In the time of Lewis Carroll it was the greatest shipbuilding port in the world. To this city that gave the world the electric light bulb, the stars and stripes, the millennium, the Liberty Ships and the greatest British dragon legend came Carroll in the years preceding his most famous book, Alice in Wonderland, and here are buried the roots of his surreal masterpiece. Enter the famous Edwardian palace of varieties, The Sunderland Empire, for a unique experience: an entertaining and epic meditation on myth, history and storytelling and decide for yourself - does Sunderland really exist?

    With masterful economy worthy of Charles Schultz, Lat recounts the life of Mat, a Muslim boy growing up in rural Malaysia in the 1950s: his adventures and mischief-making, fishing trips, religious study, and work on his family's rubber plantation. Meanwhile, the traditional way of life in his village (or kampung) is steadily disappearing, with tin mines and factory jobs gradually replacing family farms and rubber small-holders. When Mat himself leaves for boarding school, he can only hope that his familiar kampung will still be there when he returns. Kampung Boy is hilarious and affectionate, with brilliant, super-expressive artwork that opens a window into a world that has now nearly vanished.

    Web comic by Dash Shaw about an addicted botanist in the future that travels to a town called Boney Borough to examine a very rare plant and smoke it.

    The first “Moomin Winter” returns with more unwanted guests than in Book One, especially the curious and secret-spilling Nibling, sending the Moomin household into a tizzy of secrecy and closed doors. In “Moomin Under Sail,” theMoomins find themselves without a new adventure until Too-Ticky’s compass gives them the idea to build a boat and head to sea. Finally, we meet the Fuddler in “Fuddler’s Courtship.”Mymble captures poor Fuddler’s heart, and his bumbling drives her straight into the arms of Dr.Hatter, the local psychiatrist. Delightfully quirky, the Moomin family does not fare well under the gaze of someone trained in correcting odd behavior.

    Working as an investigative reporter for the newspaper The Word, Spider attacks the injustices of his surreal 23rd Century surroundings. Combining black humor, life-threatening situations, and moral ambiguity, this book is the first look into the mind of an outlaw journalist and the world he seeks to destroy.

    An all-new edition of the first book in Sophie Campbell's critically acclaimed original graphic novel series, WET MOON! With brand new covers designed by cartoonist Annie Mok (Screen Tests) and special extras in the back, this edition is perfect for longtime fans and new readers alike!

    Matt's biggest target for ridicule, however, is himself.Wearing his neuroses and fetishes on his sleeve, he knows he is a jerk and does nothing to hide it. This humiliating honesty has made Matt a comedic genius who has been hilariously and shamelessly chronicling his pathetic existence for close to twenty years.

    The Complete Crumb Comics: The Early Years of Bitter Struggle is the first of a multivolume series, and includes previously unpublished strips created from 1958 to 1962. Crumb's earliest works, some written when he was as young as 15, range from an encounter with Dracula ("I didn't try to escape Dracula, my mind was consentrated [sic] on one thing . . . I was thirsty . . . very thirsty") to Nikita Khrushchev's 1958 visit to the U.S. ("Ever watchful guards stay with Khruschev during a refreshing hot bath."). Crumb aficionados and neophytes alike should rejoice in this classic collection of comic strips; sketchbooks; underground comics; dramatic and autobiographical strips; classic cartoon creations Fritz the Cat and Mr. Natural; and a pithy, biographical preface by Crumb's friend Marty Pahls.

    This is the first time these hilarious stories, starring the hapless Buddy Bradley and his cast of loser cohorts, have ever been available under one cover, and never have they been available at such a low price (it would have cost at least three times as much to read all of these classic stories in any previous editions). Bagge's riotous tales of the early 1990s subculture are more hilarious now than ever, find out why he has been praised by R. Crumb, Matt Groening, John Kricfalusi, Publishers Weekly, Entertainment Weekly and many more. Comedy genius.

    . . obsessively detailed [comics] feel like [they've] been shot straight from his brain onto the page." - Village Voice Puke Force is social satire written dark and dense across Brian Chippendale's deconstructed multiverse of walking, talking M&Ms, hamsters, and cycloptic-yet-glamorous trivia hosts. In scathingly funny single-page strips that build and build, he takes on social media narcissism, governmental propaganda, racism, and a culture of violence, skewering the malice of the right and the hypocrisies of the left. A bomb explodes in a coffee shop: the incident is played out over and over again from the perspective of each table in the shop, revisiting moments from ten and twenty years before. We see the inevitable as the characters bicker or celebrate, unaware of what's coming. Throughout this dystopic graphic novel, Chippendale uses humor and a frantic drawing style to show how the insidious nature of corporate greed and the commodification of everything have warped society into a killing machine. Sardonic and self-aware, Puke Force asks all the right questions, providing a startling and on-point take on contemporary social issues. Chippendale's artwork makes each panel a masterpiece of thrumming linework and lo-fi magic, as his storytelling wends and winds its way to a fascinating conclusion.

    Rob Hoffman and Sylvia Fanucci, lovers living in New York City, lead somewhat complicated lives as they deal with the perils of apartment hunting, accidental pregnancy, the talk of marriage, and dead-end jobs.

    Like Safe Area Gorazde, Palestine has been favorably compared to Art Spiegelman's Pulitzer Prize-winning Maus for its ability to brilliantly navigate such socially and politically sensitive subject matter within the confines of the comic book medium.Sacco has often been called the first comic book journalist, and he is certainly the best. This edition of Palestine also features an introduction from renowned author, critic, and historian Edward Said (Peace and Its Discontents and The Question of Palestine), one of the world's most respected authorities on the Middle Eastern conflict.

    The protagonist, a moody twenty-something wallowing in depression after a breakup with his long-time girlfriend, finds himself drawn into a paranoid's worst nightmare after his best friend is murdered and the blame is pinned on him. With the help of a single mother who spontaneously throws in her lot with him (not to mention her precocious daughter), he sets out to clear his name. Soon new relationships are forged, dark secrets from the past are revealed, and the real killer comes back into the picture... with a vengeance.

    But behind his rapid rise to success, there lies a dark and terrible secret, as biographer Leonard Batts discovers when he visits Burger's hometown in remote New Zealand. For Hicksville is no ordinary small town. In Hicksville sheep-farmers and fishermen argue the relative merits of early newspaper strips, while in the local bookshop & lending library, obscure Mongolian minicomics share the shelves with a complete run of ACTION COMICS. But why does everyone there seem to hate Dick Burger? And what is the secret of the lighthouse? HICKSVILLE collects the main storyline from the ignatz-award nominated comic book PICKLE, and includes some 40 or so pages of new or revised material.

    Tezuka evidences his profound grasp of the subject by contextualizing the Buddha’s ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka’s Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one’s life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers’ attention.Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse’s novel or Bertolucci’s film is comparable in this regard; in fact, Tezuka’s approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.