When she awoke, it was dead.In the wake of a fever that decimated the earth’s population—killing women and children and making childbirth deadly for the mother and infant—the midwife must pick her way through the bones of the world she once knew to find her place in this dangerous new one. Gone are the pillars of civilization. All that remains is power—and the strong who possess it.A few women like her survived, though they are scarce. Even fewer are safe from the clans of men, who, driven by fear, seek to control those remaining. To preserve her freedom, she dons men’s clothing, goes by false names, and avoids as many people as possible. But as the world continues to grapple with its terrible circumstances, she’ll discover a role greater than chasing a pale imitation of independence.After all, if humanity is to be reborn, someone must be its guide.

    When the authorities rule that he has exceeded his authorization, Vergil loses his job, but is determined to take his discovery with him.This is a novel Greg Bear wrote in 1985. For novelette by the same name written in 1983 and published in Analog magazine see here: Blood Music.

    It's a globalised, ultra-capitalist free market paradise! Hack Nike is a lowly merchandising officer who's not very good at negotiating his salary. So when John Nike and John Nike, executives from the promised land of Marketing, offer him a contract, he signs without reading it. Unfortunately, Hack's new contract involves shooting teenagers to build up street cred for Nike's new line of $2,500 trainers. Hack goes to the police—but they assume that he's asking for a subcontracting deal and lease the assassination to the more experienced NRA. Enter Jennifer Government, a tough-talking agent with a barcode tattoo under her eye and a personal problem with John Nike (the boss of the other John Nike). And a gun. Hack is about to find out what it really means to mess with market forces.

    But Simon Wythern, a young man who arrives in London seeking the truth about what really happened to his parents, discovers he has a gift that could change all of this forever.A stunning literary debut by poet and violinist Anna Smaill, The Chimes is a startlingly original work that combines beautiful, inventive prose with incredible imagination.

    Decades of travel through the stars are condensed into mere months for her, though the years continue to march steadily onward for everyone she has ever known. Her friends and lovers have aged past her; all she has left is work. Alone and adrift, she lives only for the next paycheck, until the day she meets a mysterious boy, fallen from the sky.A boy, broken by his past.The scarred child does not speak, his only form of communication the beautiful and haunting music he plays on an old wooden flute. Captured by his songs and their strange, immediate connection, Nia decides to take the boy in. And over years of starlit travel, these two outsiders discover in each other the things they lack. For him, a home, a place of love and safety. For her, an anchor to the world outside of herself.For both of them, a family.But Nia is not the only one who wants the boy. The past hungers for him, and when it catches up, it threatens to tear this makeshift family apart.

    Kendra, an art-school dropout, brands herself for a nanotech marketing program; Lerato, an ambitious AIDS baby, plots to defect from her corporate employers; Tendeka, a hot-headed activist, is becoming increasingly rabid; and Toby, a roguish blogger, discovers that the video games he plays for cash are much more than they seem. On a collision course that will rewire their lives, this story crackles with bold and infectious ideas, connecting a ruthless corporate-apartheid government with video games, biotech attack dogs, slippery online identities, a township soccer school, shocking cell phones, addictive branding, and genetically modified art. Taking hedonistic trends in society to their ultimate conclusions, this tale paints anything but a forecasted utopia, satirically undermining the reified idea of progress as society's white knight.

    Peter becomes immersed in the mysteries of an astonishing new environment, overseen by an enigmatic corporation known only as USIC. His work introduces him to a seemingly friendly native population struggling with a dangerous illness and hungry for Peter's teachings—his Bible is their "book of strange new things." But Peter is rattled when Bea's letters from home become increasingly desperate: typhoons and earthquakes are devastating whole countries, and governments are crumbling. Bea's faith, once the guiding light of their lives, begins to falter. Suddenly, a separation measured by an otherworldly distance, and defined both by one newly discovered world and another in a state of collapse, is threatened by an ever-widening gulf that is much less quantifiable. While Peter is reconciling the needs of his congregation with the desires of his strange employer, Bea is struggling for survival. Their trials lay bare a profound meditation on faith, love tested beyond endurance, and our responsibility to those closest to us. Marked by the same bravura storytelling and precise language that made The Crimson Petal and the White such an international success, The Book of Strange New Things is extraordinary, mesmerizing, and replete with emotional complexity and genuine pathos.

    Revisions from the author's notes are included, allowing a deeper view into her world and a better understanding of her work. The Nebula Award–winning short story Love Is the Plan, the Plan Is Death, the Hugo Award–winning novella The Girl Who Was Plugged In, and the Hugo and Nebula Award–winning novella Houston, Houston, Do You Read? are included.The stories of Alice Sheldon, who wrote as James Tiptree Jr. ( Up the Walls of the World ) until her death in 1987, have been heretofore available mostly in out-of-print collections. Thus the 18 accomplished stories here will be welcomed by new readers and old fans. ''The Screwfly Solution'' describes a chilling, elegant answer to the population problem. In ''Love Is the Plan the Plan Is Death,'' the title tells the tale--species survival insured by imprinted drives--but the story's force is in its exquisite, lyrical prose and its suggestion that personal uniqueness is possible even within biological imperatives. ''The Girl Who Was Plugged In'' is a future boy-meets-girl story with a twist unexpected by the players. ''The Women Men Don't See '' displays Tiptree's keen insight and ability to depict singularity within the ordinary. In Hugo and Nebula award-winning ''Houston, Houston, Do You Read?'' astronauts flying by the sun slip forward 500 years and encounter a culture that successfully questions gender roles in ours.ContentsIntroduction by Michael SwanwickThe Last Flight of Doctor Ain (1969)The Screwfly Solution (1977)And I Awoke and Found Me Here on the Cold Hill’s Side (1972)The Girl Who Was Plugged In (1973)The Man Who Walked Home (1972)And I Have Come Upon This Place by Lost Ways (1972)The Women Men Don’t See (1973)Your Faces, O My Sisters! Your Faces Filled of Light! (1976)Houston, Houston, Do You Read? (1976)With Delicate Mad Hands (1981)A Momentary Taste of Being (1975)We Who Stole the Dream (1978)Her Smoke Rose Up Forever (1974)Love Is the Plan the Plan Is Death (1973)On the Last Afternoon (1972)She Waits for All Men Born (1976)Slow Music (1980)And So On, and So On (1971)

    Newton is an extraterrestrial who goes to Earth on a desperate mission of mercy. But instead of aid, Newton discovers loneliness and despair that ultimately ends in tragedy.

    And with their success is launched a brave new world that is in some ways better than ours--but in most ways even worse. Fry's experiment in history makes for his most ambitious novel yet, and his most affecting. His first book to be set mostly in America, it is a thriller with a funny streak, a futuristic fantasy based on one of mankind's darkest realities. It is, in every sense, a story of our times.

    Just another day in the Dilemma Prison. Rescued by the mysterious Mieli and her flirtatious spacecraft, Jean is taken to the Oubliette, the Moving City of Mars, where time is a currency, memories are treasures, and a moon-turned-singularity lights the night. Meanwhile, investigator Isidore Beautrelet, called in to investigate the murder of a chocolatier, finds himself on the trail of an arch-criminal, a man named le Flambeur...Indeed, in his many lives, the entity called Jean le Flambeur has been a thief, a confidence artist, a posthuman mind-burgler, and more. His origins are shrouded in mystery, but his deeds are known throughout the Heterarchy, from breaking into the vast Zeusbrains of the Inner System to stealing rare Earth antiques from the aristocrats of Mars. In his last exploit, he managed the supreme feat of hiding the truth about himself from the one person in the solar system hardest to hide from: himself. Now he has the chance to regain himself in all his power—in exchange for finishing the one heist he never quite managed.The Quantum Thief is a breathtaking joyride through the solar system several centuries hence, a world of marching cities, ubiquitous public-key encryption, people who communicate via shared memory, and a race of hyper-advanced humans who originated as an MMORPG guild. But for all its wonders, The Quantum Thief is also a story powered by very human motives of betrayal, jealousy, and revenge.

    While United Nations diplomats endlessly debate a possible first contact mission, the Society of Jesus quietly organizes an eight-person scientific expedition of its own. What the Jesuits find is a world so beyond comprehension that it will lead them to question what it means to be "human".

    Masked "Midnight Robbers" waylay revelers with brandished weapons and spellbinding words. But to young Tan-Tan, the Robber Queen is simply a favourite costume to wear at the festival--until her power-corrupted father commits an unforgivable crime. Suddenly, both father and daughter are thrust into the brutal world of New Half-Way Tree. Here monstrous creatures from folklore are real, and the humans are violent outcasts in the wilds. Here Tan-Tan must reach into the heart of myth--and become the Robber Queen herself. For only the Robber Queen's legendary powers can save her life...and set her free.

    Told in the beguiling voice of a narrator who is fish, snake, girl, and woman - all of whom must struggle against adversity for survival - the novel is set alternately in nineteenth-century China and in a futuristic Pacific Northwest.At turns whimsical and wry, "Salt Fish Girl" intertwines the story of Nu Wa, the shape-shifter, and that of Miranda, a troubled young girl living in the walled city of Serendipity circa 2044. Miranda is haunted by traces of her mother's glamourous cabaret career, the strange smell of durian fruit that lingers about her, and odd tokens reminiscient of Nu Wa. Could Miranda be infected by the Dreaming Disease that makes the past leak into the present?Framed by a playful sense of magical realism, "Salt Fish Girl" reveals a futuristic Pacific Northwest where corporations govern cities, factory workers are cybernetically engineered, middle-class labour is a video game, and those who haven't sold out to commerce and other ills must fight the evil powers intent on controlling everything. Rich with ancient Chinese mythology and cultural lore, this remarkable novel is about gender, love, honour, intrigue, and fighting against oppression.

    It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future.Except the discovery of their bond would mean death for each of them. There's still a war going on, after all. And someone has to win that war.