His characters solicit sex on their lunch breaks, expose themselves to racist neighbors, sleep with their coworker's husbands, rub Preparation H on their hungover eyes, and, in an uproarious epilogue, take a punk band on a disastrous tour of Europe. They also travel to claim inheritances, push past personal trauma, and cultivate community while living on the margins of a white supremacist, heteronormative society.Armed with a deadpan wit that finds humor in even the lowest of nadirs, Brontez Purnell--a widely acclaimed underground writer, filmmaker, musician, and performance artist--writes with the peerless zeal, insight, and horniness of a gay punk messiah. From dirty warehouses and gentrified bars in Oakland to desolate farm towns in Alabama, Purnell indexes desire, desperation, race, and loneliness with a startling blend of levity and vulnerability. Together, the slice-of-life tales that writhe within 100 Boyfriends are a singular and uncompromising vision of an unexposed queer underbelly. Holding them together is the vision of an iconoclastic storyteller, as fearless as he is human.

    Take, for instance, the Kentucky Club on Avenida Juárez two blocks south of the Rio Grande. It's a touchstone for each of Sáenz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. Sáenz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders. It welcomes Spanish and English, Mexicans and gringos, poor and rich, gay and straight, drug addicts and drunks, laughter and sadness, and even despair. It's a place of rich history and good drinks and cold beer and a long polished mahogany bar. Some days it smells like piss. "I'm going home to the other side." That's a strange statement, but you hear it all the time at the Kentucky Club.Benjamin Alire Sáenz is a highly regarded writer of fiction, poetry, and children's literature. Like these stories, his writing crosses borders and lands in our collective psyche. Poets & Writers Magazine named him one of the fifty most inspiring writers in the world. He's been a finalist for the Los Angeles Times Book Prize and PEN Center's prestigious award for young adult fiction. Sáenz is the chair of the creative writing department of University of Texas at El Paso.Awards:PEN/Faulkner Award for FictionLambda Literary AwardSouthwest Book Award

    “I cannot write any sort of story,” said Tennessee [to Gore Vidal] “unless there is at least one character in it for whom I have physical desire.” These transgressive Tales of Desire, including “One Arm,” “Desire and the Black Masseur,” “Hard Candy,” and “The Killer Chicken and the Closet Queen,” show the iconic playwright at his outrageous best.

    In “Upon Completion of Baldness” a young woman shaves her head for a part in a movie in Hong Kong that will help her escape life with her lover in Albuquerque. The precocious narrator of “All Boy” finds comfort when he is locked in a closet by a babysitter. In “Dr. Deneau’s Punishment” a math teacher leaving New York for Minnesota as a means of punishing himself engages in an unsettling method of discipline. A lesbian couple whose relationship is disintegrating flees to the Moroccan desert in “The Children beneath the Seat.” And in “Idyllic Little Bali” a group of Americans gathers around a pool in Java to discuss their brushes with fame and ends up witnessing a man’s fatal flight from his wife.In the eleven stories in The Bigness of the World we see that wherever you are in the world, where you came from is never far away.

    In the extraordinary "Why China?" a man drags his family to the Xi'an province in a desperate attempt to reclaim his lost integrity, only to find himself more remote and mysterious than the place where his journey led. In settings as exotic as Kenya and Bora Bora, as glamorous as downtown Manhattan, or as familiar as suburban Illinois, Egan's characters—models, housewives, schoolgirls—seek transformation of the body and spirit, and transcendence of the borders of desire.

    She has been dubbed “one of our most important writers,” (Junot Diaz), with “an imagination that most of us would kill for” (Los Angeles Times), and her work has been called “stunning,” (New York Times) “rich in voice, humor, and dazzling imagery” (Kirkus), and “simply triumphant” (Dorothy Allison).Falling in Love with Hominids presents over a dozen years of Hopkinson’s new, uncollected fiction, much of which has been unavailable in print. Her singular, vivid tales, which mix the modern with Afro-Caribbean folklore, are occupied by creatures unpredictable and strange: chickens that breathe fire, adults who eat children, and spirits that haunt shopping malls.

    MEET CUTE is an anthology of original short stories featuring tales of "how they first met" from some of today’s most popular YA authors. Readers will experience Nina LaCour's beautifully written piece about two Bay Area girls meeting via a cranky customer service Tweet, Sara Shepard's glossy tale about a magazine intern and a young rock star, Nicola Yoon's imaginative take on break-ups and make-ups, Katie Cotugno's story of two teens hiding out from the police at a house party, and Huntley Fitzpatrick's charming love story that begins over iced teas at a diner. There’s futuristic flirting from Kass Morgan and Katharine McGee, a riveting transgender heroine from Meredith Russo, a subway missed connection moment from Jocelyn Davies, and a girl determined to get out of her small town from Ibi Zoboi. Jennifer Armentrout writes a sweet story about finding love from a missing library book, Emery Lord has a heartwarming and funny tale of two girls stuck in an airport, Dhonielle Clayton takes a thoughtful, speculate approach to pre-destined love, and Julie Murphy dreams up a fun twist on reality dating show contestants. This incredibly talented group of authors brings us a collection of stories that are at turns romantic and witty, epic and everyday, heartbreaking and real.

    Dragons and hateful spirits haunt the flooded city of New Orleans in the aftermath of Hurricane Katrina. In a parallel universe, a utopian society watches our world, trying to learn from our mistakes. A black mother in the Jim Crow south must figure out how to save her daughter from a fey offering impossible promises. And in the Hugo award-nominated short story “The City Born Great,” a young street kid fights to give birth to an old metropolis’s soul.

    But you try all kinds of ways to keep from drowning in it." The men and women in these eight short fictions grasp this truth on an elemental level, and their stories, as told by James Baldwin, detail the ingenious and often desperate ways in which they try to keep their head above water. It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob.By turns haunting, heartbreaking, and horrifying--and informed throughout by Baldwin's uncanny knowledge of the wounds racism has left in both its victims and its perpetrators--Going to Meet the Man is a major work by one of our most important writers.

    Released as one of a limited number of digital shorts released to celebrate the publication of Jeffrey Archer’s magnificent seventh short-story collection, Tell Tale. Taken from Cat O’ Nine Tales, Jeffrey Archer's fifth collection of short stories, Don’t Drink the Water is a captivating, witty and ingenious short read.Richard Barnsley is in St Petersburg to close a pipeline deal that will make him rich beyond his wildest dreams. Having spent years bribing the Energy Minister, Anatol Chenkov, the deal should go through smoothly. However, the president of Russia wants preside over the signing ceremony which means he needs to finalise the contract in a matter of weeks. But then Richard’s home life unravels when he finds a letter from a divorce lawyer intended for his wife. He suspects she is waiting for the deal to be signed before divorcing him, which leads Richard to take drastic action . . .

    A free short story taken straight from the pages of THE MONSTER’S CORNER, an all original anthology from some of today’s hottest supernatural writers, featuring stories from the monster’s point of view.In THE LAKE, Abbie LeFleur, a lifetime Bostonian, has relocated to Graceville to start her life anew when she sets her eyes on a young student in her English class.

    He also reflects on everything that has slipped away, including a boyfriend, close acquaintances, success, and allure. But sketch by sketch, he sometimes feels the enormity of all that is possible.Justin Torres’s Crewelwork is part of Currency, a compounding collection of stories about wealth, class, competition, and collapse. If time is money, deposit here with interest. Read or listen in a single sitting.

    What is the right way to handle an abusive partner? An unexpected pregnancy? A toxic friendship? Chronic unemployment? A family member going to war? A disability? Anger? Loneliness?  Finding themselves in disempowering, frightening, or otherwise unendurable circumstances, the girls and women in Maria Adelmann's stories look for ways to free themselves into new lives or, at the very least, new states of feeling. Sometimes they do this by hurting someone else or getting hurt; sometimes by submitting, other times by mounting a rebellion. With a special talent for pressing the sharp up against the tender, Adelmann explores the many pathways through the titular condition. Ranging in style from the magical to the terrifying to the calm tones of a self-help manual, GIRLS OF A CERTAIN AGE captures the spectrum of strategies we apply to the pain of life, strategies that we persist in pretending might actually work.

    Harassed as a kid for his brown skin, accent, and femininity, he believed he could belong in America by marrying a white man and shedding his Filipino identity. This was the first myth he told himself. The Groom Will Keep His Name explores the various tales Ortile spun about what it means to be a Vassar Girl, an American Boy, and a Filipino immigrant in New York looking to build a home.As we meet and mate, we tell stories about ourselves, revealing not just who we are, but who we want to be. Ortile recounts the relationships and whateverships that pushed him to confront his notions of sex, power, and the model minority myth. Whether swiping on Grindr, analyzing DMs, or cruising steam rooms, Ortile brings us on his journey toward radical self-love with intelligence, wit, and his heart on his sleeve.

    Maybe you speak your truth and drop the mic, or maybe you take it with you when you leave.This anthology features fictional stories--in poems, prose, and art--that reflect a slice of the varied and limitless ways that readers like you resist every day. TAKE THE MIC's powerful collection of stories features work by literary luminaries and emerging talent alike, including Newbery-winner Jason Reynolds, New York Times bestseller Samira Ahmed, anthologist and contributor Bethany C. Morrow, Darcie Little Badger, Keah Brown, Laura Silverman, L.D. Lewis, Sofia Quintero, Ray Stoeve, Yamile Mendez, and Connie Sun, with cover and interior art by Richie Pope.