That's the premise of this book: how to cook what Zen Buddhists call "the supreme meal"—life. It has to be nourishing, and it has to be shared. And we can use only the ingredients at hand. Inspired by the thirteenth-century manual of the same name by Dogen, the founder of the Japanese Soto Zen tradition, this book teaches us how we can "enlarge the family we're feeding" if we just use some imagination. Bernie Glassman founded Greyston Bakery in Yonkers, New York, in 1982 to employ those whom other companies deem unemployable—the homeless, ex-cons, recovering addicts, low-skill individuals—with the belief that investing in people, and not just products, does pay. He was right. Greyston has evolved into an $8 million-a-year business with clients all over New York City. It is the sole supplier of brownies to Ben & Jerry's Ice Cream, and has even sold cakes to the White House. But financial profit is only one of two bottom lines that Greyston is committed to. The other one is social impact, and this goal is certainly being met. The bakery enterprise has led to the creation of the Greyston Foundation, an integrated network of organizations that provide affordable housing, child care, counseling services, and health care to families in the community. Using entrepreneurship to solve the problems of the inner city, Greyston has become a national model for comprehensive community development. Its giving back is more than just sloughing off a percentage of its profits and donating it to charity; it's about working with the community's needs right from the beginning—bringing them from the margins to the core. As its company motto goes, "We don't hire people to bake brownies. We bake brownies to hire people." This book is as much a self-manual as a business manual, addressing such concepts as    • Beginner's mind    • The Middle Way of Sustainability    • The "hungry ghosts" of Buddhism as a picture of all humanity    • Working with our faults    • Indra's Net and the interconnectedness of life    • Leaving no trace

    The author touches on many of their major ideas: the collective unconscious and karma, archetypes and deities, the analyst and the spiritual friend, and mandalas. Within Tibetan Buddhism she focuses on tantra and relates its emphasis on spiritual transformation, also a major concern of Jung. This expanded edition includes new material on the integration of the two traditions, and the importance of these paths of the heart in today's unsteady world.

    Their collaboration has rendered translations both precise and sublime, and their selection, which span 1,500 years, from the early T’ang dynasty to the present day, includes many poems that have never before been translated into English. Stryk and Ikemoto offer us Zen poetry in all its diversity: Chinese poems of enlightenment and death, poems of the Japanese masters, many haiku — the quintessential Zen art — and an impressive selection of poems by Shinkichi Takahashi, Japan’s greatest contemporary Zen poet. With Zen Poetry, Lucien Stryk and Takashi Ikemoto have graced us with a compellingly beautiful collection, which in their translations is pure literary pleasure, illuminating the world vision to which these poems give permanent expression.

    His Nobel Lecture offers a powerful defense of poetry as "the ship and the anchor" of our spirit within an ocean of violent, divisive world politics.

    Ideal for individuals and spiritual friends to use alone or with one another, "Inviting Silence" is a thoughtful primer on finding silence and a practical manual on meditation for seekers of every persuasion.

    In this collection of essays--based on a selection of radio talks and lectures given in the late 1950s and early 1960s--philosopher Watts explores the many aspects of Zen and Eastern thought that served as an inspiration for the Beat generation.

    Over this period many things changed decisively—globally, locally, and in their personal lives—and these changing conditions provide the back story for a long conversation. It begins in the early 1980s as an intellectual exchange between an earnest graduate student and a generous distinguished writer, and becomes a long-distance friendship and an exploration of spiritual practice.At the project’s heart is Snyder’s understanding of Buddhism. Again and again, the conversations return to an explication of the teachings. Snyder’s characteristic approach is to articulate a direct experience of Buddhist practice rather than any kind of abstract philosophy. In the version he describes here, this practice finds expression not primarily as an Asian import or a monastic ideal, but in the specificities of a householder’s life as lived creatively in a particular location at a particular moment in history. This means that whatever “topic” a dialogue explores, there is a sense that all of it is about practice—the spiritual-social practice of a contemporary poet.

    Haiku are practiced by poets, lovers, and schoolchildren, by “political haiku” twitterers, by anyone who has the desire to pin preception and experience into a few quick phrases. This essay offers readers unparalleled insight into the living heart of haiku—how haiku work and what they hold, and how to read through and into their images to find a full expression of human life and perceptions, sometimes profound, sometimes playful.

    To writer and activist Melody Moezzi, they became a lifeline. In The Rumi Prescription, we follow her path of discovery as she translates Rumi's works for herself - to gain wisdom and insight in the face of a creative and spiritual roadblock. With the help of her father, who is a lifelong fan of Rumi's poetry, she immerses herself in this rich body of work, and discovers a 13th-century prescription for modern life.Addressing isolation, distraction, depression, fear, and other everyday challenges we face, the book offers a roadmap for living with intention and ease, and embracing love at every turn--despite our deeply divided and chaotic times. Most of all, it presents a vivid reminder that we already have the answers we seek, if we can just slow down to honor them.- You went out in search of gold far and wide, but all along you were gold on the inside.- Become the sky and the clouds that create the rain, not the gutter that carries it to the drain.- You already own all the sustenance you seek. If only you'd wake up and take a peek.- Quit being a drop. Make yourself an ocean.

    John Whitehead, critic and biographer who himself served with the Indian Army in Burma, has provided this in full measure in his entertaining and scholarly Introduction and comprehensive textual Notes. This Centenary Edition of the ballads is unlikely ever to be superseded.

    Each was a defence and elaboration of his short satirical poem The Angry Hive, 1705. The version of the Fable of 1723 and 1732 are the fullest defences of his early paradox that social benefit is the unintended consequence of personal vice. It is an argument that is generally held to lie behind Adam Smith's doctrine of the 'hidden hand' of economic development.

    

    Henderson was, from 1927 to 1929, the Assistant to the Curator of Far Eastern Art at the Metropolitan Musuem of Art. In 1930 he went to Japan, where he lived the following three years. On his return to this country he joined the faculty at Columbia University, where he taught Japanese and initiated a course in the history of Japanese art. He retired in 1955. His published works include The Bamboo Broom, Surviving Works of Sharaku (with Louis V. Ledoux), and A Handbook of Japanese Grammar. He has also translated H. Minamoto's Illustrated History of Japanese Art, etc. Mr. Henderson lives in New York City.

    From central ideas like the Eight Fold Path and the Four Noble Truths to the role of meditation, Buddhism offers an indispensible introduction to the wisdom tradition that has shaped the lives of millions of people across centuries and continents. Writing in an engaging, approachable style, author Joan Duncan Oliver outlines the key tenants of Buddhism for every reader, unpacking complex philosophies and revealing the beauty of the timeless faith.A practitioner of Buddhist meditation for over thirty years, Oliver has written extensively on the subject and is uniquely well versed in Buddhist practice. Her expert knowledge and understanding make Buddhism an essential modern guidebook to an ancient tradition.

    Its structure has become popular in other languages and today it is probably the best know form of poetry worldwide.There are few rules to haiku, but they are strict: 17 phonetic sounds, a sense of cutting images or ideas, and a reference to a season. From those restrictions, poets have written about many things, from the year’s first blossom to aging, from mosquitoes humming to insects singing, from catching one’s shadow to crossing a stream in the summer.Haiku features 90 classic poems from four poets: Matsuo Bashō, Yosa Buson, Kobayashi Issa and Masaoka Shiki which range across more than 200 years of Japanese poetry.In Haiku, each poem is presented in Japanese script, along with romanized Japanese (romaji) and an English translation. Beautifully produced in traditional Chinese binding and with a timeless design, Haiku is an expert introduction and celebration of one of the most beautiful and accessible forms of poetry in the world.