Constance, the woman who taught Kitty everything she knew, is dying. At her mentor's bedside, Kitty asks her, "What is the one story you always wanted to write?"The answer lies in a single sheet of paper buried in Constance's office—a list of one hundred names—with no notes or explanation. But before Kitty can ask her friend, it is too late.Determined to unlock the mystery and rebuild her own shaky confidence, Kitty throws herself into the investigation, tracking down each of the names on the list and uncovering their connection. Meeting these ordinary people and learning their stories, Kitty begins to piece together an unexpected portrait of Constance's life... and starts to understand her own.

    From the beloved bestselling author of Home Safe and Open House.Cecilia Ross is looking for a change. She has decided to take time off from her job as a successful motivational speaker and sell her home. She moves in to a beautiful old house in St. Paul, Minnesota, complete with a big front porch, a wild garden, a chef's kitchen-and three roommates. The four women are different ages, but all are feeling restless, and want to take a roadtrip to find again the people and things they miss. One woman wants to connect with a daughter she gave away at birth; another wants to visit her long-absent ex-husband; a third woman, a professional chef, is seeking new inspiration from the restaurants along the way. And Cecilia is looking for Dennis Halsinger, the man she never got over, who recently sent her a postcard out of the blue. This novel is classic Elizabeth Berg-a portrait of how women grow through the relationships that define them, and a testament to the power of female friendship.

    Each year, they return to the house and community they have known since they were children—and to Paul, the boy next door. But this summer marks a season of change: budding love and sexual interest, an illness, and a deep secret force all three to confront the increasing complexities of their lives and friendships.

    Aiden’s best friend J.C. feels great remorse over his inability to save him, but J.C.’s grief is also seasoned with the guilt of loving Maddie through the years. Meanwhile, across the country another young man wakes up in a hospital and finds that his memories have been wiped clean, and replaced with haunting dreams of a beautiful woman and a five year old boy whom he feels driven to find. What Nicholas Sullivan discovers upon his journey is utterly unexpected—and it will change all of their lives, especially Maddie’s.

    Patrick, the eldest, is a hedge fund manager with a guilty conscience. Kevin, a bartender, is secretly sleeping with a French housekeeper named Isabelle. Ava, a school teacher, is finally dating the perfect guy but can't get him to commit. And Bart, the youngest and only child of Kelley's second marriage to Mitzi, has recently shocked everyone by joining the Marines.As Christmas approaches, Kelley is looking forward to getting the family together for some quality time at the inn. But when he walks in on Mitzi kissing Santa Claus (or the guy who's playing Santa at the inn's annual party), utter chaos descends. With the three older children each reeling in their own dramas and Bart unreachable in Afghanistan, it might be up to Kelley's ex-wife, nightly news anchor Margaret Quinn, to save Christmas at the Winter Street Inn.Before the mulled cider is gone, the delightfully dysfunctional Quinn family will survive a love triangle, an unplanned pregnancy, a federal crime, a small house fire, many shots of whiskey, and endless rounds of Christmas caroling, in this heart-warming novel about coming home for the holidays.

    In Goodnight June, Sarah Jio offers a suspenseful and heartfelt take on how the "great green room" might have come to be. June Andersen is professionally successful, but her personal life is marred by unhappiness. Unexpectedly, she is called to settle her great-aunt Ruby’s estate and determine the fate of Bluebird Books, the children’s bookstore Ruby founded in the 1940s. Amidst the store’s papers, June stumbles upon letters between her great-aunt and the late Margaret Wise Brown—and steps into the pages of American literature.

    In the cafés on College Hill, the wised-up kids are inhaling Derrida and listening to the Talking Heads. But Madeleine Hanna, dutiful English major, is writing her senior thesis on Jane Austen and George Eliot, purveyors of the marriage plot that lies at the heart of the greatest English novels. As Madeleine tries to understand why "it became laughable to read writers like Cheever and Updike, who wrote about the suburbia Madeleine and most of her friends had grown up in, in favor of reading the Marquis de Sade, who wrote about deflowering virgins in eighteenth century France," real life, in the form of two very different guys, intervenes. Leonard Bankhead - charismatic loner, college Darwinist, and lost Portland boy - suddenly turns up in a semiotics seminar, and soon Madeleine finds herself in a highly charged erotic and intellectual relationship with him. At the same time, her old "friend" Mitchell Grammaticus - who's been reading Christian mysticism and generally acting strange - resurfaces, obsessed with the idea that Madeleine is destined to be his mate. Over the next year, as the members of the triangle in this amazing, spellbinding novel graduate from college and enter the real world, events force them to reevaluate everything they learned in school. Leonard and Madeleine move to a biology laboratory on Cape Cod, but can't escape the secret responsible for Leonard's seemingly inexhaustible energy and plunging moods. And Mitchell, traveling around the world to get Madeleine out of his mind, finds himself face-to-face with ultimate questions about the meaning of life, the existence of God, and the true nature of love. Are the great love stories of the nineteenth century dead? Or can there be a new story, written for today and alive to the realities of feminism, sexual freedom, prenups, and divorce? With devastating wit and an abiding understanding of and affection for his characters, Jeffrey Eugenides revives the motivating energies of the Novel, while creating a story so contemporary and fresh that it reads like the intimate journal of our own lives.

    Her mourning is disrupted, however, by the unexpected arrival of a builder with a contract to add a porch onto her house. Stunned, Janie realizes the porch was meant to be a surprise from her husband—now his last gift to her.As she reluctantly allows construction to begin, Janie clings to the familiar outposts of her sorrow—mothering her two small children with fierce protectiveness, avoiding friends and family, and stewing in a rage she can't release. Yet Janie's self-imposed isolation is breached by a cast of unlikely interventionists: her chattering, ipecac-toting aunt; her bossy, over-manicured neighbor; her muffin-bearing cousin; and even Tug, the contractor with a private grief all his own.As the porch takes shape, Janie discovers that the unknowable terrain of the future is best navigated with the help of others—even those we least expect to call on, much less learn to love.

    Every time she makes a major life decision, she knows an alternate reality exists in which she made the opposite choice-not only that, she knows how to cross over. But even in her darkest moments-like her mother's suicide-Quinn hasn't been tempted to slip through...until she receives devastating news about the baby she's carrying. The grief lures her to peek across the portal, and before she knows it she's in the midst of the other life: the life in which she married another man, and is childless. The life in which her mother is still very much alive. Quinn is forced to make a heartbreaking choice. Will she stay with the family she loves and her severely disabled child? Or will an easier life-and the primal need to be with her mother-win out?

    But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    She still loves her husband, Neal, and Neal still loves her, deeply — but that almost seems beside the point now.Maybe that was always beside the point.Two days before they’re supposed to visit Neal’s family in Omaha for Christmas, Georgie tells Neal that she can’t go. She’s a TV writer, and something’s come up on her show; she has to stay in Los Angeles. She knows that Neal will be upset with her — Neal is always a little upset with Georgie — but she doesn't expect him to pack up the kids and go home without her.When her husband and the kids leave for the airport, Georgie wonders if she’s finally done it. If she’s ruined everything.That night, Georgie discovers a way to communicate with Neal in the past. It’s not time travel, not exactly, but she feels like she’s been given an opportunity to fix her marriage before it starts...Is that what she’s supposed to do?Or would Georgie and Neal be better off if their marriage never happened?

    They marry just out of college as Rory, a star hockey player, earns a spot in the NHL. Their future could not look brighter when Rory shocks everyone-Lauren most of all-by enlisting in the U.S. Army. When Rory dies in combat, Lauren is left devastated, alone, and under unbearable public scrutiny. Seeking peace and solitude, Lauren retreats to her family's old beach house on the Jersey Shore. But this summer she's forced to share the house with her overbearing mother and competitive sister. Worse, a stranger making a documentary about Rory tracks her down and persuades her to give him just an hour of her time.One hour with filmmaker Matt Brio turns into a summer of revelations, surprises, and upheaval. As the days grow shorter and her grief changes shape, Lauren begins to understand the past-and to welcome the future.

    Fifteen-year-old Mosey Slocumb-spirited, sassy, and on the cusp of womanhood-is shaken when a small grave is unearthed in the backyard, and determined to figure out why it's there. Liza, her stroke-ravaged mother, is haunted by choices she made as a teenager. But it is Jenny, Mosey's strong and big-hearted grandmother, whose maternal love braids together the strands of the women's shared past--and who will stop at nothing to defend their future.

    So when her husband gets the idea to uproot the family to run a quaint Vermont inn, Leelee is devastated…and her three best friends are outraged. But she's loved Baker Satterfield since the tenth grade, how can she not indulge his dream? Plus, the glossy photos of bright autumn trees and smiling children in ski suits push her over the edge…after all, how much trouble can it really be?But Leelee discovers pretty fast that there's a truckload of things nobody tells you about Vermont until you live there: such as mud season, vampire flies, and the danger of ice sheets careening off roofs. Not to mention when her beloved Yorkie decides to pick New Year's Eve to go to doggie heaven-she encounters one more New England oddity: frozen ground means you can't bury your dead in the winter. And that Yankee idiosyncrasy just won't do.The inn they've bought also has its host of problems: an odor that no amount of potpourri can erase, tacky décor, and a staff of peculiar Vermonters whose personalities are as unique as the hippopotamus collection gracing the fireplace mantle. The whole operation is managed by Helga, a stern German woman who takes special delight in bullying Leelee for her southern gentility. Needless to say, it doesn't take long for Leelee to start wondering when to drag out the moving boxes again.But when an unexpected hardship takes Leelee by surprise, she finds herself left alone with an inn to run, a mortgage to pay, and two daughters to raise. But this Southern belle won't be run out of town so easily. Drawing on the Southern grit and inner strength she didn't know she had, Leelee decides to turn around the Inn, her attitude and her life. In doing so, she makes friends with her neighbors, finds a little romance, and realizes there's a lot more in common with Vermont than she first thought.In this moving and comedic debut, Lisa Patton paints a hilarious portrait of life in Vermont as seen through the eyes of a southern belle readers won't soon forget. A charming fish-out-of-water tale of one woman who learns to stand up for herself-in sandals and snow boots-against the odds.

    Sent away at sixteen to live with an aunt she barely knew in Ocracoke, a remote village on North Carolina’s Outer Banks, she could think only of the friends and family she left behind . . . until she meets Bryce Trickett, one of the few teenagers on the island. Handsome, genuine, and newly admitted to West Point, Bryce gradually shows her how much there is to love about the wind-swept beach town—and introduces her to photography, a passion that will define the rest of her life.By 2019, Maggie is a renowned travel photographer. She splits her time between running a successful gallery in New York and photographing remote locations around the world. But this year she is unexpectedly grounded over Christmas, struggling to come to terms with a sobering medical diagnosis. Increasingly dependent on a young assistant, she finds herself becoming close to him.As they count down the last days of the season together, she begins to tell him the story of another Christmas, decades earlier—and the love that set her on a course she never could have imagined.