The birth of two nations.Seventy years ago, at midnight on August 14, 1947, the Union Jack began its final journey down the flagstaff of Viceroy’s House, New Delhi. A fifth of humanity claimed their independence from the greatest empire history has ever seen—but the price of freedom was high, as a nation erupted into riots and bloodshed, partition and war.Freedom at Midnight is the true story of the events surrounding Indian independence, beginning with the appointment of Lord Mountbatten of Burma as the last Viceroy of British India, and ending with the assassination and funeral of Mahatma Gandhi. The book was an international bestseller and achieved enormous acclaim in the United States, Italy, Spain, and France.“There is no single passage in this profoundly researched book that one could actually fault. Having been there most of the time in question and having assisted at most of the encounters, I can vouch for the accuracy of its general mood. It is a work of scholarship, of investigation, research and of significance.”—James Cameron, The New York Sunday Times“Freedom at Midnight is a panoramic spectacular of a book that reads more like sensational fiction than like history, even though it is all true….. The narrative is as lively, as informative and as richly detailed as a maharaja’s palace.”—Judson Hand, The New York Daily News“Outrageously and endlessly fascinating is my awestruck reaction to Freedom at Midnight. The new sure-to-be bestseller by Larry Collins and Dominique Lapierre. It is all here: maharajas and tigers, filth and squalor, extravagance and macabre sex, massacres, smells, starvation, cruelty and heroism. Collins and Lapierre have made human history breathtaking and heartbreaking.”—Margaret Manning, The Boston Globe“No subject, I thought, as I picked up Freedom at Midnight, could be of less interest to me than a story of how Independence came to India after three centuries of British rule. I opened the book and began to flip through the photographs: here was a picture of Gandhi dressed in his loincloth going to have tea with the King of England; there was a picture of a maharaja being measured against his weight in gold; and another of thousands of vultures devouring corpses in the street. I began to read, fascinated. Here was the whole chronicle illustrated with anecdotes and masterful character sketches of how the British had come to India, how they had ruled it and how, finally, compelled by the force of economics and history, they had been forced to leave it divided…… Collins and Lapierre are such good writers that their books are so interesting that they are impossible to put down.”—J.M. Sanchez, The Houston Chronicle

    In this brilliant translation by Matvei Yankelevich, English-language readers now have a comprehensive collection of the prose and poetry that secured Kharms s literary reputation a reputation that grew in Russia even as the Soviet establishment worked to suppress it.A master of formally inventive poetry and what today would be called micro-fiction, Kharms built off the legacy of Russian Futurist writers to create a uniquely deadpan style written out of and in spite of the absurdities of life in Stalinist Russia. Featuring the acclaimed novella The Old Woman and darkly humorous short prose sequence Events (Sluchai), Today I Wrote Nothing also includes dozens of short prose pieces, plays, and poems long admired in Russia, but never before available in English. A major contribution for American readers and students of Russian literature and an exciting discovery for fans of contemporary writers as eclectic as George Saunders, John Ashbery, and Martin McDonagh, Today I Wrote Nothing is an invaluable collection for readers of innovative writing everywhere.About the EditorMATVEI YANKELEVICH is also a co-translator of Oberiu: An Anthology of Russian Absurdism (2006). His translation of the Vladimir Mayakovsky's poem "Cloud in Pants" appears in Night Wraps the Sky: Writings by and About Mayakovsky. He is the author of a long poem, The Present Work, and his writing has appeared in Fence, Open City, and many other literary journals. He teaches Russian Literature at Hunter College in New York City and edits the Eastern European Poets Series at Ugly Duckling Press in Brooklyn.

    Those who have been are often not fully aware of—or are unwilling to accept—the degree to which they have been compromised.’ Till just a few decades ago, much of the world was carved into empires. By the mid twentieth century independent countries had emerged from these, but even after years of political liberation, cultural freedom has eluded formerly colonized nations like India . In this important book, Pavan Varma, best-selling author of the seminal works The Great Indian Middle Class and Being Indian, looks at the consequences of Empire on the Indian psyche. Drawing upon modern Indian history, contemporary events and personal experience, he examines how and why the legacies of colonialism persist in our everyday life, affecting our language, politics, creative expression and self-image. Over six decades after Independence , English remains the most powerful language in India , and has become a means of social and economic exclusion. Our classical arts and literature continue to be neglected, and our popular culture is mindlessly imitative of western trends. Our cities are dotted with incongruous buildings that owe nothing to indigenous traditions of architecture. For all our bravado as an emerging superpower, we remain unnaturally sensitive to both criticism and praise from the Anglo-Saxon world and hunger for its approval. And outside North Block, the headquarters of free India ’s Ministry of Home Affairs, a visitor can still read these lines inscribed by the colonial rulers: ‘ Liberty will not descend to a people, a people must raise themselves to liberty. It is a blessing which must be earned before it can be enjoyed.’ With passion, insight and impeccable logic, Pavan Varma shows why India , and other formerly subject nations, can never truly be free—and certainly not in any position to assume global leader

    An intriguing introduction to psychoanalysis, it shows how subconscious motives underlie even the most ordinary mistakes we make in talking, walking and remembering.The Interpretation of Dreams records Freud's revolutionary inquiry into the meaning of dreams and the power of the unconscious.Three Contributions of the Theory of Sex is the seminal work in which Freud traces the development of sexual instinct in humans from infancy to maturity.Wit and Its Relation to the Unconcious expands on the theories Freud set forth in The Interpretation of Dreams. It demonstrates how all forms of humor attest to the fundamental orderliness of the human mind.Totem and Taboo extends Freud's analysis of the individual psyche to society and culture.The History of the Psychoanalytic Movement makes clear the ultimate incompatibility of Freud's ideas with those of his onetime followers Adler and Jung.The Basic Writings of Sigmund Freud is presented here in the translation by Dr. A. A. Brill, who for almost forty years was the standard bearer of Freudian theories in America.

    In 1612, Mogul emperor Shah Jahan married Mumtaz Mahal. It had been love at first sight and for nineteen years they were so inseparable that Mumtaz even accompanied Shah Jahan to battlefields. When she died suddenly giving birth to their fourteenth child, the emperor set about building a magnificent memorial to his wife. Everything about the Taj was perfectly planned, from the white marble walls that shimmer in the sunlight and sparkle by moonlight, to the countless decorative flowers made from precious gems that still astound visitors today. Recent discoveries at the site make this a timely account of a timeless monument.

    Built by the Moghul emperor Shah Jahan as a memorial to his beloved wife, Mumtaz Mahal, its flawless symmetry and gleaming presence have for centuries dazzled everyone who has seen it, and the story of its creation is a fascinating blend of cultural and architectural heritage. Yet, as Diana & Michael Preston vividly convey in the first narrative history of the Taj, it also reflects the magnificent history of the Moghul Empire itself, for it turned out to mark the high point of the Empire's glory at the same time as it became a tipping point in Moghul fortunes.The roots of the Moghul Empire lie with the legendary warriors Genghis Khan and Tamburlaine; at its height it contained 100 million people, from Afghanistan in the north and present-day Pakistan in the west, to Bengal in the east and southwards deep into central India.. With the storytelling skills that characterize their previous books, Diana & Michael Preston bring alive both the grand sweep of Moghul history and the details that make it memorable: the battles and dynastic rivalries that forged the Empire alongside an intimate chronicle of daily life within the imperial palace. A tale of overwhelming passion, the story of the Taj has the cadences of Greek tragedy and the ripe emotion of grand opera, and puts a memorable human face on the marble masterpiece.

    Guest editor Stephen J. Dubner (Freakonomics) joins series editors Otto Penzler and Thomas Cook for the latest annual installment in what Entertainment Weekly has praised as the best mix of “the political, the macabre, and the downright brilliant,” and People Magazine calls, “arresting reading.”What Whoopi Goldberg ("Not a rape-rape"), Harvey Weinstein ("So-called crime"), et al. are saying in their outrage over the arrest of Raman Polanski ; At the train bridge / Calvin Trillin --Smooth jailing / Rick Anderson --What happenned to Etan Patz? / Lisa R. Cohen --Sex. lies, & videotape / Kevin Gray --Trial by fire / David Grann --Flesh and blood / Pamela Colloff --The celebrity defense / Jeffrey Toobin --The chessboard killer / Peter Savodnik --The great buffalo caper / Maximillian Potter --The man who shot the man who shot Lincoln / Ernest B. Furgurson --The boy who heard too much / David Kushner --Bringing down the dogmen / Skip Hollandsworth --Madoff and his models / Ron Chernow --The sicario / Charles Bowden

     Let me test my presumption with a preview of four these ‘old’ stories. If I told you there was once a west coast sex cult with dozens of young girls, single ladies, and married women, who all fornicated with one well-endowed “prophet,” and he occasionally found it necessary to carry-out bondage S&M sessions here and there, you may not be surprised at all. But what if that sex cult began in 1903 and ended in 1906 with a couple of murders and suicides, does that sound like anything you have read about before? Or, how about a cheater who murders his inconvenient wife, disassembles her over a fifteen hour period, then puts her bones in the same stove he cooks breakfast for his sons before sending them off to school? If that doesn’t surprise you, perhaps the ending will–but you’ll have to find out for yourself. In ‘The Dandy and the Squire,’ a smooth-talking peacock from Kentucky visits his northern ‘cousins,’ and charms three of the women into his bed. He’s a big time operator who talks fancy, dresses fancy, and tells great stories of his days as an adventurer, riverboat gambler, and sharp-minded deal maker. He’s so smooth, he’s able to murder the patriarch’s son, make him look like the bad guy, and marry the boy’s tender-hearted sister before the Yankees get wise to his lies. Good thing, too, because he had also talked the father into giving him the family farm. Chapter Five is the stranger-than-fiction story of ‘Shoebox Annie.’ During the early 20th Century, this trollish-looking woman introduced her freakish-looking son to a life of crime. Their decade’s long spree of lyin’, cheatin’, and stealin’ led them to become America’s first mother and son team of serial killers. They were so good at disposing of bodies, none of their four victims have ever been found. If ‘old’ stories sound boring to readers of contemporary true crime, I hope this book will change minds, and fully reveal just how wicked and decadent our ancestors were. And deadly. Volume II in the Vintage True Crime Stories series is a wrecking ball that smashes to pieces that phrase, “The Good Old Days.” Maybe you will believe me when you get to the last page.

    Life is not easy, especially when she's been blessed with a family that includes a brother who watches TV as an occupation; a father who drinks and regularly bullies his family in alcoholic rage; and a silent, all-suffering mother. Insulated by her dreams of becoming Audrey Hepburn (and daily trips to the local cinema), she observes her family with critical detachment. But her inner world begins to crumble when the inevitable marriage is arranged for her and she runs away to Delhi to work as a maid. There, she falls in with the misfit members of her new household; Raju, the servant with the heart of a revolutionary, Maneka the maid who mysteriously disappears every night, and the seductive but arrogant Armand. But even as she embraces this brave new world she realizes that she can't run forever.Balasubramanyam writes with an effortless air and a strong sense of mischief, but this lightness is shot through with intelligence and a compassion for human frailty. He has created an unforgettable heroine--childlike but determined, naïve yet shrewd--whose delightful voice resonates through the book.

    The perfect alternative to lengthy fiction anthologies, this brief, inexpensive, and diverse collection of 42 short stories provides a concise yet complete introduction to the study of fiction.

    Sunil Khilnani's Incarnations fills that space: recapturing the human dimension of how the world's largest democracy came to be. In this stunning and deeply researched book, accompanying his major BBC Radio 4 series, Khilnani explores the lives of 50 Indians, from the spiritualist Buddha to the capitalist Dhirubhai Ambani --lives that light up India's rich, varied past and its continuous ferment of ideas. Khilnani's trenchant portraits of emperors, warriors, philosophers, poets, stars, and corporate titans--some famous, some unjustly forgotten-bring feeling, wry humour, and uncommon insight to social dilemmas that extend from ancient times to our own.As he journeys across the country, and through its past, Khilnani uncovers more than just history. In rocket launches and ayurvedic call centres, in slum temples and Bollywood studios, in California communes and grimy ports, he examines the continued, and often surprising, relevance of the men and women who have made India - and the world - what it is. Their stories will inform, move and entertain this book's many readers.

    As Bonamy Dobree said, "It releases us into a different and quite complete world. Mr. Ahmed Ali makes us hear and smell Delhi...hear the flutter of pigeons’ wings, the cries of itinerant vendors, the calls to prayer, the howls of mourners, the chants of qawwals, smell jasmine and sewage, frying ghee and burning wood." The detail, as E.M. Forster said, is "new and fascinating," poetic and brutal, delightful and callous. First published by the Hogarth Press in 1940. Twilight in Delhi was widely acclaimed by critics and hailed in India as a major literary event. Long since considered a landmark novel, it is now available in the U.S. as a New Directions Classic. Twilight in Delhi has also been translated into French, German, Portuguese, Spanish, and Urdu.

    Against the backdrop of the violent Maoist insurgencies that have claimed thousands of lives, these characters struggle with their duties to their aging parents, an oppressive caste system, and the complexities of arranged marriage. In the end, they manage to find peace and connection, often where they least expect it— with the people directly in front of them. These stories brilliantly examine not only Kathmandu during a time of political crisis and cultural transformation but also the effects of that city on the individual consciousness.

    His boldness of approach and intense curiosity concerning man and nature are unequalled in the prose literature of our times." It is most fitting that this anthology of "the best" of Henry Miller should have been assembled by one of the first among Miller's contemporaries to recognize his genius, the eminent British writer Lawrence Durrell. Drawing material from a dozen different books Durrell has traced the main line and principal themes of the "single, endless autobiography" which is Henry Miller's life work. "I suspect," writes Durrell in his Introduction, "that Miller's final place will be among those towering anomalies of authorship like Whitman or Blake who have left us, not simply works of art, but a corpus of ideas which motivate and influence a whole cultural pattern." Earlier, H. L. Mencken had said, "his is one of the most beautiful prose styles today," and the late Sir Herbert Read had written that "what makes Miller distinctive among modern writers is his ability to combine, without confusion, the aesthetic and prophetic functions." Included are stories, "portraits" of persons and places, philosophical essays, and aphorisms. For each selection Miller himself prepared a brief commentary which fits the piece into its place in his life story. This framework is supplemented by a chronology from Miller's birth in 1891 up to the spring of 1959, a bibliography, and, as an appendix, an open letter to the Supreme Court of Norway written in protest of the ban on Sexus, a part of which appears in this volume.

    In this book Pupul Jayakar uncovers the many personalities that lay hidden within Mrs Gandhi.