Until he blows it. The school bookie says the odds are 12-to-1 against him getting Noah back, but Paul’s not giving up without playing his love really loud. His best friend Joni might be drifting away, his other best friend Tony might be dealing with ultra-religious parents, and his ex-boyfriend Kyle might not be going away anytime soon, but sometimes everything needs to fall apart before it can really fit together right.This is a happy-meaningful romantic comedy about finding love, losing love, and doing what it takes to get love back in a crazy-wonderful world.

    As he fills his drawers with letters to the people in his world -- letters he never intends to send -- he spills the truth: he’s trying hard, but he just isn’t into Theresa. It’s a boy who lingers in his thoughts.He feels trapped by his parents, his teammates, and the lies they've helped him tell, and he has no idea how to escape. Is he destined to live a life of fiction?

    A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks he's a fool.In Alan Bennett's classic play, staff room rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it; about education and its purpose.The History Boys premiered at the National in May 2004.

    What this does to their lives, families, team, and the President of the US is hilarious, poignant, brilliant, and dazzling fun.

    He’s a rake and an atheist, and the rumours about his hellfire club, the Murder, can only be spoken in whispers. (Orgies. It’s orgies.)Guy Frisby and his sister Amanda live in rural seclusion after a family scandal. But when Amanda breaks her leg in a riding accident, she’s forced to recuperate at Rookwood Hall, where Sir Philip is hosting the Murder. Guy rushes to protect her, but the Murder aren’t what he expects. They’re educated, fascinating people, and the notorious Sir Philip turns out to be charming, kind—and dangerously attractive. In this private space where anything goes, the longings Guy has stifled all his life are impossible to resist...and so is Philip. But all too soon the rural rumour mill threatens both Guy and Amanda. The innocent country gentleman has lost his heart to the bastard baronet—but does he dare lose his reputation too?

    It's where he met his best friends. It's where he takes to the stage in the big musical. And it's where he fell for Hudson Aaronson-Lim - who's only into straight-acting guys and barely knows not-at-all-straight-acting Randy even exists.This year, though, it's going to be different. Randy has reinvented himself as 'Del' - buff, masculine, and on the market. Even if it means giving up show tunes, nail polish, and his unicorn bedsheets, he's determined to get Hudson to fall for him.But as he and Hudson grow closer, Randy has to ask himself how much is he willing to change for love. And is it really love anyway, if Hudson doesn't know who he truly is?

    and a small boy very worried.Lydia Weekes is distraught at the break-up of her marriage. When her young son, Charlie, makes friends with the local doctor, Jean Markham, her life is turned upside down.Charlie tells his secrets to no one but the bees, but even he can't keep his mother's friendship to himself. The locals don't like things done differently. As Lydia and the doctor become closer, the rumours start to fly and threaten to shatter Charlie's world.

    Besieged by the press, his widow Millie flees to a remote Scottish village, where she seeks solace in memories of their marriage. The reminiscences of those who knew Joss Moody render a moving portrait of a shared life founded on an intricate lie, one that preserved a rare, unconditional love.

    Instead, he’s surfing the real estate listings, searching for a sanctuary—a nice farmhouse in Kansas, perhaps. Although James lives in twenty-first-century Manhattan, he’s more at home in the faraway worlds of Eric Rohmer or Anthony Trollope—or his favorite writer, the obscure and tragic Denton Welch. James’s sense of dislocation is exacerbated by his willfully self-absorbed parents, a disdainful sister, his Teutonically cryptic shrink, and an increasingly vague, D-list celebrity grandmother. Compounding matters is James’s growing infatuation with a handsome male colleague at the art gallery his mother owns, where James supposedly works at his summer job but where he actually plots his escape to the prairie.

    Cliffy, black, and Noah, Jewish, are teens of their time, segregated by neighborhood, skin color and opportunity, yet neither boy has ever had a friend like the other.

    Everyone knows that Armenians never eat out. Between bouts of interrogating the waitress and criticizing the menu, Alek’s parents announce that he’ll be attending summer school in order to bring up his grades. Alek is sure this experience will be the perfect hellish end to his hellish freshman year of high school. He never could’ve predicted that he’d meet someone like Ethan.Ethan is everything Alek wishes he were: confident, free-spirited, and irreverent. He can’t believe a guy this cool wants to be his friend. And before long, it seems like Ethan wants to be more than friends. Alek has never thought about having a boyfriend—he’s barely ever had a girlfriend—but maybe it’s time to think again.

    Unlike Frédéric Moreau in Flaubert's L'Éducation sentimentale (to which this book owes no meagre debt), Piet is magnificently gifted, not only "extremely attractive to most women and to many men," but also a fine pianist, draughtsman and lover. We first meet him interviewing for the role of tutor to the son of the wealthy hotelier, Maarten Vermeulen-Sickerts. All is not well in his gilded household. Egbert, the son, is agoraphobic. The matriarch, Jacobina, hasn't been touched by her husband in almost a decade. Into this highly strung atmosphere comes Piet, charged with the task of freeing Egbert from his paralysing fear of the outside world. We soon realise, however, that Egbert isn't the only one in need of help. Piet sets about liberating the libidos of the repressed family through music – championing bawdy Bizet over abstract Bach – and oral sex. While the setting is Dutch, the influences are French – think Bel-Ami, Les Liaisons dangereuses and Gide's L'Immoraliste.

    He's terrified that someone will guess the truth he can barely acknowledge about himself. Reza knows he's gay, but all he knows of gay life are the media's images of men dying of AIDS.Judy is an aspiring fashion designer who worships her uncle Stephen, a gay man with AIDS who devotes his time to activism as a member of ACT UP. Judy has never imagined finding romance...until she falls for Reza and they start dating.Art is Judy's best friend, their school's only out and proud teen. He'll never be who his conservative parents want him to be, so he rebels by documenting the AIDS crisis through his photographs.As Reza and Art grow closer, Reza struggles to find a way out of his deception that won't break Judy's heart--and destroy the most meaningful friendship he's ever known.

    To Dylan’s surprise they are met with support and congratulations, and an amazing reception at their high school dance. Perhaps people aren’t as narrow-minded as he thought?But Dylan’s happiness is short-lived. Ellis suddenly becomes angry, withdrawn, and as they drive home from the dance, he loses control of the car, sending it plunging into Hunter’s Lake. Barely conscious, Dylan is pulled free of the wreck, while Ellis is left to drown.Grief-stricken, Dylan vows to discover what happened to Ellis that night and piece together the last months of his boyfriend’s life – and realises just how little he knew about the boy he loved.

    For neurotic, depressed Sam, new to Los Angeles after his life in New York imploded, the possibility of total transformation is utterly tantalizing. He’s desperate for something to believe in, and the shaman—who promises ancient rituals, plant medicine and encounters with the divine—seems convincing, enough for Sam to sign up for a weekend under his care. But are the great spirits the shaman says he’s summoning real at all? Or are the ghosts in Sam’s memory more powerful than any magic?At turns tender and acid, funny and wise, Broken People is a journey into the nature of truth and fiction—a story of discovering hope amid cynicism, intimacy within chaos and peace in our own skin.