Morris Award!Fifteen-year-old Blake has a girlfriend and a friend who’s a girl. One of them loves him; the other one needs him.When he snapped a picture of a street person for his photography homework, Blake never dreamed that the woman in the photo was his friend Marissa’s long-lost meth addicted mom. Blake’s participation in the ensuing drama opens up a world of trouble, both for him and for Marissa. He spends the next few months trying to reconcile the conflicting roles of Boyfriend and Friend. His experiences range from the comic (surviving his dad’s birth control talk) to the tragic (a harrowing after-hours visit to the morgue).In a tangle of life and death, love and loyalty, Blake will emerge with a more sharply defined snapshot of himself.

    And then cases start being reported in the Pacific Northwest. Schools, churches, and theaters shut down. The entire city is thrust into survival mode--and into a panic. Headstrong and foolish, seventeen-year-old Cleo is determined to ride out the pandemic in the comfort of her own home, rather than in her quarantined boarding school dorms. But when the Red Cross pleads for volunteers, she can't ignore the call. As Cleo struggles to navigate the world around her, she is surprised by how much she finds herself caring about near-strangers. Strangers like Edmund, a handsome medical student and war vet. Strangers who could be gone tomorrow. And as the bodies begin to pile up, Cleo can't help but wonder: when will her own luck run out?Riveting and well-researched, A Death-Struck Year is based on the real-life pandemic considered the most devastating in recorded world history. Readers will be captured by the suspenseful storytelling and the lingering questions of: what would I do for a neighbor? At what risk to myself?An afterword explains the Spanish flu phenomenon, placing it within the historical context of the early 20th century. Source notes are extensive and interesting.

    Banning me from the phone and restricting my computer privileges are the most tyrannical parental gestures I can think of. Don’t they realize that Hope’s the only one who keeps me sane? I don’t see how things could get any worse.”When her best friend, Hope Weaver, moves away from Pineville, New Jersey, hyperobservant sixteen-year-old Jessica Darling is devastated. A fish out of water at school and a stranger at home, Jessica feels more lost than ever now that the only person with whom she could really communicate has gone. How is she supposed to deal with the boy- and shopping-crazy girls at school, her dad’s obsession with her track meets, her mother salivating over big sister Bethany’s lavish wedding, and her nonexistent love life?A fresh, funny, utterly compelling fiction debut by first-time novelist Megan McCafferty, Sloppy Firsts is an insightful, true-to-life look at Jessica’s predicament as she embarks on another year of teenage torment--from the dark days of Hope’s departure through her months as a type-A personality turned insomniac to her completely mixed-up feelings about Marcus Flutie, the intelligent and mysterious “Dreg” who works his way into her heart. Like a John Hughes for the twenty-first century, Megan McCafferty taps into the inherent humor and drama of the teen experience. This poignant, hilarious novel is sure to appeal to readers who are still going through it, as well as those who are grateful that they don’t have to go back and grow up all over again.

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.

    Until the day River spots a boat. Across Ocean, in a place called California, Sky is separated from River and forced to live with a grandmother she's just met. Here the rules for survival are different. People rely on strange things like cars and cell phones. They keep secrets from one another. And without River, nothing makes sense. Sky yearns for her old life where she was strong and capable, not lost and confused. She must find River so they can return to Island, but the truth behind how they ended up there in the first place will come as the biggest shock of all.

    One of seven children, Emma used to be the invisible kid, but now it seems everyone is watching her. And just as she's about to start high school and try to recover her friendships and former life, one of her classmates is found dead in an apparent suicide. Fifteen and blind, Emma has to untangle what happened and why - in order to see for herself what makes life worth living.Unflinching in its portrayal of Emma's darkest days, yet full of hope and humor, Rachel DeWoskin's brilliant Blind is one of those rare books that utterly absorbs the listener into the life and experience of another.

    She's pretty, rich, and popular, and her spot on the homecoming court is practically guaranteed. But when a night of partying ends in an it-could-have-been-so-much worse crash, everything changes. Her best friends start ignoring her, her boyfriend grows cold and distant, and her once-adoring younger sister now views her with contempt. The only bright spot is her creative writing class, led by a charismatic new teacher who encourages students to be true to themselves. But who is Paige, if not the homecoming princess everyone expects her to be? In this arresting and witty debut, a girl who was once high-school royalty must face a truth that money and status can't fix, and choose between living the privileged life of a princess, or owning up to her mistakes and giving up everything she once held dear.

    And once she returns to her grandfather’s estate, a bit banged up but alive, she begins to realize that her injury might not have been an accident. One of her family’s employees is missing, and he disappeared on the very same day she landed in the hospital.Desperate to figure out what happened, she befriends Euan McEwen, the Scottish Traveller boy who found her when she was injured, and his standoffish sister, Ellen. As Julie grows closer to this family, she experiences some of the prejudices they’ve grown used to firsthand, a stark contrast to her own upbringing, and finds herself exploring thrilling new experiences that have nothing to do with a missing-person investigation.Her memory of that day returns to her in pieces, and when a body is discovered, her new friends are caught in the crosshairs of long-held biases about Travellers. Julie must get to the bottom of the mystery in order to keep them from being framed for the crime.

    He has a strategy--knows the profile of The Girl Who Would Say Yes. In each new town, each new school, he can count on plenty of action before he and his father move again. Getting down is never a problem. Until he hooks up with the wrong girl and finds himself in the wrong place at very much the wrong time.AND THEN YOU CAN'T SEE ANYTHING ELSE.After an assault that leaves Evan bleeding and broken, his father takes him to the family cabin in rural Pearl Lake, Minnesota, so Evan's body can heal. But what about his mind?HOW DO YOU GO ON, WHEN YOU CAN'T THINK OF ONE WITHOUT THE OTHER?Nothing seems natural to Evan anymore. Nothing seems safe. The fear--and the guilt--are inescapable. He can't sort out how he feels about anyone, least of all himself. Evan's really never known another person well, and Pearl Lake is the kind of place where people know everything about each other--where there might be other reasons to talk to a girl. It's annoying as hell. It might also be Evan's best shot to untangle sex and violence.

    Hanging in the shadow of her actress mother’s spotlight. And now: new resident of the prominent West family’s guest cottage.Bracing herself for the embarrassment of being her classmates’ latest charity case, Lea is surprised when she starts becoming friends with Will and Whitney West instead—or in the case of gorgeous, unattainable Will, possibly even more than friends. And despite their differences, Whitney and Lea have a lot in common: both are navigating a tangled web of relationships, past disappointments and future hopes. As things heat up with Will, and her friendship with Whitney deepens, Lea has to decide how much she’s willing to change in order to fit into their world.Lea Lane has lived in between all her life. But it isn’t until her junior year that she learns how to do it on her own terms.

    To Hendrix and Corrina, both seventeen but otherwise alike only in their loneliness, that sounds like another line from a pop song that tries to promise kids that life doesn’t actually suck. Okay, so: love. Sure.The thing about Corrina—her adoptive parents are suffocating, trying to mold her into someone acceptable, predictable, like them. She’s a musician, itching for any chance to escape, become the person she really wants to be. Whoever that is.And Hendrix, he’s cool. Kind of a poet. But also kind of lost. His dad is dead and his mom is married to her job. Gpa is his only real family, but he’s fading fast from Alzheimer’s. Looking for any way to help the man who raised him, Hendrix has made Gpa an impossible promise—that he’ll get him back east to the hill where he first kissed his wife, before his illness wipes away all memory of her.One hot July night, Hendrix and Corrina decide to risk everything. They steal a car, spring Gpa from his assisted living facility, stuff Old Humper the dog into the back seat, and take off on a cross-country odyssey from LA to NY. With their parents, Gpa’s doctors, and the police all hot on their heels, Hendrix and Corrina set off to discover for themselves if what Gpa says is true—that the only stories that last are love stories.

    Violet's younger sister reacts by bed-wetting, and her mother ping-pongs from one loser to another, searching for love. As for Violet, she gets angry in ways that are by turns infuriating, shocking, and hilarious.When her mother takes up with the unfortunately named Dudley Wiener, Violet and her friend Phoebe decide that they need to take control. If Violet's mom can't pick a decent man herself, they will help her snag George Clooney. In Dear George Clooney, Please Marry My Mom, Susin Nielsen has created a truly original protagonist in Violet and a brilliant new novel that will delight readers into rooting for her, even when she's at her worst.

    But Montana is a New York City girl through and through, and as the city heats up, she’s stepping into the most intense summer of her life.With Arizona wrapped up in her college world and their father distracted by yet another divorce, Montana’s been immersing herself in an intoxicating new friendship with a girl from her acting class. Karissa is bold, imperfectly beautiful, and unafraid of being vulnerable. She’s everything Montana would like to become. But the friendship with Karissa is driving a wedge between Montana and her sister, and the more of her own secrets Karissa reveals, the more Montana has to wonder if Karissa’s someone she can really trust.In the midst of her uncertainty, Montana finds a heady distraction in Bernardo. He’s serious and spontaneous, and he looks at Montana in the way she wants to be seen. For the first time, Montana understands how you can become both lost and found in somebody else. But when that love becomes everything, where does it leave the rest of her imperfect life?

    I tell him stories. About the Jellicoe School and the Townies and the Cadets from a school in Sydney. I tell him about the war between us for territory. And I tell him about Hannah, who lives in the unfinished house by the river. Hannah, who is too young to be hiding away from the world. Hannah, who found me on the Jellicoe Road six years ago.Taylor is leader of the boarders at the Jellicoe School. She has to keep the upper hand in the territory wars and deal with Jonah Griggs—the enigmatic leader of the cadets, and someone she thought she would never see again.And now Hannah, the person Taylor had come to rely on, has disappeared. Taylor's only clue is a manuscript about five kids who lived in Jellicoe eighteen years ago. She needs to find out more, but this means confronting her own story, making sense of her strange, recurring dream, and finding her mother—who abandoned her on the Jellicoe Road.The moving, joyous and brilliantly compelling new novel from the best-selling, multi-award-winning author of Looking for Alibrandi and Saving Francesca.

    Her mother, a talented artist and art teacher, is slowly being consumed by schizophrenia, and Aura has been her primary caretaker ever since Aura’s dad left them. Convinced that creative expression is behind her mother’s deteriorating condition, Aura shuns her own artistic talent. But as her mother sinks still deeper into the darkness of her disorder, the hunger for a creative outlet draws Aura toward the depths of her imagination. Just as desperation threatens to swallow her whole, Aura discovers that art, love, and family are profoundly linked—and together may offer an escape from her fears.Booklist Starred ReviewTop Ten First Novels for Youth (Booklist)Silver Medal, Foreword INDIES Book of the YearGold Medal, IPPY Awards