Powerful, at times surreal, stories of loneliness, obsession, and eroticism, these novellas bear all the hallmarks of Murakami's later books, giving us a fascinating insight into a great writer's beginnings, and are remarkable works of fiction in their own right. Here too is an exclusive essay by Murakami in which he explores and explains his decision to become a writer. Prequels to the much-beloved classics A Wild Sheep Chase and Dance Dance Dance, these early works are essential reading for Murakami completists and contemporary fiction lovers alike.

    His colleague Manami should know better. His conquest Reiko treasures her independence above all else. Friends Tama and Subaru find themselves playing Nishino's game, but Eriko loves her cat more. Sayuri is older, Aichan is much younger, and Misono has her own conquests to make.For each of them, an encounter with elusive womaniser Mr Nishino will bring torments, desires and delights.

    readers will be able to experience the phenomenon that became the inspiration for a blockbuster movie, a hit TV show, and a popular manga. A national sensation that touched over three million readers, Kyoichi Katayama brought innocent love and romance to the forefront of Japan's ultra-hip mass market. Affectionately known as "Sekachu" in Japan, Katayama's novel depects a sweet high school romance between an average guy and a popular girl. But tragedy ensues when the girl falls ill with leukemia. A bittersweet tale of young love, enduring devotion, and heartbreaking loss, socrates in Love is a story to cherish and nurture.

    Included here are sixteen black-and-white woodblock prints originally published in 1608.

    Stephen Snyder offers the first English translation of the complete, uncensored text, which has long been celebrated as one of the most convincing and sensually rich portraits of the geisha profession.Rivalry tells a sweeping story in which sexual politics compete with sisterly affection in a world ruled by material transaction. Komayo is a former geisha who, upon the death of her husband, must return to the "world of flower and willow" to escape poverty. A chance encounter with an old patron, Yoshioka, leads to a relationship in which both lovers hope to profit: Yoshioka believes Komayo can restore his lost innocence; Komayo plans to use Yoshioka's patronage to compete in the elaborate music and dance performances staged by her fellow geisha.Yoshioka is eager to ransom Komayo, but as she considers his offer, Komayo falls in love with Segawa, a young actor who promises to turn the talented geisha into the finest dancer in the Shimbashi quarter. Though her feelings for Segawa are genuine, Komayo is eager to use her lover's position to become the lead performer among her peers. Her ambition even tempts her to take on a third patron known only as the "Sea Monster," a repellent but wealthy antiques dealer whose deep pockets promise to shoot Komayo to the height of celebrity.Though she finds herself at the pinnacle of a glittering career, Komayo nevertheless becomes the target of a bitter rivalry between her three lovers that leaves her both thrilled and exhausted, both brutalized and redeemed. Kafu's compelling tale takes readers from the intimate corners of the geisha house to the back rooms of assignation, from the dressing areas of the great kabuki theaters to the lonely country villa of a theater critic and connoisseur of Shimbashi women. His lush depictions of architecture and costumes and his incisive descriptions of urban life and individual motive provide a vivid backdrop for Komayo's struggle-one woman's absorbing quest to find fame, affection, and financial security in the refined but ruthless theater of Shimbashi.

    Gone is the part of her that bore one of the most beautiful full-body tattoos ever rendered. Kenzo Matsushita, a young doctor who was first to discover the crime scene, feels compelled to assist his detective brother, who is in charge of the case. But Kenzo has a secret: he was Kinue’s lover, and soon his involvement in the investigation becomes as twisted and complex as the writhing snakes that once adorned Kinue’s torso.The Tattoo Murder Case was originally published in 1948; this is the first English translation.

    Her family and friends are shocked and terrified. The pass—which tunnels through a mountainous region of southern Japan—has an eerie history: a hideout for robbers, murderers, and ghostly creatures lurking at night. Soon afterward, a young construction worker becomes the primary suspect. As the investigation unfolds, the events leading up to the murder come darkly into focus, revealing a troubled cast of characters: the victim, Yoshino, a woman much too eager for acceptance; the suspect, Yuichi, a car enthusiast misunderstood by everyone around him; the victim’s middle-aged father, a barber disappointed with his life; and the suspect’s aging grandmother, who survived the starvation of postwar Japan only to be tormented by local gangsters. And, finally, there is desperate Mitsuyo, the lonely woman who finds Yuichi online and makes the big mistake of falling for him.  A stunningly dark thriller and a tapestry of noir, Villain is the English-language debut for Shuichi Yoshida, one of Japan’s most acclaimed and accomplished writers. From desolate seaside towns and lighthouses to love hotels and online chat rooms, Villain reveals the inner lives of men and women who all have something to hide. Part police procedural, part gritty realism, Villain is a coolly seductive story of loneliness and alienation in the southernmost reaches of Japan.

    A bohemian romantic, his death at the early age of thirty, coupled with the delicacy of his imagery, have led to him being compared to the greatest of French symbolist poets.Since the Second World War Nakahara’s stature has risen, and his poetry is now ranked among the finest Japanese verse of the 20th century. Influenced by both Symbolism and Dada, he created lyrics renowned for their songlike eloquence, their personal imagery and their poignant charm.This selection of poems from throughout Nakahara’s creative life includes collected and uncollected work and draws on recent scholarship to give a full account of this extraordinary figure.

    Its twelve, stand-alone fragments follow the first year of her separation from her husband. The novel is full of light, sometimes comforting and sometimes dangerous: sunlight streaming through windows, dappled light in the park, distant fireworks, dazzling floodwater, desaturated streetlamps and earth-shaking explosions. The seemingly artless prose is beautifully patterned: the cumulative effect is disarmingly powerful and images remain seared into your retina for a long time afterwards.

    The translation by Ivan Morris is outstanding." —The New York Times**Winner of the 1952 Yomiuri Prize**This haunting novel explores the complete degradation and isolation of a man by war. Fires on the Plain is set on the island of Leyte in the Philippines during World War II, where the Japanese army is disintegrating under the hammer blows of the American landings. Within this broader disintegration is another, that of a single human being, Private Tamura. The war destroys each of his ties to society, one by one, until Tamura, a sensitive and intelligent man, becomes an outcast.Nearly losing the will to survive, he hears of a port still in Japanese hands and struggles to walk through the American lines. Unfazed by danger, he welcomes the prospect of dying, but first, he loses his hope, and then his sanity. Lost among his hallucinations, Tamura comes to fancy himself an angel enjoined by God to eat no living thing—but even angels fall.Tamura is never less than human, even when driven to the ultimate sin against humanity. Shocking as the outward events are, the greatness of the novel lies in its uplifting vision during a time of crushing horror. As relevant today as when it was originally published, Fires on the Plain will strike a chord with anyone who has lived through the horrors of war.

    Gothic Tales makes available for the first time a collection of stories by this highly influential writer, whose decadent romanticism led him to envision an idiosyncratic world--a fictive purgatory --precious and bizarre though always genuine despite its melodramatic formality.The four stories presented here are among Kyoka's best-known works. They are drawn from four stages of the author's development, from the conceptual novels of 1895 to the fragmented romanticism of his mature work. In the way of introduction, Inouye presents a clear analysis of Kyoka's problematic stature as a great gothic writer and emphasizes the importance of Kyoka's work to the present reevaluation of literary history in general and modern Japanese literature in particular. The extensive notes that follow the translation serve as an intelligent guide for the reader, supplying details about each of the stories and how they fit into the pattern of mythic development that allowed Kyoka to deal with his fears in a way that sustained his life and, as Mishima Yukio put it, pushed the Japanese language to its highest potential.

    His covert explorations reveal that the enormous hospital she was taken to is home to a network of constant surveillance, outlandish sex experiments, and an array of very odd and even violent characters. Within a few days, though no closer to finding his wife, the unnamed narrator finds himself appointed the hospital’s chief of security, reporting to a man who thinks he’s a horse. With its nightmarish vision of modern medicine and modern life, Secret Rendezvous is another masterpiece from Japan’s most gifted and original writer of serious fiction.

    We listened to the Beatles, the Stones, the Doors, the Velvet Underground, the Grateful Dead, Cream, Jimi Hendrix, Janis Joplin, and Bob Dylan. We read Rimbaud, played guitars, smoked pot, fell in love, rebelled against the establishment, protested the war in Vietnam, barricaded our high school, and produced the first rock festival in our home town-a small city in a remote southwestern corner of Japan...SIXTY-NINE is a roman à clef about coming of age during a time that left its mark on baby boomers around the world-a time when we really believed we could change the world before it changed us. By turns hilarious, cynical, frivolous, and poignant, the book is infused from start to finish with Ryu Murakami's relentless energy and optimism; it simply refuses to get tedious, preachy, or "literary" for a single moment.

    A couple in their thirties live in a small rented cottage in a quiet part of Tokyo; they work at home, freelance copy-editing; they no longer have very much to say to one another. But one day a cat invites itself into their small kitchen. It leaves, but the next day comes again, and then again and again. Soon they are buying treats for the cat and enjoying talks about the animal and all its little ways. Life suddenly seems to have more promise for the husband and wife — the days have more light and color. The novel brims with new small joys and many moments of staggering poetic beauty, but then something happens….As Kenzaburo Oe has remarked, Takashi Hiraide’s work "really shines." His poetry, which is remarkably cross-hatched with beauty, has been acclaimed here for "its seemingly endless string of shape-shifting objects and experiences,whose splintering effect is enacted via a unique combination of speed and minutiae."

    They each focus intently on their specific jobs: one studies moss, one shreds paper, and the other proofreads incomprehensible documents. Life in the factory has its own logic and momentum, and, eventually, the factory slowly expands and begins to take over everything, enveloping these poor workers. The very margins of reality seem to be dissolving: all forms of life capriciously evolve, strange creatures begin to appear… After a while—it could be weeks or years—the workers don’t even have the ability to ask themselves: where does the factory end and the rest of the world begin?Told in three alternating first-person narratives, The Factory casts a vivid—if sometimes surreal—portrait of the absurdity and meaninglessness of modern life. With hints of Kafka and unexpected moments of creeping humor, Hiroko Oyamada is one of the boldest writers of her generation.