Following the end of the war, the close rebuilds its ties and the strong sense of community and friendly neighbourhood bonds are soon back in place. There is young love for Rhea and Robert; a surprising new start for James; a change of direction for George; and all overseen by the matriarch of the street - Granny Thomson. And of course, all buoyed up by a big helping of Scottish humour and strength of spirit. Yet it is all not perfect in their world: the families have to deal with poverty, religious bigotry, racism, heartbreak, lies, violence and death.But the powerful friendships cannot ultimately be broken. In Robert Douglas's first novel, he recreates a time and place particular to Glasgow but to which everyone will relate.

    After a tumultuous childhood in a broken home, keeping secrets became a way of life for twin sisters: Gabby and Olivia, and their little sister, Emma. They've all got skeletons in their closets; memories locked away never to see the light of day. But after they take divergent paths in life, disaster strikes, and their pasts collide head-on with a mysterious present in this surreal and gripping family drama. The worst has happened, and if they want to find the key to survival and reconciliation, they must learn to let their skeletons out; shake the dust off of them, and maybe even let them dance across the floor. At turns heartbreaking, dark and beautiful, The Girl in the Box explores not only the consequences of secrets--even secrets kept out of fear--but also the courage it takes to speak the truth, to let go, and to survive. Trigger Warning: The content of this novel contains graphic scenes: violence to women, victimization, abduction, and abusePreviously titled: Let Me GoFiction: Psychological Suspense, Family Drama, Stand-Alone (no cliffhangers)

    With each penetration they gain a sense of sexual maturity. Then later decide, their sweet pea is like treasure and should be discovered with gentle anticipation. By time they realize what it’s really worth, their sexual juices have been ran dry. Get well acquainted with the main character Erin, of “Like mother, Like Trick”, as she unfolds her truth of her mother’s expectations of a woman’s Hustle. Erin, a young girl, recently graduated out of high school is given 2 choices by her biological mother, Nicole Grey. Either hustle to make it, or die thinking about it. Erin referred to her mother as “Lady” She felt no neutering connection to her mother. They were more like sisters sharing the same dwelling space. Lady explained to Erin, “The fastest way to money is through your Pussy. Every man wants some, and will pay great money for it. You better know what it’s worth and use for the better good!” Lady would explain to Erin confusing the concepts of self worth. Erin was taught Lady’s value of sex at a very young age. Middle school lunch spent in the faculty parking lot for 100-dollar blowjobs. High school study hall spent in the Embassy suits for lunch rush pussy, for her clients working on corporate exchange Blvd. Lady exposed Erin to a very lavish lifestyle, and instilled in her the importance of money over everything, including morals and self- respect. Lady insisted that Erin help with the bills as well as feed clothe and finance her own dues from the money Erin received from clients. That was her way of teaching Erin Value of a dollar. By Erin’s freshman year of high school, she had known very well what she was into. She had maintained a very big clientele, and had become a very known and skillful trick expert. Erin felt she mastered her craft, and it still didn’t fulfill her desires. She hated her hustle and absolutely fell disgusted with the thought of engaging in sexual intercourse for income,. She needed a way out. Quick,, fast, and in a hurry. She needed help and knew that there was only one person that could help her. Erin gained the respect of her mother’s current boyfriend Kahlief. In Kahlief’s eyes, Erin was ambitious determined. He could sense through body language, she hated what she was doing. Often times Kalief would introduce Erin to his well known friends in the modeling industry, photographers and agents all over the city, but those small gigs wouldn’t last too long. Well aware of what was taking place with his girlfriend and her daughter. He didn’t give a damn. He was more obsessed with the fact that, to his old hood, his bitch was the baddest; she had bread, and was upgrading his finances on a regular. And to top it off Lady didn’t give a damn what anybody had to say.Erin became very close to Kahlief. When this Double trick Empire was at its best, He knew more than anybody, she was in search for something worth much more. Something not even the highest paying customer could finance. Something that would make her stop this lifestyle and come from up under Lady’s dirty schemes and diversions. She was looking for Love. Real love, that best friend love, that I’m “sorry ladies, I have to be in by 9” love. She was determined to find it. Get involved with this twisted tale as Erin finally finds Mr. Right and falls in love with a man who has everything but only wants to be with her. Just when Erin decides she doesn’t have to resort to her sexual encounters for money, she is soon devastated as she finds Lady lying lifeless in a pool of blood

    He browbeats his flatmate, terrorizes his wife, and is not above sleeping with her best friend-who loathes Jimmy almost as much as he loathes himself. Yet this working-class Hamlet, the original Angry Young Man, is one of the most mesmerizing characters ever to burst onto a stage, a malevolently vital, volcanically articulate internal exile in the dreary, dreaming Siberia of postwar England.First produced in 1956, Look Back in Anger launched a revolution in the English theater. Savagely, sadly, and always impolitely, it compels readers and audiences to acknowledge the hidden currents of rottenness and rage in what used to be called "the good life."

    First published by Yale University Press in 1956, it won the Pulitzer Prize in 1957 and has since sold more than one million copies. This edition includes a new foreword by Harold Bloom.The action covers a fateful, heart-rending day from around 8:30 am to midnight, in August 1912 at the seaside Connecticut home of the Tyrones - the semi-autobiographical representations of O'Neill himself, his older brother, and their parents at their home, Monte Cristo Cottage.One theme of the play is addiction and the resulting dysfunction of the family. All three males are alcoholics and Mary is addicted to morphine. They all constantly conceal, blame, resent, regret, accuse and deny in an escalating cycle of conflict with occasional desperate and half-sincere attempts at affection, encouragement and consolation.

    Matty has had to care for her three younger sisters ever since their mother’s death ten years ago. She and the girls’ beloved father have worked hard to keep the family together and now it’s time to celebrate as Matty turns eighteen. But their joy is short-lived when tragedy suddenly strikes and their father disappears on his way to London. The sisters have no way of knowing what has happened to him – only that he hasn’t returned home. With little money left they’re now forced to battle life’s misfortunes alone…

    As sole heir to the late Duke of Penrith's vast estate, she can only surmise that her fortune is her aggressor's objective but cannot accept that any of her relations are culpable.In desperation she turned to the nortorious rake, Lord Sebastian Denver, for help. Unable to deny a lady in distress, Sebastian inveigles his way into Abbey's hunting lodge, where all the prime suspects are gathered. Distracted by his growing attraction towards Abbey, Sebastian is unprepared when a further daring attempt is made on her life.Determined not to be found wanting for a second time, Sebastian delves into Abbey's past, looking for clues. Satisfied he knows who is behind the plot to kill her, although not why, he lays a daring trap for her aggressors in a race against time to keep her safe...

    She's the principal of Harper High in Atlanta, Georgia. Having a great job, making good money, and being highly educated still doesn't replace what she longs for. She’s been wishing for one thing all of her life, true love. In her quest for a soul mate, she found Blunt. His swag personifies the streets, something she's totally against. She finds herself mesmerized by his love, and her heart overtakes her mind. Little does she know, there's another side to him.Molaysia is suddenly faced with some mind blowing information concerning Blunt. She has to decide whether she's sticking around or moving on. She soon discovers that being So Gone over a man can almost cause you to lose your mind. Will Molaysia turn and walk away or stand by her man? Find out in this drama-filled tale of love, lies, and deceit.

    In the first, Doug Randall and Billy Endicott discuss changes that happen to young people of a certain age. Vignette #2 is a sweet story about Nate & Joss Mikkels and the big life changes that comes from wanting a large family. The third vignette focuses on Sal Kahane and Mark Ogden and finally Vignette #4 is a playful glimpse of the relationship between two brothers - Andrew and Jason Donovan.Since the Bellingwood series is written from Polly Giller's perspective, unless she's with someone, there are many moments in their lives that we miss. These short vignettes expose those moments. Look forward to more and more as the characters each look for a way to share their lives.These vignettes were originally published on the nammynools.com website and in the monthly email newsletter.

    He has also written fim scripts and for television.

    Unrequited love. Platonic love. Lost love. Self-love. And, for a lucky few humans: old soul love that seems to transcend even death.

    As victims of political action, powerless to initiate change, what can they do? How do they live and survive?Frank McGuinness explores the daily crisis endured by hostages whose strength comes from communication, both subtle and mundane, from humour, wit and faith.Someone Who'll Watch Over Me premiered at the Hampstead Theatre, London, in 1992 before transferring to the West End. On Broadway, it was awarded the New York Drama Critics' Circle Award for Best Foreign Play and nominated for the Tony Award for Best Play in 1993.

    Armed only with courage, his wits, and the dream of something better, Eloy embarks on a quest into the unknown to find the sister he lost and discover the future destined for him.

    It's November in a Presidential election year, and incumbent Charles Smith's chances for reelection are looking grim. Approval ratings are down, his money's running out, and nuclear war might be imminent. Though his staff has thrown in the towel and his wife has begun to prepare for her post-White House life, Chuck isn't ready to give up just yet. Amidst the biggest fight of his political career, the President has to find time to pardon a couple of turkeys — saving them from the slaughter before Thanksgiving — and this simple PR event inspires Smith to risk it all in attempt to win back public support. With Mamet's characteristic no-holds-barred style, November is a scathingly hilarious take on the state of America today and the lengths to which people will go to win.

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.