What is at stake in male homo/heterosexual definition? Through readings of Melville, Nietzsche, Wilde, James and Proust, the author argues that the vexed imperatives to specify straight and gay identities have become central to every important form of knowledge of the 20th century.

    Nationally known gender activist Riki Wilchins combines straightforward prose with concrete examples from LGBT and feminist politics, as well as her own life, to guide the reader through the ideas that have forever altered our understanding of bodies, sex and desire. This is that rare postmodern theory book that combines accessibility, passion, personal experience and applied politics, noting at every turn why these ideas matter and how they can affect your daily life.Riki Wilchins is the founding executive director of the Gender Public Advocacy Coalition. The author of Read My Lips and GenderQueer. She was selected by Time magazine as one of “100 Civic Innovators for the 21st Century.”

    But after a failed assassination attempt on the world’s leading cybercrime specialist at a conference in Reykjavík, it is the only place left to hide. When the Icelandic State Police run out of resources, responsibility for hunting the assassins is given to the Polar Task Force, and it is native Icelander Hákon Siggurdsson’s job to lead a team into the interior. Plagued by political agendas of sovereignty and power, the Polar Task Force, including members chosen from each of the countries located in the Arctic, needs a win to ensure the survival of the unit. The pressure is on, and it is up to Hákon to choose his team, complete the mission, and bring them back alive. For any other task force, a winter pursuit of well-armed assassins into Iceland’s interior is nothing short of madness. For Hákon Siggurdsson and his team, it’s a question of survival. “Northern Light” is the first in the Polar Task Force series of Arctic thrillers.

    Although they live in the same north London neighbourhood of Stamford Hill, they come from two culturally different communities that rarely interact.Miri is a sheltered but contemplative young woman from a Chassidic family. Her strict upbringing has prevented her from pursuing a career or being allowed to date. She has never even spoken to a boy other than a close relative. Soon, she will be expected to marry, but she fears being forced into an unsuitable shidduch (traditional, arranged marriage).When her more adventurous friend invites her for an evening out, she agrees on a whim. It is an experience she will never forget. There, she meets Ben. Kind, sensitive, and hiding his own secret pain, Ben is from the exiled, Middle Eastern Jewish community of Aden. Despite their differences, Ben and Miri are drawn to one another. What her friend only intended as a bit of harmless fun soon develops into something more serious, with far-reaching consequences for them all, and risks tearing Miri’s family apart.With distinct nuances from two little-known communities, Ayuni is a powerful story about forbidden love, loss, the complexities of family and community, and the bonds of friendship.

    This book is the story of the life of Nisa, a member of the !Kung tribe of hunter-gatherers from southern Africa's Kalahari desert. Told in her own words--earthy, emotional, vivid--to Marjorie Shostak, a Harvard anthropologist who succeeded, with Nisa's collaboration, in breaking through the immense barriers of language and culture, the story is a fascinating view of a remarkable woman.

    Rupp accomplishes what few scholars have even attempted: she combines a vast array of scholarship on supposedly discrete episodes in American history into an entertaining and entirely readable story of same-sex desire across the country and the centuries."Most extraordinary about Leila J. Rupp's indeed short, two-hundred-page history of 'same-sex love and sexuality' is not that it manages to account for such a variety of individuals, races, and classes or take in such a broad chronological and thematic range, but rather that it does all this with such verve, lucidity, and analytical rigor. . . . [A]n elegant, inspiring survey." —John Howard, Journal of American History

    A woman’s slightest infractions were met with brutal public beatings. That is why it is both appropriate and incredible that the sole effective civil resistance to Taliban rule was made by women. Veiled Courage reveals the remarkable bravery and spirit of the women of the Revolutionary Association of the Women of Afghanistan (RAWA), whose daring clandestine activities defied the forces of the Taliban and earned the world’s fierce admiration. The complete subordination of women was one of the first acts of the Taliban. But the women of RAWA refused to cower. They used the burqa to their advantage, secretly photographing Taliban beatings and executions, and posting the gruesome pictures on their multi-language website, rawa.org, which is read around the world. They organized to educate girls and women in underground schools and to run small businesses in the border towns of Pakistan that allowed widows to support their families.If caught, any RAWA activist would have faced sure death. Yet they persisted. With the overthrow of the Taliban now a reality, RAWA faces a new challenge: defeating the powers of Islamic fundamentalism of which the Taliban are only one face and helping build a society in which women are guaranteed full human rights. Cheryl Benard, an American sociologist and an important advisor to RAWA, uses her inside access to write the first behind-the-scenes story of RAWA and its remarkably brave women. Veiled Courage will change the way Americans think of Afghanistan, casting its people and its future in a new, more hopeful light.From the Hardcover edition.

    In Veiled Threat, Sally Armstrong introduces several of these women—including the deputy prime minister of Afghanistan, Dr. Sima Samar—who describe the living hell they experienced as well as the quiet rebellion—clandestine schools for girls and health clinics for women—that took place in an effort to subvert the Taliban's hateful edicts.One of the first Western journalists to visit Afghanistan, Armstrong gives us an insider's view of the deplorable situation. She also provides a broader perspective, leading us through the history of Afghanistan, including the ebb and flow of women's rights. She examines what the Koran actually says about women. She points a finger at the international community for accepting women's oppression in the name of culture, and she accuses the Taliban and other fundamentalist leaders of distorting Islam for political opportunism. While there have been other books about the women in Afghanistan, VEILED THREAT holds a unique position. There have been two autobiographies: ZOYA'S STORY and MY FORBIDDEN FACE; a photo book, UNVEILED; and a book about RAWA (Revolutionary Association of the Women of Afghanistan) called VEILED COURAGE. VEILD THREAT is much broader in its approach.

    Writing in a lyrical mixture of Spanish and English that is her unique heritage, she meditates on the condition of Chicanos in Anglo culture, women in Hispanic culture, and lesbians in the straight world. Her essays and poems range over broad territory, moving from the plight of undocumented migrant workers to memories of her grandmother, from Aztec religion to the agony of writing. Anzaldua is a rebellious and willful talent who recognizes that life on the border, "life in the shadows," is vital territory for both literature and civilization. Venting her anger on all oppressors of people who are culturally or sexually different, the author has produced a powerful document that belongs in all collections with emphasis on Hispanic American or feminist issues.

    Unfurling and unrelenting in its delivery, Candrilli has painted “the mountain” in excruciating detail. They show readers a world of Borax cured bear hides and canned peaches, of urine-filled Gatorade bottles and the syringe and all the syringe may carry. They show a violent world and its many personas. What Runs Over, too, is a story of rural queerness, of a transgender boy almost lost to the forest. The miracle of What Runs Over is that Candrilli has lived to write it at all."When Roethke said 'energy is the soul of poetry,' he might have been anticipating a book like What Runs Over, which is so full of energy it practically vibrates in your hand. Here, Candrilli’s speaker sticks their tongue 'into the heads / of venus fly traps just to feel the bite,' then later, burns holy books in the backyard and rolls around in the ashes until they become 'a painted god.' This is the verve of an urgent new poetic voice announcing itself to the world. As Candrilli writes: 'This is what I look like / when I’m trying to save myself.'"-Kaveh Akbar

    The book is organized around problems rather than topics, creating a natural and integrated discussion of such traditional concerns as kinship, caste, gender roles, and religion within the context of meaningful questions, including How can people begin to understand beliefs and behaviors that are different from their own. How do societies give meaning to and justify collective violence? Why are some societies more industrially advanced that others? What can anthropology tell us about attempts to link intelligence and class?

    The mother, Elvira, was hired out as a child, along with her siblings, by their own father to pick cotton in California's Imperial Valley. The daughter, Cherríe Moraga, is a brilliant, pioneering, queer Latina feminist. The story of these two women, and of their people, is woven together in an intimate memoir of critical reflection and deep personal revelation.As a young woman, Elvira left California to work as a cigarette girl in glamorous late-1920s Tijuana, where an ambiguous relationship with a wealthy white man taught her life lessons about power, sex, and opportunity. As Moraga charts her mother's journey--from impressionable young girl to battle-tested matriarch to, later on, an old woman suffering under the yoke of Alzheimer's--she traces her own self-discovery of her gender-queer body and Lesbian identity, as well as her passion for activism and the history of her pueblo. As her mother's memory fails, Moraga is driven to unearth forgotten remnants of a U.S. Mexican diaspora, its indigenous origins, and an American story of cultural loss.Poetically wrought and filled with insight into intergenerational trauma, Native Country of the Heart is a reckoning with white American history and a piercing love letter from a fearless daughter to the mother she will never lose.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    Drawing on a rich trove of diaries, legal records, and other unpublished documents, George Chauncey constructs a fascinating portrait of a vibrant, cohesive gay world that is not supposed to have existed. Called "monumental" (Washington Post), "unassailable" (Boston Globe), "brilliant" (The Nation), and "a first-rate book of history" (The New York Times), Gay New Yorkforever changed how we think about the history of gay life in New York City, and beyond.

    Novel based on the life of the "feminist Robin Hood" in Elizabethan England.