This biography by Brigitte Hamann reveals the truth of a complex and touching, curiously modern personality, her refusals to conform, escaping to a life of her own, filled with literature, ideas and the new political passions of the age.This edition is a translation into English from the original German by Ruth Hein.

    That, of course, is a matter of opinion. And there are other layers to the story.With a combination of novelistic flair and historical accuracy, Kate Williams begins by relating the heartbreaking story of Princess Charlotte, the Queen who never was, and her impact on the young Victoria. Our perception of Victoria the Queen is coloured by portraits of her older, widowed self - her dour expression embodying the repressive morality propagated in her time. But Becoming Queen reveals an energetic and vibrant woman, determined to battle for power. It also documents the Byzantine machinations behind Victoria's quest to occupy the throne, and shows how her struggles did not end when finally the crown was placed on her head.In the late eighteenth century, monarchies were in crisis across Europe. Discontented with their mad King, George III, and his spendthrift offspring, the English pinned their hopes on the only legitimate grandchild: Princess Charlotte, daughter of George, Prince of Wales. But Charlotte died at the age of twenty-two, a few hours after giving birth to a stillborn son. A grieving nation immediately began venerating her as someone who would have made an ideal Queen while Charlotte's rackety uncles embarked on a race to produce the next heir.No one thought that little Victoria, daughter of the Duke of Kent, would ascend the throne. She, in turn, became increasingly determined to take control of her own destiny, and clashed constantly not only with her hugely ambitious mother but with her protégé and household comptroller, the Irish adventurer, John Conroy. After she became Queen, ministers, even her beloved Prince Albert, still attempted to steal power away from her.Revealing how Charlotte's death shaped Victoria's reign and laying bare the passions that swirled around the throne, Becoming Queen is an absorbingly dramatic tale of secrets, sexual repression and endless conflict. After her lauded biography of Emma Hamilton, England's Mistress, Kate Williams has produced a most original and intimate portrait of Great Britain's longest reigning monarch.

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    On one hand, they are venerated as saints, innocent victims of Bolshevik assassins, and on the other they are impugned as the unwitting harbingers of revolution and imperial collapse, blamed for all the ills that befell the Russian people in the 20th century. Theirs was also a tragic love story; for whatever else can be said of them, there can be no doubt that Alix and Nicky adored one another. Soon after their engagement, Alix wrote in her fiancé’s diary: “Ever true and ever loving, faithful, pure and strong as death”—words which met their fulfillment twenty-four years later in a blood-spattered cellar in Ekaterinburg. Through the letters and diaries written by the couple and by those around them, Virginia Rounding presents an intimate, penetrating, and fresh portrayal of these two complex figures and of their passion—their love and their suffering. She explores the nature and possible causes of the Empress’s ill health, and examines in depth the enigmatic triangular relationship between Nicky, Alix and their ‘favourite,’ Ania Vyrubova, protégée of the infamous Rasputin, extracting the meaning from words left unsaid, from hints and innuendoes.. The story of Alix and Nicky, of their four daughters known collectively as ‘OTMA’ and of their hemophiliac little boy Alexei, is endlessly fascinating, and Rounding makes these characters come alive, presenting them in all their human dimensions and expertly leading the reader into their vanished world.

    In this critically hailed biography, Leonie Frieda reclaims the story of this unjustly maligned queen to reveal a skilled ruler battling extraordinary political and personal odds -- from a troubled childhood in Florence to her marriage to Henry, son of King Francis I of France; from her transformation of French culture to her fight to protect her throne and her sons' birthright. Based on thousands of private letters, it is a remarkable account of one of the most influential women ever to wear a crown.

    A barbarous, volatile feudal tsar with a taste for torture; a progressive and enlightened reformer of government and science; a statesman of vision and colossal significance: Peter the Great embodied the greatest strengths and weaknesses of Russia while being at the very forefront of her development.Robert K. Massie delves deep into the life of this captivating historical figure, chronicling the pivotal events that shaped a boy into a legend - including his 'incognito' travels in Europe, his unquenchable curiosity about Western ways, his obsession with the sea and establishment of the stupendous Russian navy, his creation of an unbeatable army, and his relationships with those he loved most: Catherine, his loving mistress, wife, and successor; and Menshikov, the charming, unscrupulous prince who rose to power through Peter's friendship. Impetuous and stubborn, generous and cruel, a man of enormous energy and complexity, Peter the Great is brought fully to life.

    Victoria's matchmaking plans were further complicated by the tumultuous international upheavals of the time: revolution and war were in the air, and kings and queens, princes and princesses were vulnerable targets.Queen Victoria's Matchmaking travels through the glittering, decadent palaces of Russia and Europe, weaving in scandals, political machinations and family tensions to enthralling effect. It is at once an intimate portrait of a royal family and an examination of the conflict caused by the marriages the Queen arranged. At the heart of it all is Victoria herself: doting grandmother one moment; determined Queen Empress the next.

    Russian playwright and historian Radzinsky mines  sources never before available to create a  fascinating portrait of the monarch, and a minute-by-minute account of his terrifying last days.  Updated for the paperback edition.

    During that time the country underwent a massive transformation, taking it from days of grandeur under the tsars to the chaos of revolution and the beginnings of the Soviet Union.At the center of all this tumult were four women of the Romanov dynasty. Marie Alexandrovna and Olga Constantinovna were born into the family, Russian Grand Duchesses at birth. Marie Feodorovna and Marie Pavlovna married into the dynasty, the former born a Princess of Denmark, the latter a Duchess of the German duchy of Mecklendburg-Schwerin.In From Splendor to Revolution, we watch these pampered aristocratic women fight for their lives as the cataclysm of war engulfs them. In a matter of a few short years, they fell from the pinnacle of wealth and power to the depths of danger, poverty, and exile. It is an unforgettable epic story.

    To many people, she is still 'la reine méchante', whose extravagance and frivolity helped to bring down the French monarchy; her indifference to popular suffering epitomised by the (apocryphal) words: 'let them eat cake'. Others are equally passionate in her defence: to them, she is a victim of misogyny.Antonia Fraser examines her influence over the king, Louis XVI, the accusations and sexual slurs made against her, her patronage of the arts which enhanced French cultural life, her imprisonment, the death threats made against her, rumours of lesbian affairs, her trial (during which her young son was forced to testify to sexual abuse by his mother) and her eventual execution by guillotine in 1793.

    In 1774, at the age of seventeen, Georgiana achieved immediate celebrity by marrying one of England's richest and most influential aristocrats, the Duke of Devonshire. Launched into a world of wealth and power, she quickly became the queen of fashionable society, adored by the Prince of Wales, a dear friend of Marie-Antoinette, and leader of the most important salon of her time. Not content with the role of society hostess, she used her connections to enter politics, eventually becoming more influential than most of the men who held office. Her good works and social exploits made her loved by the multitudes, but Georgiana's public success, like Diana's, concealed a personal life that was fraught with suffering. The Duke of Devonshire was unimpressed by his wife's legendary charms, preferring instead those of her closest friend, a woman with whom Georgiana herself was rumored to be on intimate terms. For over twenty years, the three lived together in a jealous and uneasy ménage à trois, during which time both women bore the Duke's children—as well as those of other men.Foreman's descriptions of Georgiana's uncontrollable gambling, all-night drinking, drug taking, and love affairs with the leading politicians of the day give us fascinating insight into the lives of the British aristocracy in the era of the madness of King George III, the American and French revolutions, and the defeat of Napoleon. A gifted young historian whom critics are already likening to Antonia Fraser, Amanda Foreman draws on a wealth of fresh research and writes colorfully and penetratingly about the fascinating Georgiana, whose struggle against her own weaknesses, whose great beauty and flamboyance, and whose determination to play a part in the affairs of the world make her a vibrant, astonishingly contemporary figure.

    A privileged, happy Victorian childhood was touched by tragedy not only with the early deaths of her youngest brother and sister but also that of her young mother. Close to Queen Victoria, Ella spent some of her happiest times in Britain. At 20, however, much against the wishes of her grandmother, who despised everything Russian, Ella became engaged to Grand Duke Serge Alexandrovich, the authoritarian younger brother of Tsar Alexander III. It was at their wedding that her younger sister, Alix, formed a love match with the future Tsar Nicholas II; an event which not only sealed the fate of both sisters, but that of the Imperial House of Romanov. But for these two marriages, the history of Russia might have been very different. With the assassination of her husband, Ella renounced society and, against considerable opposition, founded the first religious Order of its kind in Russia, working for the poor and destitute of Moscow. Though loved for her charitable works and pionerering achievements, Ella, like Nicholas, Alexandra, and fourteen members of their family, met a brutal death at the hands of the Bolsheviks. At the height of the Russian Revolution, she was taken captive to Siberia where, having been clubbed with rifle butts, she was hurled alive into a disused mineshaft and left to die of her injuries. Later retrieved, her incorrupt body was eventually laid to rest on the Mount of Olives. She was subsequently canonized by the Russian Orthodox Church as the Holy Imperial Martyr Saint Elisabeth Romanova.

    Traditional biographies tell us that Queen Victoria inherited the throne as a naïve teenager, when the British Empire was at the height of its power, and seemed doomed to find failure as a monarch and misery as a woman until she married her German cousin Albert and accepted him as her lord and master. Now renowned chronicler Gillian Gill turns this familiar story on its head, revealing a strong, feisty queen and a brilliant, fragile prince working together to build a family based on support, trust, and fidelity, qualities neither had seen much of as children. The love affair that emerges is far more captivating, complex, and relevant than that depicted in any previous account. The epic relationship began poorly. The cousins first met as teenagers for a few brief, awkward, chaperoned weeks in 1836. At seventeen, charming rather than beautiful, Victoria already “showed signs of wanting her own way.” Albert, the boy who had been groomed for her since birth, was chubby, self-absorbed, and showed no interest in girls, let alone this princess. So when they met again in 1839 as queen and presumed prince-consort-to-be, neither had particularly high hopes. But the queen was delighted to discover a grown man, refined, accomplished, and whiskered. “Albert is beautiful!” Victoria wrote, and she proposed just three days later.As Gill reveals, Victoria and Albert entered their marriage longing for intimate companionship, yet each was determined to be the ruler. This dynamic would continue through the years–each spouse, headstrong and impassioned, eager to lead the marriage on his or her own terms. For two decades, Victoria and Albert engaged in a very public contest for dominance. Against all odds, the marriage succeeded, but it was always a work in progress. And in the end, it was Albert’s early death that set the Queen free to create the myth of her marriage as a peaceful idyll and her husband as Galahad, pure and perfect. As Gill shows, the marriage of Victoria and Albert was great not because it was perfect but because it was passionate and complicated. Wonderfully nuanced, surprising, often acerbic–and informed by revealing excerpts from the pair’s journals and letters–We Two is a revolutionary portrait of a queen and her prince, a fascinating modern perspective on a couple who have become a legend.

    It is the extraordinary tale of an exceptional woman, Katherine Swynford, who became first the mistress and later the wife of John of Gaunt, Duke of Lancaster.Katherine Swynford’s charismatic lover was one of the most powerful princes of the 14th century, the effective ruler of England behind the throne of his father Edward III in his declining years, and during the minority of his nephew, Richard II. Katherine herself was enigmatic and intriguing, renowned for her beauty, and regarded by some as dangerous. Her existence was played out against the backdrop of court life at the height of the age of chivalry and she knew most of the great figures of the time — including her brother-in-law, Geoffrey Chaucer. She lived through much of the Hundred Years War, the Black Death, and the Peasants’ Revolt. She knew loss, adversity, and heartbreak, and she survived them all triumphantly. Although Katherine’s story provides unique insights into the life of a medieval woman, she was far from typical in that age. She was an important person in her own right, a woman who had remarkable opportunities, made her own choices, flouted convention, and took control of her own destiny — even of her own public image. Weir brilliantly retrieves Katherine Swynford from the footnotes of history and gives her life and breath again. Perhaps the most dynastically important woman within the English monarchy, she was the mother of the Beauforts and through them the ancestress of the Yorkist kings, the Tudors, the Stuarts, and every other sovereign since — a legacy that has shaped the history of Britain.

    Her childhood was loving and secure, his turbulent: the Duke's grandfather was assassinated, his father arrested, his family exiled, his parents separated by the time he was ten. For almost sixty years theirs have been among the most famous faces in the world—yet the personalities behind the image remain elusive, and the nature of their marriage is an enigma.Gyles Brandreth has met all the principal players in the story. He quotes no anonymous sources; he has known the Duke of Edinburgh for twenty-five years and has interviewed him. This is a unique and revealing portrait of a remarkable partnership.