But deeper under the surface are his observations on war, environmental degradation, language, and history, as a father—troubled by violence and human mismanagement of the world—offers advice to a newborn son.

    Passed through, negotiated, unnamed, ignored, the edgelands have become the great wild places on our doorsteps, places so difficult to acknowledge they barely exist. Edgelands forms a critique of what we value as 'wild', and allows our allotments, railways, motorways, wasteland and water a presence in the world, and a strange beauty all of their own.Paul Farley and Michael Symmons Roberts - both well-known poets - have lived and worked and known these places all their lives, and in Edgelands their journeying prose fuses, in the anonymous tradition, to allow this in-between world to speak up for itself. They write about mobile masts and gravel pits, business parks and landfill sites in the same way the Romantic writers forged a way of looking at an overlooked - but now familiar - landscape of hills and lakes and rivers. England, the first country to industrialise, now offers the world's most mature post-industrial terrain, and is still in a state of flux: Edgelands takes the reader on a journey through its forgotten spaces so that we can marvel at this richly mysterious, cheek-by-jowl region in our midst.

    And when he finds this God he tells his brothers, saying: “If I had not come and spoken to you, you would have no sin, but now you have no excuse for your sins.” God reveals himself to man as his eternal contemporary, saying: “Unless you believe that I am he, you will die in your sins,” but man finds it almost impossible to keep the tense. He thinks of God in the third person, addresses him in the second person, but can only know God in a first person, present tense experience. Just imagine - no one can sin until God reveals himself to the individual in a first person, present tense experience. Only then can man have no excuse for his sin. And when one who finds God tells his brothers, he receives no greater reception than the first one did, because they see him as a man of flesh and blood, and cannot see this invisible being who says: “I came down from heaven.” Man is looking for Christ to come from without, but his revelation is whispered from within.

    A quick-witted and vastly entertaining novel that takes Douglas Skelton into the crime fiction big league.” Alex Gray“If you like your humour black and your detective novels hard boiled, The Dead Don’t Boogie is a cut above the rest.” Theresa Talbot“A white-knuckle, wisecracking thriller.” Caro Ramsay A missing teenage girl should be an easy job for Dominic Queste – after all, finding lost souls is what he does best. But sometimes it’s better if those souls stay lost. Jenny Deavers is trouble, especially for an ex-cokehead like Queste. Some truly nasty characters are very keen indeed to get to Jenny, and will stop at nothing... including murder. 
As the bodies pile up, Queste has to use all his street smarts both to protect Jenny and to find out just who wants her dead. The trail leads him to a vicious world of brutal gangsters, merciless hitmen, dark family secrets and an insatiable lust for power in the highest echelons of politics.

    Revenge, justice, loyalty, lies, love, anger and an identity crisis. Turns out, the new chauffeur is not her only driver...so buckle up and enjoy the ride.

    It will then be about them only. It will be all about the one they loved like thunder, about the one they struggled hard to keep, about the one who had left them in the middle of their 'forever', about their world shattering into pieces, about them gluing together every piece, and about them falling in love one more time.And if you still think it is about you and me, you haven't loved someone like thunder, yet.

    They are about love, its complications, pains and joys.

    

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    It was nominated for all three major American book awards: the National Book Critics Circle Award, the Pulitzer Prize for Poetry, and the American Book Award.

    One of the original Beat poets (the coinage "beatnik" is his), Kaufman’s work has always been essentially improvisational, often done to jazz accompaniment. And he became something of a legendary figure at the poetry readings in the early days of the San Francisco renaissance of the 1950s. With his extemporaneous technique, akin in many ways to Surrealist automatic writing, he has produced a body of work ranging from a visionary lyricism infused with satirical, almost Dadaistic elements to a prophetic poetry of political and social protest. Born in New Orleans of mixed Black and Jewish parentage, Kaufman was one of fourteen children. During twenty years in the Merchant Marine, he cultivated an intense taste for literature on his long sea voyages. Settling in California, in the ’50s, he became active in the burgeoning West Coast literary scene. Disappointment, drugs, and imprisonment led him to take a ten-year vow of complete silence that lasted until 1973. The present volume includes previously uncollected poems written prior to his pledge and newer work composed in the years 1973-1978, before the poet once again lapsed into silence.

    Here are the haiku that Keroauc, Saijo, and Welch jotted down in notebooks, along with a recollection of the trip written by Saijo in 1973, a section from Welch's unfinished novel that describes the trip and the return, and Welch's early 1960 letters to Keroauc that continue the bond forged during those days on the road together.Jack Kerouac (1922-1969) was a principal actor in the Beat Generation, a companion of Allen Ginsberg and Neal Cassady in that great adventure. His books include On the Road, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Visions of Cody, Pomes All Sizes (City Lights), Scattered Poems (City Lights), and Scripture of the Golden Eternity (City Lights).Lew Welch (1926-1971?) was an American poet and active participant in the Beat generation literary movement. From 1965 to 1970, he taught a poetry workshop. His works, which were published by City Lights/Grey Fox, include Trip Trap: Haiku on the Road, Selected Poems, and Ring of Bone.Albert Saijo (1929-2011) was a Japanese-American poet and active participant in the Beat Generation literary movement. He and his family were imprisoned, along with many other Japanese-American families, as part of the internment of Japanese Americans during World War II. During this time he wrote about his internment experience for his high school newspaper. After joining the US Army and studying at University of Southern California, he became friends with Jack Keroauc and other influential Beat Generation figures. His famous works include The Backpacker (1972) and Outspeaks: A Rhapsody (1997). A collection of his works from the 80s and 90s, Woodrat Flat, was published posthumously in 2014.

    This chart-topping 2014 album release from Lana Del Rey is presented in piano/vocal/guitar arrangements for all 11 songs: Brooklyn Baby * Cruel World * Money Power Glory * Old Money * The Other Woman * Pretty When You Cry * Sad Girl * Ultraviolence * West Coast * and more.

    Brave in its nakedness, her work like a lucid stream enjoys itself as it keeps its surefooted course. Written with the precision only passion can ensure, the poems commend us to the gay gravity of angels. This is a collection to be indeed relished and prized.' - Theodore Weiss

    For fans stirred by the cerebral lyrics of SOAD albums Hypnotize, Mesmerize, Steal This Album!, Toxicity, and their first, self-titled breakthrough—and for everyone enthusiastic about Serj’s solo album, Imperfect Harmonies—this essential, one-of-a-kind collection of Tankian’s innermost thoughts and feelings is a must-read. Unique illustrations punctuate nearly 70 poems—almost none of which have ever been published before. Glaring through Oblivion is an indispensable find for any true fan.