Samuel Johnson observed that everyone's life is a subject worthy of the biographer's art. Accused by a former girlfriend of being unable to empathize, the narrator of Alain de Botton's Kiss & Tell takes Johnson's idea to heart and decides to write about the next person who walks into his life.He meets Isabel Rogers, a production assistant at a small stationery company in London, apparently an ordinary woman. But as the biographer's understanding of Isabel deepens, she becomes remarkable. Her smallest quirks, private habits, and opinions become worthy of the most painstaking investigation-and unexpectedly attractive to her biographer.

    Three imperfect students.A caring hostel.Three careless mates.The decisive years.Three ignorant souls.A bomb blast and A close save.Welcome to life through the gate of BHU.

    Misty's work life is thriving & she has found Mr. Right at last. Although Reesy's trying to be happy for her friend, she is troubled by this intrusion into the one friendship that has always come first for both women. Nonetheless, Reesy's dreams of a dance career have become reality & she is also seeing a man who might be a keeper. Unfortunately, her self-destructive tendencies threaten to destroy her, until true love & friendship save the day.

    But when Loomis Gage, an eccentric millionaire, invites him to appraise his small collection of Impressionist paintings, Dores's plans quite literally go south. Stranded at a remote mansion in the Georgia countryside, Dores is received by the bizarre Gage family with Anglophobic slurs, nausea-inducing food, ludicrous death threats, and a menacing face off with competing art dealers. By the time he manages to sneak back to New York City–sporting only a cardboard box–Henderson Dores realizes he is fast on the way to becoming a naturalized citizen.

    Here in one volume are his immensely popular novel, The Picture of Dorian Gray; his last literary work, “The Ballad of Reading Gaol,” a product of his own prison experience; and four complete plays: Lady Windermere’s Fan, his first dramatic success, An Ideal Husband, which pokes fun at conventional morality, The Importance of Being Earnest, his finest comedy, and Salomé, a portrait of uncontrollable love originally written in French and faithfully translated by Richard Ellmann.Every selection appears in its entirety–a marvelous collection of outstanding works by the incomparable Oscar Wilde, who’s been aptly called “a lord of language” by Max Beerbohm.

    This is the story of their love, and their epic struggle to find it.The moles of Duncton Wood are a varied lot. There are the aggressive Westsiders, the secretive and sickly Marchenders and the independent Eastsiders. Despite their differences, all are members of the same once proud and famous mole system, and all are now the tyrannised by Mandrake a mole so powerful and senselessly destructive that his name seems a curse on those who utter it.But the source of the evil that spreads through Duncton lies not only in Mandrake but in the growing disinterest in the rites and traditions that surround the now deserted standing Stone that was once the heart of the system itself.It is in the shadow of this towering stone that the lonely Bracken by chance meets Rebecca, daughter of Mandrake. They exchange a few words and scurry off in the different directions, never to forget a moment which will change the course of their lives for ever. Only Hulver the Elder, guardian of the old ways, understands that the future happiness of the system depends on their love, and the courage with which they can pursue its suffering and joy.Accompanied by Boswell, the strange scribemole from Uffington, Bracken sets out to revive the ancient rituals and disperse the evil from Duncton. Together they seek the sacred seventh stillstone.

    The protagonist, Abby, is a very different but equally likely and endearing hero as Alex Woods.

    It all begins when Dave Lister is celebrating his twenty-fourth birthday on a Monopoly board pub crawl round London, and somehow ends up three million years from Earth, marooned in the wrong dimension of the wrong reality, and down to his last two cigarettes. Together with a dead man, a senile computer, a deranged sanitation mechanoid with an overactive guilt chip and the best-dressed entity in all six known universes, the last remaining member of the human race begins his epic journey home.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Ripley. Jonathan Whalen's life has been determined from the start by the immense fortune of his father, a steel tycoon. Whalen's childlike delight in power and status mask a greater need, a desire to feel life intensely, through drugs, violence, sex, and attempts at meaningful connection with other people -- whether lovers or the memory of his dead parents. But the physical is all that feels real to him, and as he embarks on a journey to Africa with his godparents, Whalen's embrace of amoral thrill accelerates toward ultimate fulfillment. Now in a Grove Press paperback, Kosinski's classic, acclaimed as "an impressive novel ... it should confirm Jerzy Kosinki's position as one of our most significant writers" -- Newsweek "Savage ... [Whalen is] a foolproof, timeless American character." -- Mary Ellin Barrett, Cosmopolitan

    Dick was a writer of incandescent originality and astonishing fertility, who made and unmade fictional world-systems with ferocious rapidity and unbridled speculative daring. “The floor joists of the universe,” he once wrote, “are visible in my novels.” The five novels collected in this volume—a successor to Philip K. Dick: Four Novels of the 1960s—offer a breathtaking overview of the range of this science-fiction master. In these classics from the height of his career, the wild humor, freewheeling inventiveness, and darkly prophetic insights of Dick at his best are fully on display.Martian Time-Slip (1964) unfolds on a parched and thinly colonized Red Planet where the unscrupulous seek to profit from a troubled child’s time-fracturing visions. Dr. Bloodmoney, or How We Got Along After the Bomb (1965) chronicles the interwoven stories of a multiracial community of survivors, including the scientist who may have been responsible for World War III. Into this apocalyptic framework Dick weaves observations of daily life in the California of his own moment. Famous, among other reasons, for a therapy session involving a talking taxicab, Now Wait for Last Year (1966) explores the effects of JJ-180, a hallucinogen that alters not only perception, but reality.In Flow My Tears, the Policeman Said (1974), a television star seeks to unravel a mystery that has left him stripped of his identity. A Scanner Darkly (1977), the basis for the 2006 film, envisions a drug-addled world in which a narcotics officer’s tenuous hold on sanity is strained by his new surveillance assignment: himself. Regarded by some as Dick’s most powerful novel, A Scanner Darkly mixes futuristic fantasy with an all-too-real evocation of the culture of addiction in 1970s America. Mixing metaphysics and madness, Dick’s work remains exhilarating and unsettling in equal measure.

    When he and his crew stumble upon a derelict ship, the Scopuli, they find themselves in possession of a secret they never wanted. A secret that someone is willing to kill for—and kill on a scale unfathomable to Jim and his crew. War is brewing in the system unless he can find out who left the ship and why.Detective Miller is looking for a girl. One girl in a system of billions, but her parents have money and money talks. When the trail leads him to the Scopuli and rebel sympathizer Holden, he realizes that this girl may be the key to everything.Holden and Miller must thread the needle between the Earth government, the Outer Planet revolutionaries, and secretive corporations—and the odds are against them. But out in the Belt, the rules are different, and one small ship can change the fate of the universe.

    His conclusion, that it is the work of the Illuminati, a secret brotherhood presumed long dead, leads him to Rome, where against the backdrop of a papal election the Illuminati look set to renew their bitter vendetta against their sworn enemy, the Catholic Church . . .The Da Vinci CodeRobert Langdon receives an urgent late-night phone call while on business in Paris: the elderly curator of the Louvre has been violently murdered inside the museum. Alongside the body, police have found a series of baffling codes. As Langdon begins to sort through the bizarre riddles, he is stunned to find a trail that leads to the works of Leonardo da Vinci - and suggests the answer to an age-old mystery which will take him into the vaults of history . . .

    Lodging with a minister on the outskirts of London, Paul Manning is initially dismayed to discover that the uncle he must visit in the country is also a churchman. Yet far from the oppressively religious household he envisages, Manning is delighted to meet his genial relations—not least, his cousin Phyllis. But when Phyllis falls for the charms of his more sophisticated colleague, Manning's family ties render him powerless to prevent the inevitable heartbreak that ensues. Collaborator and friend of Charles Dickens and Wilkie Collins, Elizabeth Gaskell (1810–1865) is a leading figure in Victorian literature.

    Fanny Burney's unusual love story and deft social satire was much admired on its first publication in 1782 for its subtle interweaving of comedy, humanity, and social analysis. Controversial in its time, this eighteenth-century novel seems entirely fresh in relation to late twentieth-century concerns.