There were no screams when she was taken, suggesting the culprit was someone familiar to her, and when she turned up again in a nearby village several days later, she was found in perfect health and happiness. No one was ever accused of a crime. The incident quickly faded from her memory, and her parents never discussed it. To the contrary, they deliberately hid it from her, and she did not learn of it for half a century. This was not the only secret her parents kept from her. For many years, while raising her in draconian isolation and protectiveness, they also hid the fact that she’d been adopted, and that shortly after the kidnapping, her name was changed from Grace to Betty. In Five Days Gone, Laura Cumming brilliantly unspools the tale of her mother’s life and unravels the multiple mysteries at its core. Using photographs from the time, historical documents, and works of art, Cumming investigates this case of stolen identity with the toolset of a detective and the unique intimacy of a daughter trying to understand her family’s past and its legacies. Compulsive, vivid, and profoundly touching, Five Days Gone is a masterful blend of memoir and history, an extraordinary personal narrative unlike any other.

    “One day I will tell you the story of my life,” promises Emma Brockes’s mother, “and you will be amazed.” Brockes grew up hearing only pieces of her mother’s past—stories of a rustic childhood in South Africa, glimpses of a bohemian youth in London—and yet knew that crucial facts were still in the dark. A mystery to her friends and family, Paula was clearly a strong, self-invented woman; glamorous, no-nonsense, and frequently out of place in their quaint English village. In awe of Paula’s larger-than-life personality, Brockes never asked why her mother emigrated to England or why she never returned to South Africa; never questioned the source of her mother’s strange fears or tremendous strengths. Looking to unearth the truth after Paula’s death, Brockes begins a dangerous journey into the land—and the life—her mother fled from years before. Brockes soon learns that Paula’s father was a drunk megalomaniac who terrorized Paula and her seven half-siblings for years. After finally mustering the courage to take her father to court, Paula is horrified to see the malevolent man vindicated of all charges. As Brockes discovers, this crushing defeat left Paula with a choice: take her own life, or promise herself never to be intimidated or unhappy again. Ultimately she chooses life and happiness by booking one-way passage to London—but not before shooting her father five times, and failing to kill him. Smuggling the fateful gun through English customs would be Paula’s first triumph in her new life.She Left Me the Gun carries Brockes to South Africa to meet her seven aunts and uncles, weighing their stories against her mother’s silences. Brockes learns of the violent pathologies and racial propaganda in which her grandfather was inculcated, sees the mine shafts and train yards where he worked as an itinerant mechanic, and finds in buried government archives the court records proving his murder conviction years before he first married. Brockes also learns of the turncoat stepmother who may have perjured herself to save her husband, dooming Paula and her siblings to the machinations of their hated father. Most of all, She Left Me the Gun reveals how Paula reinvented herself to lead a full, happy life. As she follows her mother’s footsteps back to South Africa, Brockes begins to find the wellsprings of her mother’s strength, the tremendous endurance which allowed Paula to hide secrets from even her closest friends and family. But as the search through cherished letters and buried documents deepens, Brockes realizes with horror that her mother’s great success as a parent was concealing her terrible past—and that unearthing these secrets threatens to undo her mother’s work. A beguiling and unforgettable journey across generations and continents, She Left Me the Gun chronicles Brockes’s efforts to walk the knife-edge between understanding her mother’s unspeakable traumas and embracing the happiness she chose for her daughter.

    He seemed to be living a normal life with his wife, Rosemarie, and their family—though one daughter, Elisabeth, had decades earlier been "lost" to a religious cult. Throughout the years, three of Elisabeth's children mysteriously appeared on the Fritzls' doorstep; Josef and Rosemarie raised them as their own. But only Josef knew the truth about Elisabeth's disappearance…For twenty-seven years, Josef had imprisoned and molested Elisabeth in his man-made basement dungeon, complete with sound-proof paneling and code-protected electric locks. There, she would eventually give birth to a total of seven of Josef's children. One died in infancy—and the other three were raised alongside Elisabeth, never to see the light of day.Then, in 2008, one of Elisabeth's children became seriously ill, and was taken to the hospital. It was the first time the nineteen-year-old girl had ever gone outside—and soon, the truth about her background, her family's captivity, and Josef's unspeakable crimes would come to light.John Glatt's Secrets in the Cellar is the true story of a crime that shocked the world.

    The ensuing trial was rife with inconsistencies, false testimony and superstition. Echols was accused of, among other things, practising witchcraft and satanic rituals – a result of the “satanic panic” prevalent in the media at the time. Baldwin and Miskelley were sentenced to life in prison. Echols, deemed the ringleader, was sentenced to death. He was eighteen years old.In a shocking reversal of events, all three were suddenly released in August 2011. This is Damien Echols' story in full: from abuses by prison guards and wardens, to descriptions of inmates and deplorable living conditions, to the incredible reserves of patience, spirituality, and perseverance that kept him alive and sane for nearly two decades. Echols also writes about his complicated and painful childhood. Like Dead Man Walking, Life After Death is destined to be a classic.

    Justin Vivian Bond makes a brilliant literary debut with this candid and hilarious coming-of-age tale.Bond recalls in vivid detail how it looked and felt to first discover Mom's lipstick (Iced Watermelon by Revlon), and how dreary it could be for a trans/queer kid to join the Cub Scouts. Always haunted by the knowledge of being "different," Bond began to create intimate friendships with girls, and to feel increasingly at risk with boys. But when the bully next door wanted to meet secretly, Bond couldn't resist. Their trysts went on for years, making Bond acutely aware of how sexual power and vulnerability can be experienced at the same time. With inimitable style, Bond raises issues about LBGTQ adolescence, parenting trans/queer children, and bullying, while being utterly entertaining.

    His courage is a model for all Americans."--President Barack Obama It was just another day on the job for fifty-three-year-old Richard Phillips, captain of the Maersk Alabama, the United States-flagged cargo ship which was carrying, among other things, food and agricultural materials for the World Food Program. That all changed when armed Somali pirates boarded the ship. The pirates didn't expect the crew to fight back, nor did they expect Captain Phillips to offer himself as hostage in exchange for the safety of his crew. Thus began the tense five-day stand-off, which ended in a daring high-seas rescue when U.S. Navy SEALs opened fire and picked off three of the captors. "It never ends like this," Captain Phillips said. And he's right. A Captain's Duty tells the life-and-death drama of the Vermont native who was held captive on a tiny lifeboat off Somalia's anarchic, gun-plagued shores. A story of adventure and courage, it provides the intimate details of this high-seas hostage-taking--the unbearable heat, the death threats, the mock executions, and the escape attempt. When the pirates boarded his ship, Captain Phillips put his experience into action, doing everything he could to safeguard his crew. And when he was held captive by the pirates, he marshaled all his resources to ensure his own survival, withstanding intense physical hardship and an escalating battle of wills with the pirates. This was it: the moment where training meets instinct and where character is everything. Richard Phillips was ready.

    A year later, he heard that the man had been murdered – and what was more, the killer was black.At first the murder seemed a twist on the old Deep South race crimes. But then more news rolled in. Maybe it was a dispute over money, or most intriguingly, over sex. Could the infamous racist actually have been secretly gay, with a thing for black men? Did Safran have the last footage of him alive? Could this be the story of a lifetime? Seizing his Truman Capote moment, he jumped on a plane to cover the trial.Over six months, Safran got deeper and deeper into the South, becoming entwined in the lives of those connected with the murder – white separatists, black campaigners, lawyers, investigators, neighbours, even the killer himself. And the more he talked with them, the less simple the crime, and the world, seemed.Murder in Mississippi is a brilliantly innovative true-crime story. Taking us places only he can, Safran paints an engrossing, revealing portrait of a dead man, his murderer, the place they lived and the process of trying to find out the truth about anything.

    Brown declared that it was okay, even imperative, to enjoy sex outside of marriage; that equal rights for women should extend to the bedroom; that meaningful work outside the home was essential for a woman's security and self-esteem. The book catapulted Brown into national renown, cementing her status as a complex and divisive feminist personality. And the ripple effects of her outspokenness about sex and her emphasis on friendships between women can still be seen today, on TV shows like Sex and the City and Girls, and in the magazine world as well. When she died in 2012, her obituary appeared on the front page of The New York Times, which noted that "the look of women's magazines today . . . is due in no small part to her influence." She may not always have been loved--but she was always talked about.Brown's life story--a classic American rags-to-riches tale--is just as juicy as her controversial books. In this wonderful new biography, the writer and reporter Gerri Hirshey traces Brown's path from deep in the Arkansas Ozarks to her wild single years in Los Angeles, from the New York magazine world to her Hollywood adventures with her film producer husband. Along the way she became the highest-paid female ad copywriter on the West Coast, and transformed Hearst's failing literary magazine, Cosmopolitan, into the female-oriented global juggernaut it is today. Full of firsthand accounts of Brown from some of her closest friends, including Liz Smith, Gloria Vanderbilt, Barbara Walters, and more, as well as those whose paths she brushed--her 1939 prom date, a sorority sister from business school, Cosmo cover girls like Beverly Johnson and Brooke Shields--and writing from the woman herself, Not Pretty Enough is a vital biography that shines new light on the life of one of the most incomparable and indelible women of the twentieth century.

    Women wanted to be her. Men just wanted her. When her life of fantasy became all too real, and her jealous millionaire husband, Harry K. Thaw, killed her lover, celebrity architect Stanford White, builder of the Washington Square Arch and much of New York City, she found herself at the center of the Crime of the Century, and the popular courtroom drama that followed, a scandal that signaled the beginning of a national obsession with youth, beauty, celebrity, and sex.The story of Evelyn Nesbit is one of glamour, money, romance, sex, madness, and murder, and Paula Uruburu weaves all of these elements into an elegant narrativethat reads like the best fiction - only it's all true. American Eve goes far beyond just literary biography; it paints a picture of America as it crossed from the Victorian era into the modern, foreshadowing so much of our contemporary culture today.

    These were the starting point for One Life, the story of a woman whose life spanned a century of tumult and change. In many ways Nance’s story echoes that of many mothers and grandmothers, for whom the spectacular shifts of the twentieth century offered a path to new freedoms and choices. In other ways Nance was exceptional. In an era when women were expected to have no ambitions beyond the domestic, she ran successful businesses as a registered pharmacist, laid the bricks for the family home, and discovered her husband’s secret life as a revolutionary.One Life is an act of great imaginative sympathy, a daughter’s intimate account of the patterns in her mother’s life. It is a deeply moving homage by one of Australia’s finest writers.

    A member of the Yazidi community, she and her brothers and sisters lived a quiet life. Nadia had dreams of becoming a history teacher or opening her own beauty salon.On August 15th, 2014, when Nadia was just twenty-one years old, this life ended. Islamic State militants massacred the people of her village, executing men who refused to convert to Islam and women too old to become sex slaves. Six of Nadia's brothers were killed, and her mother soon after, their bodies swept into mass graves. Nadia was taken to Mosul and forced, along with thousands of other Yazidi girls, into the ISIS slave trade.Nadia would be held captive by several militants and repeatedly raped and beaten. Finally, she managed a narrow escape through the streets of Mosul, finding shelter in the home of a Sunni Muslim family whose eldest son risked his life to smuggle her to safety.Today, Nadia's story - as a witness to the Islamic State's brutality, a survivor of rape, a refugee, a Yazidi - has forced the world to pay attention to an ongoing genocide. It is a call to action, a testament to the human will to survive, and a love letter to a lost country, a fragile community, and a family torn apart by war.

    In the months before Sonnier’s death, the Roman Catholic nun came to know a man who was as terrified as he had once been terrifying. She also came to know the families of the victims and the men whose job it was to execute—men who often harbored doubts about the rightness of what they were doing. Out of that dreadful intimacy comes a profoundly moving spiritual journey through our system of capital punishment. Here Sister Helen confronts both the plight of the condemned and the rage of the bereaved, the fears of a society shattered by violence and the Christian imperative of love. On its original publication in 1993, Dead Man Walking emerged as an unprecedented look at the human consequences of the death penalty. Now, some two decades later, this story—which has inspired a film, a stage play, an opera and a musical album—is more gut-wrenching than ever, stirring deep and life-changing reflection in all who encounter it.

    How the hell did we end up here? Todd and Jeff have had enough of the city. Sick of the daily grind and workaday corporate shenanigans, they throw caution to the wind and buy 100 acres in the renowned Hunter Valley wine region, intent on living a golden bucolic life and building a fabulous B&B, where they can offer the joys of country life to heart-weary souls.Todd will cook, Jeff will renovate. They have a vineyard, they can make wine. They have space, they can grow their own food. They have everything they need to make their dreams come true. How hard can it be?‘This joyously honest account will make you laugh till it hurts, and you’ll shed more than a few tears while being captivated by Todd, Jeff and their menagerie of loveable animals’ Bradley Trevor Greive AM, international bestselling author of The Blue Day Book and Penguin Bloom

    The children became unwitting foot soldiers in Australia's battle against Soviet infiltration in the Cold War. They attended political rallies, stood watch on houses owned by communist sympathisers, and insinuated themselves into the UFO Society. In 1956 the Doherty family went on a beach holiday with Vladimir and Evdokia Petrov, the famous Soviet defectors, who were hiding from Soviet assassins.Dudley and Joan Doherty swore their children to secrecy, and for decades, they didn't even discuss among themselves the work they did for ASIO. With My Little Eye is a poignant and very funny account of a peculiar childhood in 1950s suburban Australia.

    In this fascinating autobiographical account, Jim Quillen tells the amazing story of his decade incarcerated in America's most infamous prison -- how he got there, how he stayed alive inside, and, most important, how he found the inspiration and courage to get out.