Forbes, the young British captain of the HMS Bonetta, intervened, provoking Dahomian King Gezo to offer the girl as a gift to Queen Victoria instead. Forbes named the girl Sarah Forbes Bonetta and took her back to England, where she became Queen Victoria's protege. Walter Dean Myers discovered the kernel of Sarah's story in a bundle of original letters he purchased from a London book dealer. From these letters, along with excerpts from Queen Victoria's diary, newspapers, and Forbes's published account of the Dahomans, Myers pieced together Sarah's life. In his unembellished narrative we learn about Sarah's capture by the slave-trading Dahomans; her rescue by Forbes; her life in England under the Forbes' care; her regular visits to the Queen; her stay at a missionary school in Sierra Leone and abrupt return to England; her marriage and early death. Yet, as horrific and miraculous as the events of Sarah's life are, Myers can only pose questions about who Sarah really was ("What were her dreams for her own future...? What images came to her as she rode in the pony cart with the royal children? How often did she think of Dahomey? Of King Gezo?"). Sarah's chatty, unprovocative letters, which hint at the upperclass Englishwoman she became, reveal nothing about her African heritage or about the traumatized girl she must have been (Myers could not even discover her African name). Ironically, this seeming weakness proves the ultimate testimony to Sarah's life-the very absence of her voice bears undeniable witness to her story.

    It was not until Robin's father found a permanent job at the McCurdy ranch, after three years as a migrant worker, that Robin had a place to wander to. As time went by the Velvet Room became more and more of a haven for her — a place to read and dream, a place to bury one's fears and doubts, a place to count on. The Velvet Room, first published in 1965, was a Junior Library Guild selection, and part of Scholastic Books' Arrow Book Club.

    He spins for the animals—as well as for Ben and Abby, the kids whose grandfather does the rescuing—a yarn about his ancestor, the nameless cat who brought Dick Whittington to the heights of wealth and power in 16th-century England. This is an unforgettable tale about the healing, transcendent power of storytelling, and how learning to read saves one little boy.

    A portion of the proceeds will support WriteGirl, a creative writing and mentoring organization for teen girls. Publication is set for spring 2017; Stephen Barbara at Inkwell did the deal for U.S., Canadian, and open market rights.

    Libris. But something strange is going on. Besides the security cameras everywhere, there’s Dr. Libris’s private bookcase. Whenever Billy opens the books inside, he can hear sounds coming from the island in the middle of the lake. The clash of swords. The twang of arrows. Sometimes he can even feel the ground shaking. It’s almost as if the stories he’s reading are coming to life! But that’s impossible . . . isn’t it?

    Now the war front approaches, and when Peter’s father enlists, Peter has to move in with his grandpa. Far worse than being forced to leave home is the fact that Pax can’t go. Peter listens to his stern father—as he usually does—and throws Pax’s favorite toy soldier into the woods. When the fox runs to retrieve it, Peter and his dad get back in the car and leave him there—alone. But before Peter makes it through even one night under his grandfather’s roof, regret and duty spur him to action; he packs for a trek to get his best friend back and sneaks into the night. This is the story of Peter, Pax, and their independent struggles to return to one another against all odds. Told from the alternating viewpoints of Peter and Pax.

    The divide has created much tension between Hindus and Muslims, and hundreds of thousands are killed crossing borders. Half-Muslim, half-Hindu twelve-year-old Nisha doesn't know where she belongs, or what her country is anymore. When Papa decides it's too dangerous to stay in what is now Pakistan, Nisha and her family become refugees and embark first by train but later on foot to reach her new home. The journey is long, difficult, and dangerous, and after losing her mother as a baby, Nisha can't imagine losing her homeland, too. But even if her country has been ripped apart, Nisha still believes in the possibility of putting herself back together.Told through Nisha's letters to her mother, The Night Diary is a heartfelt story of one girl's search for home, for her own identity...and for a hopeful future.

    The story takes place in a small Vermont town in the year 1924, revealing the devastating impact of the Ku Klux Klan on this pastoral, insular community. At the heart of the tale are two motherless girls who come to the attention of the newly formed Klan: 12-year-old Leanora Sutter, who is black, and 6-year-old Esther Hirsch, who is Jewish. Hesse tells her story, which is based on real events, through the eyes of 11 different characters. Each point of view is expressed in poetic form, but with a stark clarity of difference that makes the voices unique and identifiable. There is a fire-and-brimstone preacher whose sermons reveal him as a zealot and whose actions brand him as a hypocrite. There is a middle-aged farm woman named Sara who takes Esther under her wing despite the warnings of her neighbors, trying to help the child understand why the Klan has marked her and her widowed father as targets for their hatred. Esther's only other friend is Leanora, who is about to learn some harsh lessons on tolerance and hatred herself at the hands of the Klan. And linking them all together is 18-year-old Merlin Van Tornhout, a young man struggling to fit in with the adult world and determine for himself the difference between right and wrong. The remaining characters who circle the periphery of this core group reflect the various mind-sets and biases that were common during this era of fear and persecution, even in a setting as bucolic as the Vermont countryside.Hesse weaves real historic events into her tale, such as the murder trial of the infamous kidnappers Leopold and Loeb, giving the work a definite period flavor. Using prose that is both sparse and powerful, she builds the tension with a slow crescendo of inevitability that ends in violence, but also offers up an unforgettable lesson on the true power of friendship and acceptance. (Beth Amos)

    They aren't friends. They don't even live in the same town. But their fates are entwined. A chance meeting leads the boys to discover that they have more in common than meets the eye. Both of them have encountered a strange presence in the forest, watching them, tracking them. Could the Madman of Piney Woods be real?

    Then a letter from her Aunt Euterpe arrives, and everything changes. It's 1893, the year of the World's Columbian Exposition-the "wonder of the age"-a.k.a. the Chicago World's Fair. Aunt Euterpe is inviting the Becketts to come for a visit and go to the fair! Award-winning author Richard Peck's fresh, realistic, and fun-filled writing truly brings the World's Fair-and Rosie and her family-to life.

    So when her Civil War-era house is about to be condemned, she’s determined to save it—either by getting it deemed a historic landmark or by finding the stash of gold rumored to be hidden nearby during the war. As Lou digs into the past, her eyes are opened when she finds that her ancestors ran the gamut of slave owners, renegades, thieves and abolitionists. Meanwhile, some incidents in her town show her that many Civil War era prejudices still survive and that the past can keep repeating itself if we let it. Digging into her past shows Lou that it’s never too late to fight injustice, and she starts to see the real value of understanding and exploring her roots.

    Because now the girls are standing up for what's right, and they're not backing down.

    Amelia Jones always dreamed of attending the Mystwick School of Musicraft, where the world’s most promising musicians learn to create magic. So when Amelia botches her audition, she thinks her dream has met an abrupt and humiliating end—until the school agrees to give her a trial period. Amelia is determined to prove herself, vowing to do whatever it takes to become the perfect musician. Even if it means pretending to be someone she isn’t. Meanwhile, a mysterious storm is brewing that no one, not even the maestros at Mystwick, is prepared to contain. Can Amelia find the courage to be true to herself in time to save her beloved school from certain destruction?

      Terpsichore can’t wait to follow in Laura Ingalls Wilder’s footsteps . . . now she just has to convince her mom. It’s 1934, and times are tough for their family. To make a fresh start, Terpsichore’s father signs up for President Roosevelt’s Palmer Colony project, uprooting them from Wisconsin to become pioneers in Alaska. Their new home is a bit of a shock—it’s a town still under construction in the middle of the wilderness, where the residents live in tents and share a community outhouse. But Terpsichore’s not about to let first impressions get in the way of this grand adventure. Tackling its many unique challenges with her can-do attitude, she starts making things happen to make Alaska seem more like home. Soon, she and her family are able to start settling in and enjoying their new surroundings—everyone except her mother, that is. So, in order to stay, Terpsichore hatches a plan to convince her that it’s a wonderful—and civilized—place to live . . . a plan that’s going to take all the love, energy, and Farmer Boy expertise Terpsichore can muster.

    December, 1950.Twelve-year-old Sora and her family live under an iron set of rules: No travel without a permit. No criticism of the government. No absences from Communist meetings. Wear red. Hang pictures of the Great Leader. Don't trust your neighbors. Don't speak your mind. You are being watched.But war is coming, war between North and South Korea, between the Soviets and the Americans. War causes chaos--and war is the perfect time to escape. The plan is simple: Sora and her family will walk hundreds of miles to the South Korean city of Busan from their tiny mountain village. They just need to avoid napalm, frostbite, border guards, and enemy soldiers.But they can't. And when an incendiary bombing changes everything, Sora and her little brother Young will have to get to Busan on their own. Can a twelve-year-old girl and her eight-year-old brother survive three hundred miles of war zone in winter?