But the real world comes to her in this dystopian tale with a philosophical bent. Rumors of massive unrest on the “Outside” abound. Something murderous is out there. Amish elders make a rule: No one goes outside, and no outsiders come in. But when Katie finds a gravely injured young man, she can’t leave him to die. She smuggles him into her family’s barn—at what cost to her community? The suspense of this vividly told, truly horrific thriller will keep the pages turning.

    Spirits from their graves will rise.Panic through the streets will spread.One ghost shrieks and rants and cries.One demon feeds upon the dead.Kill the evil if you dare.Nightmares fill with devils from hell.In the dark are death and fear.Goblings and ghouls, spooks and spells--Halloween comes and they appear.Terror rules the world -- Beware!

    A. Macalla Whitcomb. By deciding to investigate how Mrs. Whitcomb's obsessions might have led to her mysterious disappearance, Lois unwittingly invites the forces which literally haunt Mrs. Whitcomb's films into her life, eventually putting her son, her husband and herself in danger. Experimental Film mixes painful character detail with a creeping aura of dread to produce a fictionalized "memoir" designed to play on its readers' narrative expectations and pack an existentialist punch.

    They find a beautiful old country mansion on Long Island -- restful, secluded, with pool and private beach -- perfect, for the right people. But their "perfect" summer home hides terrors beyond their wildest imaginings. During that long summer the house becomes a nightmare from which there seems to be no escape.

    The summer Jake turns twelve, he befriends a pair of siblings new to town, and so Calvin decides to initiate them all into the "Saturday Night Ghost Club." But as the summer goes on, what begins as a seemingly lighthearted project may ultimately uncover more than any of its members had imagined. With the alternating warmth and sadness of the best coming-of-age stories, The Saturday Night Ghost Club examines the haunting mutability of memory and storytelling, as well as the experiences that form the people we become.

    After being unceremoniously dumped by her longtime boyfriend, Annie seeks a fresh start. She accepts a teaching position that moves her from Manhattan to a small village upstate. She’s stunned by how perfect and picturesque the town is. The people are all friendly and warm. Her new apartment is dreamy too, minus the oddly persistent spider infestation. Then Annie meets Sophie. Beautiful, charming, magnetic Sophie, who takes a special interest in Annie, who wants to be her friend. More importantly, she wants Annie to stop apologizing and start living for herself. That’s how Sophie lives. Annie can’t help but gravitate toward the self-possessed Sophie, wanting to spend more and more time with her, despite the fact that the rest of the townsfolk seem…a little afraid of her. And like, okay. There are some things. Sophie’s appearance is uncanny and ageless, her mansion in the middle of the woods feels a little unearthly, and she does seem to wield a certain power…but she couldn’t be…could she?

    According to local legend, there used to be a church out there, home to the Lord’s Church of Holy Voices—a death cult where Jacob Masters preached the gospel of a nameless god.And like most legends, there’s truth buried among the roots and bones.In 1983, the church burned to the ground following a mass suicide. Among the survivors were Jacob’s six children and their grandparents, who banded together to defy their former minister. Dubbed the “Stauford Six,” these children grew up amid scrutiny and ridicule, but their infamy has faded over the last thirty years.Now their ordeal is all but forgotten, and Jacob Masters is nothing more than a scary story told around campfires. For Jack Tremly, one of the Six, memories of that fateful night have fueled a successful art career—and a lifetime of nightmares. When his grandmother Imogene dies, Jack returns to Stauford to settle her estate. What he finds waiting for him are secrets Imogene kept in his youth, secrets about his father and the church. Secrets that can no longer stay buried. The roots of Jacob’s buried god run deep, and within the heart of Devil’s Creek, something is beginning to stir…

    With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder.But now Mira is back in Kipsen to attend Celine’s wedding at the plantation, which has been transformed into a lush vacation resort. Mira hopes to reconnect with her friends, and especially, Jesse, to finally tell him the truth about her feelings and the events of that devastating long-ago day.But for all its fancy renovations, the Woodsman remains a monument to its oppressive racist history. The bar serves antebellum drinks, entertainments include horrifying reenactments, and the service staff is nearly all black. Yet the darkest elements of the plantation’s past have been carefully erased—rumors that slaves were tortured mercilessly and that ghosts roam the lands, seeking vengeance on the descendants of those who tormented them, which includes most of the wedding guests. As the weekend unfolds, Mira, Jesse, and Celine are forced to acknowledge their history together, and to save themselves from what is to come.

    Lying in her bed, young Sylvie Mason overhears her parents on the phone across the hall. This is not the first late-night call they have received, since her mother and father have an uncommon occupation, helping "haunted souls" find peace. And yet, something in Sylvie senses that this call is different than the rest, especially when they are lured to the old church on the outskirts of town. Once there, her parents disappear, one after the other, behind the church's red door, leaving Sylvie alone in the car. Not long after, she drifts off to sleep only to wake to the sound of gunfire.Nearly a year later, we meet Sylvie again struggling with the loss of her parents, and living in the care of her older sister, who may be to blame for what happened the previous winter.As the story moves back and forth in time, through the years leading up to the crime and the months following, the ever inquisitive and tender-hearted Sylvie pursues the mystery, moving closer to the knowledge of what occurred that night, as she comes to terms with her family's past and uncovers secrets that have haunted them for years.

    Peter Proud’s ordinary life as a professor in California is threatened by recurrent dreams that all end the same: with his murder in a lake at night by a mysterious woman named Marcia. These dreams—which he comes to believe may be flashbacks from a previous life—become so disturbing that he seeks answers from a sleep researcher, a clairvoyant, and an expert in psychic phenomena in order to recover his past. But he soon discovers a new dimension to his dilemma while watching a television show called “America, Past and Present”—and realizes the show is set in the town in his dreams. He travels to Springfield, Massachusetts, and comes face to face with the woman from his nightmares. The woman, Marcia Curtis, is shocked to see in Peter personality traits and characteristics that precisely recall those of her dead husband, Jeff, including his voice. Peter meets and falls in love with Marcia’s daughter, Ann, just as Marcia realizes that he is a reincarnation of Jeff. Will a second tragedy occur just as Peter is about to unravel the mystery behind his dreams?   In this classic suspense novel first published in 1973, Max Ehrlich expertly interweaves multiple themes of life after death, romance, tragedy, and altered consciousness into an unforgettable tale.

    A pocketknife owned by somebody he hadn't seen in years …CHILDRENThey met first in boarding school at age twelve. Alex Fletcher, shy and scared. Darren Rust, always furiously scribbling away in a private journal. It was not an immediate friendship, but then one night Darren convinced his roommate to sneak off school grounds to see something glorious. There was a sleazy strip club, you see, and every once in a while the back door opened just long enough to maybe catch a quick glimpse …Though a bond was formed from their pre-pubescent interest in naked women, Darren had another interest. A morbid curiosity about death. A curiosity that turned into something much more sinister.FRIENDSThey crossed paths again in college and became the best of friends. But Darren wasn't just looking for a friend. He had dark, ghastly urges squirming around in his head, and he believed he saw the same things—the urge to hurt, the urge to kill—in Alex. He was looking for somebody who understood. A partner. But Alex could never become a monster. Not even when Darren tried to bring out his friend's most deeply buried feelings of rage. Not even when Darren tried to show him the euphoria of having that much power over another human being. It just couldn't happen … right?ENEMIESNow Alex has a wife and a daughter. And Darren is back. He's hiding. He's patient. His mind is twisted in the worst possible way.And he's seeking a soul mate.PRESSURE is a defining moment in Jeff Strand's career as an author, and an unforgettable psychological thriller you do not want to miss.

    It also has a very, very old one.   Pepper is a rambunctious big man, minor-league troublemaker, working-class hero (in his own mind), and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He’s not mentally ill, but that doesn’t seem to matter. He is accused of a crime he can’t quite square with his memory. In the darkness of his room on his first night, he’s visited by a terrifying creature with the body of an old man and the head of a bison who nearly kills him before being hustled away by the hospital staff. It’s no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic who’s been on the ward for decades and knows all its secrets; Coffee, an African immigrant with severe OCD, who tries desperately to send alarms to the outside world; and Loochie, a bipolar teenage girl who acts as the group’s enforcer. Battling the pill-pushing staff, one another, and their own minds, they try to kill the monster that’s stalking them. But can the Devil die?  The Devil in Silver brilliantly brings together the compelling themes that spark all of Victor LaValle’s radiant fiction: faith, race, class, madness, and our relationship with the unseen and the uncanny. More than that, it’s a thrillingly suspenseful work of literary horror about friendship, love, and the courage to slay our own demons.

    The remains of a forgotten town rest at the bottom of that dark body of water — along with a host of buried secrets… Thirty years earlier, the town of Peace Falls had been flooded to build a hydroelectric dam, and its ruins remain below the surface of Chapel Lake. The strange disappearance of the town Pastor, along with many of the parishioners, still haunts the citizens of Chapel Lake. But does the church haunt the lake itself? Is Owen really seeing ghosts… or has he descended into the depths of madness? SALVAGE is the debut horror novel of author Duncan Ralston (GRISTLE & BONE). A disturbing story of depression, religious fanaticism, and the afterlife, SALVAGE seeks to illuminate the darkness within us all.

    Physically exhausted and mentally drained, she’s also wracked with guilt over her unfinished dissertation—a thesis on mid-century children’s literature.Enter a new upstairs neighbor: the ghost of quixotic children’s book writer Margaret Wise Brown—author of the beloved classic Goodnight Moon—whose existence no one else will acknowledge. It seems Margaret has unfinished business with her former lover, the once-famous socialite and actress Michael Strange, and is determined to draw Megan into the fray. As Michael joins the haunting, Megan finds herself caught in the wake of a supernatural power struggle—and until she can find a way to quiet these spirits, she and her newborn daughter are in terrible danger.Using Megan’s postpartum haunting as a powerful metaphor for a woman’s fraught relationship with her body and mind, Julia Fine once again delivers an imaginative and “barely restrained, careful musing on female desire, loneliness, and hereditary inheritances” (Washington Post).

    Shadow Days, told from Shay's perspective, chronicles the days before the start of the New York Times bestselling Nightshade, when Shay is taken away from the friends he loves and forced to live in his uncle Bosqu Mar's mansion, where the gargoyles seem to move, magic seems real, and nothing is as it should be.