle. And then there is Kate, the enigmatic German girl with the mysterious smile.Capricious, untamed and curiously innocent, Kate steals their hearts in turn, and so begins the moving and tender story of three people in love, with each other and with life. Francois Truffaut, whose film of the novel is one of cinema's greatest achievments, has called Jules et Jim "a perfect hymn to love."Henri-Pierre Roch devoted his life to the arts, numbering Duchamp, Brancusi, Braque, Satie and Picasso amongst his closest friends. Jules et Jim, an autobiographical novel, was originally published in France in 1953 and was followed by Deux Anglaises et le Continent, which Truffaut also made into a film."A delightful account of people sharing and unsharing each other."?Times Literary Supplement

    When first published, La Batarde earned Violette Leduc comparisons to Jean Genet for the frank depiction of her sexual escapades and immoral behavior. A confession that contains portraits of several famous French authors, this book is more than just a scintillating memoir. Like that of Henry Miller, Leduc's brilliant writing style and attention to language transform this autobiography into a work of art.Violette Leduc was born the illegitimate daughter of a servant girl and was encouraged to write by Maurice Sachs and Simone de Beauvoir. Her first novel, L'Asphyxie (In the Prison of Her Skin), was published by Camus for Gallimard and earned her praise from Jean-Paul Sartre, Jean Cocteau, and Jean Genet. She went on to write eight more books, including Ravages, L'Affamee, and La Folie en tete (Mad in Pursuit), the second part of her literary autobiography.

    It is a work of unmasking the cynical double moral standards of the Victorian era: The love of Camille and Teleny is shattered by social reprisals. The book was published in 1893 in 200 copies by Leonard Smithers who praised it as being "the most powerful and cleverly written erotic romance which has appeared in the English language" during that era, "a book that will certainly rank as the chief of its class."

    First published in London in July 1879, The Pearl provided unrestrained erotica for every taste.

    Written in 1933, at the time when Artaud was preparing to stage his legendary Theatre of Cruelty, Heliogabalus is a powerful concoction of sexual excess, self-deification and terminal violence. Reflecting its author's preoccupations with the occult, magic, Satan, and a range of esoteric religions, this account of Heliogabalus' reign invents incidents in the Emperor's life in order to make the print of the author's own passionate denunciations of modern existence. Heliogabalus is Artaud's greatest and most revolutionary masterpiece: an incendiary work that reveals both the divine cruelty of the Roman Emperor and that of Artaud himself. -- Stephen Barber

    Cassandra's sheltered life is transformed when she gets employed as governess to the Baron's children in a grand house in Hampstead. He draws her into games where lust can feed on the erotic charge of submission. Games where only he knows the rules and where unusual pleasures can flourish.

    Happy are the happy. —Jorge Luis BorgesSchnitzler’s La Ronde gives these twenty short chapters their shape while Borges’s poem gives them their content. As we move from story to story, thrilled to reconnect with an old acquaintance from an earlier scene, we can’t help but admit that we are very much at home in this human comedy that understands all too well the passing thoughts, desires, actions, fears, and mistakes that we have and make day after day, but that we would be incapable of rendering with such acuity and compassion.

    Sagan's second novel tells the story of Dominique, a bored twenty-year-old law student at the Sorbonne in mid-1950's Paris, who embarks on a love affair with a middle-aged man.

    Alan S. Fredrick summarizes missing episodes and includes a translation of 'The Tale of Tristan's Madness.'One of the earliest extant versions of the Tristan and Yseut story, Beroul's French manuscript of The Romance of Tristan dates back to the middle of the twelfth century. It recounts the legend of Tristan, nephew of King Mark of Cornwall, and the king's Irish wife Yseut, who fall passionately in love after mistakenly drinking a potion. Their illicit romance remains secret for many years, but the relentless suspicion of the king's barons and the fading effects of the magic draught eventually lead to tragedy for the lovers. While Beroul's work emphasizes the impulsive and often brutal behaviour of the characters, its sympathetic depiction of two people strug1150gling against their destiny is one of the most powerful versions of this enduringly popular legend.

    He has an operating theatre in the basement of his chateau and keeps his partner Eve imprisoned in her bedroom, a room he has equipped with an intercom and 300-watt speakers through which he bellows orders. Eve is only allowed out to be paraded at cocktail parties and on the last Sunday of each month, when the couple visit a young woman in a mental asylum. Following these outings, Lafargue humiliates Eve by forcing her to perform lewd sexual acts with strangers while he watches through a one-way mirror. In alternating chapters, Jonquet introduces seemingly unrelated characters - a criminal on the run after murdering a policeman, and an abducted young man who finds himself chained naked in a dark chamber, forced to endure all manner of physical torture at the hands of a mysterious stranger, whom he calls 'Mygale', after a type of tropical spider. All of these characters are caught in a deceitful web, doomed to meet their fate.

    Maximilien Aue has reinvented himself, many years after the war, as a middle-class family man and factory owner in France. An intellectual steeped in philosophy, literature, and classical music, he is also a cold-blooded assassin and the consummate bureaucrat. Through the eyes of this cultivated yet monstrous man we experience in disturbingly precise detail the horrors of the Second World War and the Nazi genocide of the Jews. Eichmann, Himmler, Göring, Speer, Heydrich, Höss—even Hitler himself—play a role in Max's story. An intense and hallucinatory historical epic, The Kindly Ones is also a morally challenging read. It holds a mirror up to humanity—and the reader cannot look away.

    Self-discovery in a convent leads her to her confessor, Father Dirrag, and she is soon launched upon the path of reason that convinces her that passion and love of the Deity are equal gifts of God. With additional mentors, Therese learns that sensations are but a part of temperament, as natural as hunger and thirst, and all may be satisfied as long as it does not harm others.

    When Tom Brangwen marries a Polish widow,Lydia Lensky, and adopts her daughter Anna as his own, he is unprepared for the conflict and passion that erupts between them. All are seeking individual fulfilment, but it is Ursula, Anna's spirited daughter, who, in search for self-knowledge, rejects the conventional role of womanhood.