Except he’s beginning to suspect that none of that is true. If he has a wife, why can’t he remember marrying her? And why does trying to remember make his head hurt?Deron knows he shouldn’t be in Seattle. Giving into his need to check on the man who once belonged to him could put a complicated cross-agency investigation at risk. All he wants is one little peek. He didn’t expect Jay to recognize him or for the two of them to get shot at on the streets of Seattle.Jay’s suffering from a case of amnesia only he can cure and is at the heart of a mystery only he can solve. Too bad he doesn’t know any of that. But there’s one thing he does know: Deron. His memory may have been removed, but his soul will never forget its mate. Can he remember everything else in time to save both their lives and possibly an entire country?Content warning: mention of suicide, gun violence

    A recent college graduate living in New York City finds himself in a strangely entangled friendship with his dry cleaner and her son. A daughter accompanies her father to Israel, where, seeing a new side of him away from her mother, she makes an unusual bargain.Through thirteen stories, some stand-alone, others woven with linked characters, Kane questions the tensions between friendship and neighborliness, home and travel, family and ambition. In writing filled with wit and humor and incredible poignancy, she deftly reveals the everyday patterns that, over time, can swerve a life off course.

    But her favourite among her books was Consequences (1919), the deeply-felt novel she wrote about the plight of girls given no opportunities apart from marriage.Alex Clare is awkward and oversensitive and gets everything wrong; she refuses to marry the only young man who ‘offers’ and believes there is nothing left for her but to enter a convent. But that is not quite the end of her tragic story. Nor was it for EM Delafield, who also entered a convent for a year; but in her case she was able to find freedom through working as a VAD in an army hospital, ‘which was emancipation of the most delirious kind. It was occupation, it was self-respect.’Like Lytton Strachey’s Eminent Victorians, written at the same time, Consequences is a scream of horror against Victorian values; however, its ironic tone cannot disguise EM Delafield’s deeply compassionate and feminist stance.