In order to get at the truth, this meticulously researched work covers the lives of both these men, from their youth right up to their ultimate collision. The Man Who Killed Rasputin is a superb retelling of a major historical event and is based on new revelations from the St. Petersburg police files. The book features many previously unpublished photographs, including the recently released Rasputin death pictures.At the time of the murder, Prince Youssoupov owned palaces throughout Russia. Just two years later, he and his wife were reduced to selling their possessions to survive. And wherever he went, he was always pointed out as the man who killed Rasputin.

    But once in Russia, she quickly becomes entangled in a country she can’t escape. Many years later, Florence’s son, Julian, will make the opposite journey, immigrating back to the United States. His work in the oil industry takes him on frequent visits to Moscow, and when he learns that Florence’s KGB file has been opened, he arranges a business trip to uncover the truth about his mother, and to convince his son, Lenny, who is trying to make his fortune in the new Russia, to return home. What he discovers is both chilling and heartbreaking: an untold story of what happened to a generation of Americans abandoned by their country.The Patriots is a riveting evocation of the Cold War years, told with brilliant insight and extraordinary skill. Alternating between Florence’s and Julian’s perspectives, it is at once a mother-son story and a tale of two countries bound in a dialectic dance; a love story and a spy story; both a grand, old-fashioned epic and a contemporary novel of ideas. Through the history of one family moving back and forth between continents over three generations, The Patriots is a poignant tale of the power of love, the rewards and risks of friendship, and the secrets parents and children keep from one another.

    More than 200 women speak in it, describing how young girls, who dreamed of becoming brides, became soldiers in 1941. More than 500,000 Soviet women participated on a par with men in the Second World War, the most terrible war of the 20th century. Women not only rescued and bandaged the wounded but also fired a sniper's rifle, blew up bridges, went reconnoitering and killed... They killed the enemy who, with unprecedented cruelty, had attacked their land, their homes and their children. Soviet writer of Belarussia, Svetlana Alexiyevich spent four years working on the book, visiting over 100 cities and towns, settlements and villages and recording the stories and reminiscences of women war veterans. The Soviet press called the book"a vivid reporting of events long past, which affected the destiny of the nation as a whole." The most important thing about the book is not so much the front-line episodes as women's heart-rending experiences in the war. Through their testimony the past makes an impassioned appeal to the present, denouncing yesterday's and today's fascism...

    Boris Bibikov - Owen Matthews's grandfather - kissed his wife and two young daughters good-bye and disappeared inside the car. His family never saw him again. His wife would soon vanish as well, leaving Lyudmila and Lenina alone to drift across the vast Russian landscape during World War II . Separated as the Germans advanced in 1941, they were miraculously reunited against all odds at the war's end. Some twenty-five years later, in the early 1960s, Mervyn Matthews - Owen's father - followed a lifelong passion for Russia and moved to Moscow to work for the British embassy. He fell in and out with the KGB, and despite having fallen in love with Lyudmila, he was summarily deported. For the next six years, Mervyn worked day and night to get Lyudmila out of Russia, and when he finally succeeded, they married. Decades on from these events, Owen Matthews - then a young journalist himself in Russia - came upon his grandfather's KGB file recording his "progress from life to death at the hands of Stalin's secret police." Excited by its revelations, he has pieced together the tangled and dramatic threads of his family's past and present, making sense of the magnetic pull that has drawn him back to his mother's homeland. Stalin's Children is an indelible portrait of Russia over seven decades and an unforgettable memoir about how we struggle to define ourselves in opposition to our ancestry only to find ourselves aligning with it.

    The Soviets had no intention of bestowing their coveted prize on an unknown American; a Russian pianist had already been chosen to win. Yet when the gangly Texan with the shy grin took the stage and began to play, he instantly captivated an entire nation.The Soviet people were charmed by Van Cliburn’s extraordinary talent, passion, and fresh-faced innocence, but it was his palpable love for the music that earned their devotion; for many, he played more like a Russian than their own musicians. As enraptured crowds mobbed Cliburn’s performances, pressure mounted to award him the competition prize. "Is he the best?" Soviet Premier Nikita Khrushchev demanded of the judges. "In that case . . . give him the prize!"Adored by millions in the USSR, Cliburn returned to a thunderous hero’s welcome in the USA and became, for a time, an ambassador of hope for two dangerously hostile superpowers. In this thrilling, impeccably researched account, Nigel Cliff recreates the drama and tension of the Cold War era, and brings into focus the gifted musician and deeply compelling figure whose music would temporarily bridge the divide between two dangerously hostile powers.

    In this unusual exploration of the crises that Lenin overcame, the decisions he made, and actions that he took, Tariq Ali reveals an insightful political portrait of this most exemplary leader. From the first stirrings of revolutionary fervour, Lenin sought the right answer to a series of dilemmas that he faced and that still resonate with us today: Is terrorism ever a useful tactic? Can imperial wars ever be supported? What sort of political party do we need? What is the moral justification for seizing power? How does one overcome the burden of history? What role does friendship or love play in revolution? How do you establish a legacy that lasts? Ali reveals that no other modern thinker than Lenin has better understood, nor more clearly articulated, the need to change the world. But do Lenin's ideas, as expressed in his actions and his political writings, still have any significance for us? In this centenary year of the Russian Revolution, this book raises important questions related to political representation and the popular institutions necessary to challenge capitalism today.

    These were captured virtually complete, and to this day give up secrets. One that emerges from Alan Moorehead's research is the extent to which Germany was involved in the Russian Revolution. The ironic result of this clandestine maneuver was Germany's sure defeat on the Eastern front in WW II. "It all forms a fascinating chapter in the history of our century," states The Book-of-the-Month Club, "and the man ignorant of how that chapter unrolled is minus the keys to an understanding of his own time and so in part himself--Moorehead hands us that key."

    Reissue.

    Since shaking off communism two decades ago, the country has seemed wobbly at best, thoroughly corrupt and threatening at worst. But in recent years, as noted scholar Daniel Treisman shows in this compelling account, Russia has re-emerged as a pivotal nation in world affairs. In The Return, Treisman cuts through the myths and misinformation, as well as ongoing academic and journalistic debates, to present a portrait of a strong and independent country that is returning to the international community on its own terms. Drawing on two decades of research, interviews, and insider observation, The Return provides the first comprehensive history of post-communist Russia. From Gorbachev to Yeltsin, Putin, and Medvedev, it traces the twists and turns of the country’s evolution, uncovering the causes behind Russia’s plunge into depression in the 1990s and resurgence since 2000. Rather than a nation frozen in ancient authoritarian traditions, as Russia is often portrayed, Treisman shows a society modernizing rapidly, with a government that, although less than democratic, is sensitive to public opinion but which has been repeatedly buffeted by economic forces—the collapse of Soviet planning, the gyrations of oil prices—that have alternately boosted and drained the leaders’ popularity. Knocked off balance once again by the global financial crisis, the Kremlin’s current bosses must now struggle to reignite the growth on which the stability of their regime depends.As Russia grapples with its economic difficulties, the West will have to come to terms with the new Russia. With its UN Security Council veto, thousands of atomic warheads, continental dimensions, and vast mineral resources, Moscow sits at the epicenter of the toughest challenges the world will confront in the next generation—from Islamic terrorism and nuclear proliferation to energy security and global warming. To enlist Russia’s cooperation in solving the problems of the twenty-first century, Western leaders will need to look beyond common misconceptions to see the country as it is rather than as it has often been imagined or depicted.Based on extensive research by an expert with intimate knowledge of the country, the book provides insight into the prospects for democracy in Russia, the challenges and opportunities of doing business there, the wars in Chechnya, and the motives behind Moscow’s foreign policy. The Return is the ultimate accounting of what Russia is today, how it got there, and where it’s going.

    Historians and reviewers worldwide have hailed Antony Beevor's magisterial Stalingrad as the definitive account of World War II's most harrowing battle. In August 1942, Hitler's huge Sixth Army reached the city that bore Stalin's name. In the five-month siege that followed, the Russians fought to hold Stalingrad at any cost; then, in an astonishing reversal, encircled and trapped their Nazi enemy. This battle for the ruins of a city cost more than a million lives. Stalingrad conveys the experience of soldiers on both sides, fighting in inhuman conditions, and of civilians trapped on an urban battlefield. Antony Beevor has interviewed survivors and discovered completely new material in a wide range of German and Soviet archives, including prisoner interrogations and reports of desertions and executions. As a story of cruelty, courage, and human suffering, Stalingrad is unprecedented and unforgettable.

    The result is a shimmering literary examination of the ghost of communism – no longer Marx’s “specter to come” but a haunting presence of the past.    Marci Shore builds her history around people she came to know over the course of the two decades since communism came to an end in Eastern Europe: her colleagues and friends, once-communists and once-dissidents, the accusers and the accused, the interrogators and the interrogated, Zionists, Bundists, Stalinists and their children and grandchildren.  For them, the post-communist moment has not closed but rather has summoned up the past: revolution in 1968, Stalinism, the Second World War, the Holocaust.  The end of communism had a dark side.  As Shore pulls the reader into her journey of discovery, reading the archival records of people who are themselves confronting the traumas of former lives, she reveals the intertwining of the personal and the political, of love and cruelty, of intimacy and betrayal. The result is a lyrical, touching, and sometimes heartbreaking portrayal of how history moves and what history means.

    So punishing was life in these units that officers in regular formations threatened to send recalcitrant troops to penal battalions. Alexander Pyl'cyn led his penal unit through the Soviets' massive offensive in the summer of 1944, the Vistula-Oder operation into eastern Germany, and the bitter assault on Berlin in 1945. He survived the war, but 80 percent of his men did not.

    In the turmoil of the Russian insurrection of 1905 and civil war of 1917, the anarchists attempted to carry out their program of “direct action”—workers’ control of production, the creation of free rural and urban communes, and partisan warfare against the enemies of a free society.Avrich consulted published material in five languages and anarchist archives worldwide to present a picture of the philosophers, bomb throwers, peasants, and soldiers who fought and died for the freedom of “Mother Russia.” Including the influence and ideas of Bakunin and Kropotkin, the armed uprisings of Makhno, the activities of Volin, Maximoff, and the attempted aid of Berkman and Emma Goldman.Paul Avrich is a retired professor of history at Queens College.

    Drawing on a wealth of newly available sources from the time, eminent historian David Clay Large explores the 1972 festival in all its ramifications. He interweaves the political drama surrounding the Games with the athletic spectacle in the arena of play, itself hardly free of controversy. Writing with flair and an eye for telling detail, Large brings to life the stories of the indelible characters who epitomized the Games. Key figures range from the city itself, the visionaries who brought the Games to Munich against all odds, and of course to the athletes themselves, obscure and famous alike. With the Olympic movement in constant danger of terrorist disruption, and with the fortieth anniversary of the 1972 tragedy upon us in 2012, the Munich story is more timely than ever.

    Drawing on newly opened archives and the reminiscences of the major players, John Lewis Gaddis explains not just what happened but why—from the months in 1945 when the U.S. and the U.S.S.R. went from alliance to antagonism to the barely averted holocaust of the Cuban Missile Crisis to the maneuvers of Nixon and Mao, Reagan and Gorbachev. Brilliant, accessible, almost Shakespearean in its drama, The Cold War stands as a triumphant summation of the era that, more than any other, shaped our own.