. .Seventeen-year-old Ivy’s summer break kicks off with an accident, a punishment, and a mystery: a stranger whose appearance in the middle of the road, in the middle of the night, heralds a string of increasingly unsettling events. As the days pass, Ivy grapples with eerie offerings, corroded memories, and a secret she’s always known—that there’s more to her mother than meets the eye.THE CITY, BACK THEN . . .Dana has always been perceptive. And the summer she turns sixteen, with the help of her best friend and an ambitious older girl, her gifts bloom into a heady fling with the supernatural, set in a city of magical possibilities and secret mystics. As the trio’s aspirations darken, they find themselves speeding toward a violent breaking point.Years after it began, Ivy and Dana’s shared story will come down to a reckoning among a daughter, a mother, and the dark forces they never should’ve messed with.

    New York audiobook narrator Peter Larson and his wife Hannah head to his hometown of Maple City to help Peter's ailing father and to put a recent tragedy behind them. Though the small, Midwestern town seems the idyllic place to start afresh, Peter and Hannah will soon learn that evil currents flow beneath its surface. They move into an old farmhouse on the outskirts of town—a house purchased by Peter's father at auction and kept secret until now—and start to settle into their new life. But as Peter sets up his recording studio in a small basement room, disturbing things begin to occur—mysterious voices haunt audio tracks, malevolent shadows creep about the house. And when an insidious presence emerges from the woodwork, Peter must face old demons in order to save his family and himself.

    Not quite human, yet not fully an angel, the best thing the PTBs can think to do with her is bounce her around so she can solve supernatural problems. Ghosts that need to find their way home or that purposefully take the wrong path are her bread and butter. To add insult to injury, she is assigned a fledgling pair of guardian angels to train. Julius and Estelle are ready and willing to learn, but they also have a secondary agenda. One that Galmadriel is never supposed find out about. Helping the ghost of young Ben Allen find his way home reconnects Galmadriel with Kat, Amethyst, Gustavia, and Julie in the first of many adventures to come.

    Marie Vandelly For the lucky among us, life is what you make of it, but for Dixie Wheeler, the theme music for her story was chosen by another long ago, on the day her father butchered her mother and brothers and then slashed a knife across his own throat. Only one-year-old Dixie was left alive, infamously known as Baby Blue for the song left playing in the aftermath of the slaughter. Twenty-five years later, Dixie is still desperate for a connection to the family she can’t remember, so when her childhood home goes up for sale, Dixie sets aside all reason and moves in, re-creating a macabre decor with her family’s salvaged furniture. But as the ghosts of her family seemingly begin to take up residence in the home that was once theirs, Dixie starts to question her own sanity and wonders if the evil force menacing her is that of her father, or a demon of her own making. In order to make sense of her present, Dixie becomes determined to unravel the truth of her past and seeks out the detective who originally investigated the murders. But the more she learns, the more she opens up the uncomfortable possibility that the sins of her father may belong to another, and, perhaps most tragically, to Dixie herself. As bodies begin to pile up around her, Dixie must find a way to expose the lunacy behind her family’s massacre and redeem what little remains of her soul.

    But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the unravelling events that led to her incarceration. It wasn’t just the constant surveillance from the cameras installed around the house, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman, Jack Grant. It was everything. She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder. Which means someone else is. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.