A mysterious, laconic Irish colossus known as ‘Giant’ sweats blood, along with his fellow immigrants, to build the skyscrapers of Rockefeller Center. For a while, he has not received a reply to the typewritten letters he continues to send, as well as money, to the other side of the ocean, to Mary Ann, the wife of one of his colleagues who died accidentally. Giant, who seems to be afraid of nothing, still has not found the courage to reveal to the young woman that she is a widow ... What does her silence mean? An entrancing everyday working-class tale with the majestic background of the rising skyscrapers of New York.

    Series co-executive producer Peter Johnson (Supernatural: Rising Son) and series writer Zev Borow join with artists Jeremy Haun (The Leading Man), Phil Noto (Jonah Hex) to take Chuck Bartowski and his friends on a globe-trotting, action-packed adventure too big for television! Will Chuck survive his first trips to Japan, South America, Eastern Europe and Singapore?

    

    As a consequence of this accident, he developed phenomenal physical strength. But what actually happened? How did Obelix make that life-altering plunge?Here is the full story of what took place on that incredible day.

    In 2002, Fantagraphics embarked on a publishing plan to reintroduce the greatest strip of the first-half of the 20th Century (the Peanuts of its era) to a public that has largely never seen it: this volume is the fourth in a long-term plan to chronologically reprint strips from the prime of Herriman's career, most of which have not seen print since originally running in newspapers 75 years ago. Each volume is edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware, who may well go down as the best cartoonist of the 21st Century. Krazy & Ignatz 1931-1932 is a hot-baked brickbat of a volume, a dance with nearly two full years of the Sunday Krazy Kat (Herriman did not use color until 1935), snug between multiple pages of Herriman extras, including an extensive essay by series editor Bill Blackbeard on pre-Kat Herriman work (with reproductions from rare "Baron Mooch" and "Gooseberry Sprig" strips, and a rarely-seen 1923 full-page drawing of the Kat done for Circulation magazine), and, best of all, a 30-page sequence of over two straight months' worth of 1931 dailies! Plus a new "Debaffler" page decoding Krazy arcana, and a stunning layout front and back and throughout by the inimitable Chris Ware! Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.

    A quarter of a century later, this dark, funny, consistently surprising masterpiece has finally been translated into English.An unexpected yet smoothly confident collaboration between the darkly cynical Jacques Tardi and the playful fantasist Jean-Claude Forest (of Barbarella fame), You Are There is set on a small island off the coast of France, where unscrupulous landowners have succeeded in taking over the land from the last heir of a previously wealthy family. That heir, whose domain, in a Beckettian twist, is now reduced to the walls that border these patches of land he used to own, prowls the walls all day, eking out a living by collecting tolls at each gate. His seemingly hopeless struggle to recover his birthright becomes complicated as the government sees a way of using his plight for the sake of political expediency, and the romantic intervention of the daughter of one of the landowners (who has her own sordid history with the politician) engenders further difficulties, culminating in an apocalyptic, hallucinatory finale.Set in Tardi’s preferred early 20th century milieu, You Are There is drawn in his crisp 1980s neo-“clear line” style, gorgeously detailed, elegantly stylized, with impossibly deep slabs of black. You Are There is a feast for both the eyes and the brain.

    Prepare for Minion Madness.From the creators of Despicable Me comes a brand new movie adventure in yellow...Minions. This fresh new comic featuring the stars of the upcoming movie brings together a collection of hilarious comic stories featuring everyone's favourite yellow, banana-loving henchmen.

    When she returns to the bookstore to buy the next volume, the high school girl working there--Urara, a seasoned BL fan--notices a budding fangirl when she sees one. When Urara offers to help Ichinoi explore this whole new world of fiction, the two dive into BL fandom together, and form an unlikely friendship along the way.

    Henry James, the newest exterminator, sees the job as a way to cleanse the sins of his dark past, he has a hard time getting his view across to his careerist girlfriend, sociopathic partner and the general bunch of freaks he calls co-workers. Meanwhile, what Henry and the "bug brothers" of Bug-Bee-Gone Co. don't understand is that human beings may be the true pests — and bugs could be the real exterminator.Collects issues 1-5.

    The privacy, as it turns out, is to build a mode of transportation that can get him through earth and seas to his beloved far, far away. As unpredictable and totally original as 'Glacial Period,' this is a Plymptonesque tale filled with absurd, irresistible bittersweet humor.

    Unfortunately, the first place his search takes him is the bottom of a bottle as he careens from one off-kilter encounter to another in search of himself.

    I never miss a meal."-Dan Piraro, cartoonist of Bizarro We've all been forced to endure jobs we don't like. We get up, go to work, go to bed, and do it again. No one knows these pains better than Doug Savage, whose dream of being a cartoonist was eclipsed by his ho- hum office job. That is, until he started doodling chicken cartoons on Post-its and turned them into one of the Internet's most popular cartoon blogs. "Savage Chickens" is a collection of cartoons starring Doug's beloved chickens and their officemates that will get a laugh out of even the most jaded number-crunching colleague. Doug blends cynicism, optimism, and interactive activities to create a portable pep talk for the overworked and underappreciated that will keep you sane-and amused- during the morning bus ride, the meeting-filled Monday, the tenth load of laundry, the bathroom break, or the red-eye to the coast.Watch a Video

    A touch of death, of fear, of anger infects all, gripping at the soul, and wreaking havoc on the lives of those in its path. In this now-classic chapter of the Grendel saga, we return to Brian Li Sung, a once-successful Broadway stage manager who became Grendel after losing the love of his life-the granddaughter of the original Grendel, Hunter Rose. Now down and out, living in the slums of Brooklyn, Li Sung struggles as an off-off-off-Broadway stage manager by day; by night, he stews in the hatred and violence that is Grendel, and becomes a cold-blooded killer. When old friends can't help him, and the city can no longer cope with this scourge of destruction, it's up to one desperate cop to stop the murderous rampage, or die trying.

    Who would have ever guessed that ten years later, he would have multiple volumes of critically acclaimed cartoons under his belt and a rich, satisfying career? The Too Much Coffee Man Omnibus gathers all of the cartoons from four hilarious volumes of work, bringing together all of Wheeler's signature satire and sweetness in one convenient package. Essential for Too Much Coffee Man fans, and sure to convert new ones!

    The second half of the book consists of a short interview with Kago (and Ryuichi Kasumi, a Japanese crime fiction writer) and a number of short stories.