Olga Grushin is dealing with issues of women’s identity, of women’s choices, that no modern novel has explored so deeply. “Forty rooms” is a conceit: it proposes that a modern woman will inhabit forty rooms in her lifetime. They form her biography, from childhood to death. For our protagonist, the much-loved child of a late marriage, the first rooms she is aware of as she nears the age of five are those that make up her family’s Moscow apartment. We follow this child as she reaches adolescence, leaves home to study in America, and slowly discovers sexual happiness and love. But her hunger for adventure and her longing to be a great poet conspire to kill the affair. She seems to have made her choice. But one day she runs into a college classmate. He is sure of his path through life, and he is protective of her. (He is also a great cook.) They drift into an affair and marriage. What follows are the decades of births and deaths, the celebrations, material accumulations, and home comforts—until one day, her children grown and gone, her husband absent, she finds herself alone except for the ghosts of her youth, who have come back to haunt and even taunt her. Compelling and complex, Forty Rooms is also profoundly affecting, its ending shattering but true. We know that Mrs. Caldwell (for that is the only name by which we know her) has died. Was it a life well lived? Quite likely. Was it a life complete? Does such a life ever really exist? Life is, after all, full of trade-offs and choices. Who is to say her path was not well taken? It is this ambiguity that is at the heart of this provocative novel.

    He was a passionate Welsh patriot, but also an outspoken critic of his countrymen. His poems are an expression of his lifelong argument with himself, of his insistent search for God. In them he grapples with ideas of Welshness, with issues of technology, pollution, the decline of culture. He wrote too about love, about landscape, nature and birds. His is an urgent, prophetic and unique voice.

    This collection presents forty-two new poems-an entire volume in itself-along with works chosen by Oliver from six of the books she has published since New and Selected Poems, Volume One.

    Osip Mandelstam visited Armenia in 1930, and during the eight months of his stay, he rediscovered his poetic voice and was inspired to write an experimental meditation on the country and its ancient culture.

    A decaying hacienda full of secrets. And a woman searching for the story of her life.A funeral and some family business--that's what Julia Bentley expects when she travels to the Philippines to bury her grandfather. She hopes for a brief adventure, a distraction from her most recent failed relationship and her loose-ends California life. Maybe even a chance to meet some distant relatives she's never known.Instead, she discovers a place where past and present, Spanish and Asian, primitive and civilized mingle in a melange as spicy and colorful as the paella her relatives dish up for special occasions. A place where some children hitch rides on cattle and others wield loaded guns. Where guerillas lurk in the jungle, and volcanoes and governments are threatened to blow. Where stories haunt her ancestral home--the grand but decaying Hacienda Esperanza, Plantation of Hope--and danger lurks behind every tree. Love and orchids bloom in places she never thought to look.How can a land so foreign, and so troubled, fill her with a strange peace? And would staying mean risking her life . . . or finding it at last?

    Like turtle doves. - In prison, I mean, for fuck's sake, the chances of that.PJ and Christy: sworn enemies destined to share one small room for twenty years. As the two men recall the joys and torments of life outside - the childhood excursions, a deadly brawl, past loves and summer dresses - slowly they uncover the tragic events that have lead them to their cell in Montjoy.A play that explores our capacity to commit the deadliest of crimes but also our capacity for survival, reconciliation and love, ON BLUEBERRY HILL by Sebastian Barry (twice winner of the Costa Book of the Year) premiered in a Fishamble production at the Pavilion Theatre as part of the Dublin Theatre Festival and at the Centre Culturel Irlandais in Paris in October 2017.

    The second book from Brandon Boyd which follows up the successful White Fluffy Clouds, From the Murks of the Sultry Abyss comes in a special outer box, a limited edition #d sheet of stickers of artwork from Boyd, and the book itself comes sealed.

    Tim has battled a bizarre, inexplicable illness, but those episodes, while not exactly forgotten, have passed. Then it comes back, causing him to behave in a frighteningly new way, driving him out of his life and into a world and a self that he can’t recognize and Jane is helpless to control. How far will he go to fight his body’s incomprehensible desires, and what will they both risk to find the way back to the people they love? A heartbreaking story of family and marriage, a meditation on the unseen forces of nature and desire, The Unnamed is a deeply felt, luminous novel about modern life, ancient yearnings, and the power of human connection.

    Carefully reassembled with calm, steady hands, these shards tell the story of an ordinary family that somehow managed to survive the myriad persecutions and repressions of the last century. The family’s pursuit of a quiet, civilized, ordinary life—during such atrocious times—is itself a strange odyssey.In dialogue with thinkers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various genres—essay, fiction, memoir, travelogue, and history—Stepanova assembles a vast panorama of ideas and personalities and offers a bold exploration of cultural and personal memory.

    

    Through ‘A Rustic Mind’ I aim to provide a thoughtful take on such actions and incidents. Poetic in its expression, these words will strike a chord which is not only deep but relatable on many levels.

    Petersburg by the sudden death of his stepson, Pavel. Half crazed with grief, stricken by epileptic seizures, and erotically obsessed with his stepson's landlady, Dostoevsky is nevertheless intent on unraveling the enigma of Pavel's life. Was the boy a suicide or a murder victim? Did he love his stepfather or despise him? Was he a disciple of the revolutionary Nechaev, who even now is somewhere in St. Petersburg pursuing a dream of apocalyptic violence? As he follows his stepson's ghost—and becomes enmeshed in the same demonic conspiracies that claimed the boy—Dostoevsky emerges as a figure of unfathomable contradictions: naive and calculating, compassionate and cruel, pious and unspeakably perverse.

    So, how did I end up in my best friend's bed? Well, he did rescue me from my broken down car. Plus, he’s grown into a complete hunk of a man and is hardly the beanstalk that I recall growing up with. It just... happened. I mean, if you call being trapped inside due to a snowstorm and then finding yourself being ravished in bed 'just happening'. A fling… that’s what we agreed. We know this can’t last, I’m only back in my hometown for a couple of weeks. My life is in Vegas with the job I love. And his is here with his ranch. We physically can't be together… So, why don’t I want to leave? ***Hometown Lover is a stand-alone read with toe-curling romantic scenes. There's no cheating, no cliffhangers, no escaping the steamy nights (and days), and a guaranteed HEA***

    Here are attempts at human connection, both depraved and sublime, by people in all stages of life: one-night stands in communal apartments, poignantly awkward couplings, office trysts, schoolgirl crushes, elopements, tentative courtships, and rampant infidelity, shot through with lurid violence, romantic illusion, and surprising tenderness.A murky fate --The fall --The goddess parka --Like Penelope --Ali-baba --Two deities --Father and mother --The impulse --Hallelujah, family! --Give her to me --Milgrom --Clarissa's story --Tamara's baby --Young berries --The adventures of Vera --Eros's way --A happy ending

    Two people in need. On a winter night several years before, a young runaway, Kelli, stumbled onto the porch of an oceanfront cottage. The woman who lived there, Margie, took her in and gave her the gifts of safety and security. Twelve years later, Margie dies. Kelli continues living at the cottage until the day the woman’s nephew arrives for a Christmas visit. And he intends to stay. Dylan has been on the road for many years. He calls himself a traveler, but he’s tired of always being on the move. When he arrives at his aunt’s home, he learns that she has died. Who has the better claim? And how far will Kelli go to keep the house that has become her home?