includes such stories as - "Alice's Adventures in Wonderland", "Through the Looking-Glass", "Sylvie and Bruno", "Sylvie and Bruno Concluded", "The Hunting of the Snark" and the poetry, essays and phantasmagoria along with a collection of the author's miscellaneous writings.

    He wants to be a clown and make them laugh. His mother and sister want him to stay in England and go to university.Hero, a swallow, has a journey to make too. He must fly to Africa for the winter to join all the other swallows. His journey is difficult and fraught with danger.Three separate stories are woven into one powerful and moving novel whose central theme not only exposes the horrors of war and of landmines, but also the endurance of the human spirit.

    Written at the request of Swedish school authorities and first published in 1906, it is the enchanting and remarkably original tale of Nils Holgersson, a mischievous boy of 14 who is changed by an elf into a tiny being able to understand the speech of birds and animals.Brilliantly weaving fact and fiction into a breathtaking and beautiful fable, the story recounts Nils's adventures as he is transported over the countryside on the back of a goose. From this vantage point, Nils witnesses a host of events that provide young readers with an abundance of information about nature, geography, folklore, animal life, and more.Reset in easy-to-read type and enhanced with 10 new illustrations, this inexpensive, unabridged edition will bring new generations of readers under the magical spell of a timeless classic.

    Now they are alone. With the war raging around them, food and shelter are hard to come by. They live in constant fear.Finally, they get word that their father is alive. He has made it to Switzerland. Edek and Ruth are determined to find him, though they know how dangerous the long trip from Warsaw will be. But they also know that if they don't make it, they may never see their parents again.Their gripping story is taken from actual accounts.

    Breaking the well-established routine of his daily life, he immediately sets off for Dover with his astonished valet Passepartout. Passing through exotic lands and dangerous locations, they seize whatever transportation is at hand—whether train or elephant—overcoming set-backs and always racing against the clock.

    Surrounded by the magic of beautiful women and literature, a boy must endure the deprivations of war as he suffers the hardships of growing up. His sleepy country has just thrown off centuries of tyranny, but new waves of domination inundate his city. Through the boy's eyes, we see the terrors of World War II as he witnesses fascist invasions, allied bombings, partisan infighting, and the many faces of human cruelty as well as the simple pleasures of life. Evacuating to the countryside, he expects to find an ideal world full of extraordinary things but discovers instead an archaic backwater where a severed arm becomes a talisman and deflowered girls mysteriously vanish. Woven between the chapters of the boy's story are tantalizing fragments of the city's history. As the devastation mounts, the fragments lose coherence, and we perceive firsthand how the violence of war destroys more than just buildings and bridges.

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    With a timeless charm it tells the story of a little boy who leaves the safety of his own tiny planet to travel the universe, learning the vagaries of adult behaviour through a series of extraordinary encounters. His personal odyssey culminates in a voyage to Earth and further adventures.Letter to a Hostage, which contains certain themes that were to appear in The Little Prince, is Saint-Exupery's optimistic and humane open letter to a Jewish intellectual hiding in occupied France in 1943.

    Instead she celebrates her Found Day, the day a housemaid and a cook to three eccentric Viennese professors found her and took her home. There, Annika has made a happy life in the servants' quarters, surrounded with friends, including the elderly woman next door who regales Annika with stories of her performing days and her countless admirers - especially the Russian count who gave her the legendary emerald, the Star of Kazan. And yet, Annika still dreams of finding her true mother. But when a glamorous stranger arrives claiming to be Annika's mother, and whisks her away to a crumbling, spooky castle, Annika discovers that all is not as it seems in her newfound home...

    Prequel to When Patty Went to College book.Jean Webster (pseudonym for Alice Jane Chandler Webster) was born July 24, 1876 and died June 11, 1916. She was an American writer and author of many books including Daddy-Long-Legs and Dear Enemy.

    Eliot for his godchildren and friends in the thirties. They have delighted generations of children since, and inspired Andrew Lloyd Webber's brilliant musical Cats.

    She believes that Hitler is helping the world by dealing with what he calls the "Jewish problem." When Korinna discovers that her parents are secretly hiding Jews in their house and helping them to escape the city, she is shocked. And her loyalties are put to an extreme test when a neighbor tips off the Gestapo.

    With their human owners, the Dearlys, to look after them, they lived in a comfortable home in London with their 15 adorable Dalmatian puppies, loved and admired by all. Especially the Dearlys' neighbor Cruella de Vil, a fur-fancying fashion plate with designs on the Dalmatians' spotted coats! So, when the puppies are stolen from the Dearly home, and even Scotland Yard is unable to find them, Pongo and Missis know they must take matters into their own paws! The delightful children's classic adapted twice for popular Disney productions. Ages 8-11

    It was first published in the pulp magazine All-Story Magazine in October, 1912. The character was so popular that Burroughs continued the series into the 1940s with two dozen sequels.

    Barrie first created Peter Pan as a baby, living a wild and secret life with birds and fairies in the middle of London. Later Barrie let this remarkable child grow a little older and he became the boy-hero of Neverland, making his first appearance, with Wendy, Captain Hook, and the Lost Boys, in Peter and Wendy. The Peter Pan stories were Barrie's only works for children but, as their persistent popularity shows, their themes of imaginative escape continue to charm even those who long ago left Neverland. This is the first edition to include both texts in one volume and the first to a present an extensively annotated text for Peter Pan in Kensington Gardens.