REVENGE OF THE LAWN: Originally published in 1971, these bizarre flashes of insight and humor cover everything from "A High Building in Singapore" to the "Perfect California Day." This is Brautigan's only collection of stories and includes "The Lost Chapters of TROUT FISHING IN AMERICA."THE ABORTION: AN HISTORICAL ROMANCE 1966: A public library in California where none of the books have ever been published is full of romantic possibilities. But when the librarian and his girlfriend must travel to Tijuana, they have a series of strange encounters in Brautigan's 1971 novel.SO THE WIND WON'T BLOW IT ALL AWAY: It is 1979, and a man is recalling the events of his twelfth summer, when he bought bullets for his gun instead of a hamburger. Written just before his death, and published in 1982, this novel foreshadowed Brautigan's suicide.

    From the beach towns of Normandy to the streets of New Orleans, these thirteen vignettes introduce us to a covetous French painter, a sleepless wanderer of the night, a guitar-playing gypsy, and a host of others who yearn for and dive into the turbulent depths of romantic experience.

    She remembers him only in fragments, as an injured artist from whom she and her mother were separated during the war. In her journey, Maggie finds herself at a makeshift pho stall, where the rich aroma of beef noodle soup lures people off Hanoi's busy streets and into a quiet morning ritual. Old Man Hung, the enlightened proprietor of the beloved pho stall, has survived decades of poverty and political upheaval. Hung once had a shop that served as a meeting place for dissident artists. As Maggie discovers, this old man may hold the key to both her past and her future. Among Hung's most faithful customers is Tu', a dynamic young tour guide who works for a company called New Dawn. Tu' leads tourists through the city, including American vets on war tours, but he has begun to wonder what it is they are seeing of Vietnam-and what they miss entirely. In Maggie, he finds a young Americanized woman in search of something quite different, leading him beyond his realm of expertise. In sensual, interwoven narratives, Maggie, Hung, and Tu' come together in a highly charged season that will mark all of them forever. The Beauty of Humanity Movement is a skillfully wrought novel about the reverberation of conflict through generations, the enduring legacy of art, and the redemption and renewal of love. The story of these characters is tinged with longing for worlds and loved ones lost but also filled with the hope that faith can heal the pain of their shared country's turbulent past. This is the distinct and complex story of contemporary Vietnam, a country undergoing momentous change, and a story of how family is defined-not always by bloodlines, but by heart.

    Set during the period of Kim Il-sung and Kim Jong-il’s leadership, the seven stories that make up The Accusation give voice to people living under this most bizarre and horrifying of dictatorships. The characters of these compelling stories come from a wide variety of backgrounds, from a young mother living among the elite in Pyongyang whose son misbehaves during a political rally, to a former Communist war hero who is deeply disillusioned with the intrusion of the Party into everything he holds dear, to a husband and father who is denied a travel permit and sneaks onto a train in order to visit his critically ill mother. Written with deep emotion and writing talent, The Accusation is a vivid depiction of life in a closed-off one-party state, and also a hopeful testament to the humanity and rich internal life that persists even in such inhumane conditions.

    Far and away the largest number of these nurses come from the Philippines. Why is it that a developing nation with a comparatively greater need for trained medical professionals sends so many of its nurses to work in wealthier countries? Catherine Ceniza Choy engages this question through an examination of the unique relationship between the professionalization of nursing and the twentieth-century migration of Filipinos to the United States. The first book-length study of the history of Filipino nurses in the United States, Empire of Care brings to the fore the complicated connections among nursing, American colonialism, and the racialization of Filipinos.Choy conducted extensive interviews with Filipino nurses in New York City and spoke with leading Filipino nurses across the United States. She combines their perspectives with various others—including those of Philippine and American government and health officials—to demonstrate how the desire of Filipino nurses to migrate abroad cannot be reduced to economic logic, but must instead be understood as a fundamentally transnational process. She argues that the origins of Filipino nurse migrations do not lie in the Philippines' independence in 1946 or the relaxation of U.S. immigration rules in 1965, but rather in the creation of an Americanized hospital training system during the period of early-twentieth-century colonial rule. Choy challenges celebratory narratives regarding professional migrants’ mobility by analyzing the scapegoating of Filipino nurses during difficult political times, the absence of professional solidarity between Filipino and American nurses, and the exploitation of foreign-trained nurses through temporary work visas. She shows how the culture of American imperialism persists today, continuing to shape the reception of Filipino nurses in the United States.

    ALIENS ARE FICTION.That's what young Ambrosio believes, not his crazy Lola's stories about robot-riding Nuno, and Kapres from space. But now she's dead, and Ambrosio's about to learn that she wasn't so crazy after all...EVERY STORY HAS ITS OWN TRUTH.Mythspace vol. 1 is a collection of six stories, each exploring a shared universe where Philippine folklore creatures -- Tikbalangs, Kapres, Manananggals -- were inspired by alien civilizations. Each creature is re-imagined and used to populate a science fiction universe that is rooted in Philippine oral tradition. From Ambrosio's journey, to a Kapre war, to a Manananggal coming of age, Mythspace will take you on a journey both strange and familiar.SPACE OPERA. PINOY STYLE.

    In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam--and what seems at first a satire of turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise," an aging New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees, where a young woman's bond with a mother and her small son forces both women to a shattering decision. Brilliant, daring, and demonstrating a jaw-dropping versatility of voice and point of view, "The Boat" is an extraordinary work of fiction that takes us to the heart of what it means to be human, and announces a writer of astonishing gifts.

    She's never even had a boyfriend, but that doesn't stop people from spilling their guts to her, and asking for advice. So maybe it shouldn't be a surprise when the cutest guy in school tells her that she's going to have to take on this responsibility -- but for all humanity.The Goddess of Love has gone AWOL. It's a problem, because her job is to keep in check this world's obsession with love (and lack of it). The God of the Sun, for now an impossibly handsome senior at an exclusive college just outside of Metro Manila, thinks Hannah has what it takes to (temporarily) do the job.While she's learning to do this goddess thing, she practices on the love troubles of shy Kathy, who's got a secret admirer on campus. Hannah's mission, should she choose to accept it, is to make sure that he's not a creepy stalker and they find their happily ever after -- or at least something that'll last until next semester. (As if she could refuse! The Sun God asked so nicely. And he's so, well, hot.)

    He is the author of seven collections of stories and five novels. His first novel, The Wapshot Chronicle, won the 1958 National Book Award. In 1965 he received the Howells Medal for Fiction from the National Academy of Arts and Letters, and in 1978 The Stories of John Cheever won the National Book Critics Circle Award and the Pulitzer Prize. Shortly before his death, in 1982, he was awarded the National Medal for Literature from the Academy and Institute of Arts and Letters.Benjamin Cheever is the author of The Plagiarist, The Parisian and Famous after Death.The Enormous Radio read by Meryl StreepThe Five-Forty-Eight read by Edward HerrmannO City of Broken Dreams read by Blythe DannerChristmas is a Sad Season for the Poor read by George PlimptonThe Season of Divorce read by Edward HerrmannThe Brigadier and the Golf Widow read by Peter GallagherThe Sorrows of Gin read by Meryl StreepO Youth and Beauty! read by Peter GallagherThe Chaste Clarissa read by Blythe DannerThe Jewels of the Cabots read by George PlimptonThe Death of Justina read by John CheeverThe Swimmer read by John Cheever

    The pair's innovative and authentic adaptation of Dante's epic, coupled with Birk's striking play on Gustave Dor's classic illustrations, make this a "Divine Comedy" for the 21st century. Acclaimed by both the literary and art worlds; rife with contemporary turns of phrase and slang (just as the original poem was written in the vernacular of its day) and pointed visions of the afterlife as contemporary cities; and rich with bold allusion, cultural critique, and witthis is the must-have collection of modern classics.

    Its ceilings need plastering and some of the toilets leak appallingly, but its residents are far from desperate, though sometimes contentious and unforgiving. In these witty, poignant stories, Mistry charts the intersecting lives of Firozsha Baag, yielding a delightful collective portrait of a middle-class Indian community poised between the old ways and the new.

    Yet all throughout her life, she also wrote short stories: fictions which wrestled with those ideas and preoccupations she couldn't address in essay form. These short fictions are allegories, parables, autobiographical vignettes, each capturing an authentic fragment of life, dramatizing Sontag's private griefs and fears.Stories collects all of Sontag's short fiction for the first time. This astonishingly versatile collection showcases its peerless writer at the height of her powers. For any Sontag fan, it is an unmissable testament to her creative achievements

    This strange and beautiful woman is rumoured to have abandoned her husband and fallen in love with a priest at a nearby temple. The artist becomes entranced by her tragic aura. She reminds him of Millais's portrait of Ophelia drowning and he wants to paint her. Yet, troubled by a certain quality in her expression, he struggles to complete the portrait until he is finally able to penetrate the enigma of her life."Interspersed with philosophies of both East and West, Soseki's writing skillfully blends two very different cultures in this unique representation of an artist struggling with his craft and his environment.

    He is so desperate that when the peculiar Mr Rinyo-Clacton offers him one million pounds but only one year to live, he agrees to the proposal. But what happened next was even more shocking.

    As a Washington, DC, OB/GYN at a prestigious hospital, she uses her career to distract herself from her grief over her granny’s death and her breakup from her long-term boyfriend after her free-spirited mother moves in with her. But when she makes a medical decision that disparages the hospital, she is forced to go on a short sabbatical.Never one to wallow, Diana decides to use the break to put order in her life, when her mother, Margo, stumbles upon a box of letters from her grandfather, Antonio Cruz, to her grandmother from the 1940s. The two women always believed that Antonio died in World War II, but the letters reveal otherwise. When they learn that he lived through the war, and that they have surviving relatives in the Philippines, Diana becomes determined to connect with the family that she never knew existed, though Margo refuses to face her history. But Diana pushes on, and heads on a once-in-a-lifetime trip that challenges her identity, family history, and her idea of romantic love that could change her life forever.