In Chronicler of the Winds, he gives us something different: a beautifully crafted novel that is a testament to the power of storytelling itself. On the rooftop of a theater in an African port, a ten-year-old boy lies slowly dying of bullet wounds. He is Nelio, a leader of street kids, rumored to be a healer and a prophet, and possessed of a strangely ancient wisdom.One of the millions of poor people “forced to eat life raw,” Nelio tells his unforgettable story over the course of nine nights. After bandits cruelly raze his village, he joins the legions of abandoned children living in the city’s streets. An act of the imagination, an effort to prove to his comrades that life must be more than mere survival, cuts short Nelio’s life.Already published in thirteen countries, Chronicler of the Winds was shortlisted for the Nordic Council Prize for Literature and was nominated for the Swedish Publishers Association’s August Prize.

    A heartbreaking and darkly funny portrait of the intricacies of family life, Unquiet is a stunning, genre- bending meditation on time, memory, and language, on growing up and growing old.

    As Strindberg himself wrote in his Preface, he wanted “to imitate the disjointed yet seemingly logical shape of a dream. Everything can happen, everything is possible and probable. Time and place do not exist.”Caryl Churchill’s spare and resonant new version was first staged at the National Theatre, London, in a production by Katie Mitchell, where A Dream Play was called “fresh, new and magical” (Telegraph).Caryl Churchill has written for the stage, television and radio. A renowned and prolific playwright, her plays include Cloud Nine, Top Girls, Far Away, Drunk Enough to Say I Love You?, Bliss, Love and Information, Mad Forest and A Number. In 2002, she received the Obie Lifetime Achievement Award and 2010, she was inducted into the American Theater Hall of Fame.August Strindberg (1849-1912) was a novelist and playwright from Stockholm, Sweden. His plays include Miss Julie, The Father, To Damascus, A Dream Play, and The Pelican. In 1912 Strindberg's birthday was marked by a torchlight procession through Stockholm, where his radical journalism had earned him the title of ‘people’s writer.’

    With his innocence forever lost, Simon must embark on a quest for self-hood that will be his salvation - or ruin.

    They share walks, meals, wine, and dangerous memories. Includes 11 page reader's guide for literature teachers and students.

    Suddenly the island that once seemed so achingly familiar turns strange and dangerous… Until Julia finds herself facing truths she never imagined—about what really happened on that September day twenty years ago, about who may have crossed paths with little Jens in the fog, and how a child could truly vanish without a trace…until now.

    With sly humor, poor farmhand Johan Johansson (Bragging Johnny to his friends) relates the story of his family and the villainous father and son who own their land. Whenever the Johanssons can't pay their rent, the landlords possess themselves of their women; the debt is then temporarily canceled and credit extended. Along with his scripture-citing family and neighbors, Johan struggles to find the hand of Providence in this oppressive, ultimately incestuous arrangement, which ends with a mysterious (though equally arbitrary) "act of God."Although the characters in this parable are simply drawn, the women in Johnny's family make a powerful impression on both narrator and reader. Considering the example of his outwardly compromised mother, Johan says: "There is nothing from without a man, that entering into him can defile him, but the things which come out of him, those are they that defile the man."Geddes's translation is remarkable for its sensitivity to the characters' Bible-tinged speech.

    There, his father the King, who has been searching for him for nine long years, tells him his true name is Mio, and lavishes upon him the loving attention he never received from his foster parents back in Stockholm. Mio learns of a prophecy that has been foretold for thousand of years. With his best friend Pompoo, and his horse with the golden mane, Miramis, he must travel into the darkness of Outer Land to battle the cruel Sir Kato.

    A response to Doctor Glas by Hjalmar Soderberg.

    The story portrays the political situation of Europe in the later Viking Age, Andalusia under Al-Mansur Ibn Abi Aamir, Denmark under Harold Bluetooth, followed by the struggle between Eric the Victorious & Sweyn Forkbeard of Denmark, Ireland under Brian Boru, England under Ethelred the Unready, the Battle of Maldon, all before the backdrop of the gradual Christianisation of Scandinavia, contrasting the pragmatic Norse pagan outlook with Islam & Christianity.

    Not only has he heartlessly tricked his young ex-wife, Jenny, out of her art gallery inheritance, but he has also abandoned his son, Kevin, to die in the middle of the Kenyan savanna.It doesn’t occur to Victor that Kevin might be rescued and adopted by a Maasai medicine man, or that he might be expected to undergo the rituals expected of all new Maasai warriors – which have him running back to Stockholm as fast as you can say circumcision without anaesthetic.Back in Stockholm, Kevin’s path crosses with Jenny’s – and they have an awful lot to talk about, not least a shared desire to get even with Victor. So it’s convenient when they run into a man selling revenge services, who has an ingenious idea involving Victor’s cellar, a goat, some forged paintings, four large boxes of sex toys, and a kilo of flour …

    Today she is regarded as Finland's greatest modern poet. Her poems - written in Swedish - are intensely visionary, and have been compared with Rimbaud's, yet they also show deep affinities with Russian poetry, with the work of Blok, Mayakovsky and Severyanin in particular.Born in 1892 of a Finno-Swedish family, Edith Edith Södergran grew up in Raivola, a village on the Russian border, but was educated at a German school in St. Petersburg. Her early influences were Goethe and Heine, and she wrote first in German. The driving force of Edith Södergran's mature Swedish poetry was her struggle against TB, which she contracted in 1908. For much of her short life she was a semi-invalid in sanatoria in Finland and Switzerland. Her last years were spent amid the turmoil of the Russian Revolution and in desperate poverty in Raivola, where she died in 1923.Edith Edith Södergran saw herself as an inspired free spirit of a new order, a disciple on her own terms of Nietzsche, then of the nature mystic Rudolf Steiner, and finally of Christ. But her voice is subtle and wholly original. It transcends the limits imposed by her illness to make lyrical statements about the violence and darkness of the modern world - imagistic poems that are alarming in the surreal beauty of their fragmentary diction. David McDuff's edition is the first complete translation into English of Edith Edith Södergran's Swedish poetry. His versions adhere as closely as possible to the spirit and the letter of the Swedish original. In his introductory essay David McDuff gives a comprehensive and illuminating account of Edith Edith Södergran's life and work.

    . .Nombeko Mayeki was never meant to be a hero. Born in a Soweto shack, she seemed destined for a short, hard life. But now she is on the run from the world ‘s most ruthless secret service, with three Chinese sisters, twins who are officially one person and an elderly potato farmer. Oh, and the fate of the King of Sweden - and the world - rests on her shoulders.As uproariously funny as Jonas Jonasson’s bestselling debut, this is an entrancing tale of luck, love and international relations.

    This book contains the script to the film, as well as an introduction by writer/director Ingmar Bergman and several B&W stills from the film.The screenplay in this book is identical to that used in the film, except that some sequences did not make it into the final version of the film.

    After writing Fridthjof's Saga Tegner was considered the father of modern Swedish poetry. Fridthjof's Saga dates back to the 8th century in Iceland. King Beli had two sons, Helgi and Halfdan, and a daughter named Ingeborg. On the other side of the fjord, lived the king's friend whose son Frithjof was called "the bold" and he was the bravest among men. Frithjof had been raised together with Ingeborg by their foster-father Hilding. Both Beli and �orsteinn died in war whereupon Helgi and Halfdan ruled the kingdom. The two kings were jealous of Frithjof's excellent qualities and so they refused to let him marry Ingeborg. When Frithjof returned he burnt down Baldr's temple and went away and became a Viking. After three years, he came to king Ring. Just before the old king died, Frithjof's identity was apparent to everybody and the dying king appointed Frithjof Earl and made him the care-taker of Ring and Ingeborg's child. When Ring died, Frithjof and Ingeborg married and he became the king of Ringerike. Then he declared war on Ingeborg's brothers killing one of them and making the second his vassal.