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    After the arrival of the new fellows―including the intriguing, handsome photographer Richard Banks―she begins to suspect that her predecessor chose the group with a dangerous purpose in mind. As the chilling mysteries of Cliffside Manor unravel and the eerie sins of the past are exposed, Eleanor must fight to save the fellows—and herself—from sinister forces.

    350 copies.(Out of print).Contents: "Introduction by Glen Cavaliero, "The School Friend", "Ringing the Changes", "Choice of Weapons", "The Waiting Room", "The View" and "Bind Your Hair".As Dr Glen Cavaliero states in his introduction to this new edition of Dark Entries, "It is Robert Aickman's peculiar achievement that he should invest the daylight world with all the terrors of the night".Dark Entries was the first solo collection of "strange stories" by British short story writer, critic, lecturer and novelist, Robert Aickman. First published in 1964 it contains the classic "Ringing the Changes" and perhaps Aickman's best femme fatale in "Choice of Weapons." The version of "The View" is slightly re-written from its first appearance in We are for the Dark.

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    Perchance to Dream contains a selection of Beaumont’s finest stories, including five that he later adapted for Twilight Zone episodes.Beaumont dreamed up fantasies so vast and varied they burst through the walls of whatever box might contain them. Supernatural, horror, noir, science fiction, fantasy, pulp, and more: all were equally at home in his wondrous mind. These are stories where lions stalk the plains, classic cars rove the streets, and spacecraft hover just overhead. Here roam musicians, magicians, vampires, monsters, toreros, extraterrestrials, androids, and perhaps even the Devil himself. With dizzying feats of master storytelling and joyously eccentric humor, Beaumont transformed his nightmares and reveries into impeccably crafted stories that leave themselves indelibly stamped upon the walls of the mind. In Beaumont’s hands, nothing is impossible: it all seems plausible, even likely.

    Immediately however, an unseen mysterious woman begins giving him warnings during nocturnal visits to leave the house at once. Soon he begins hearing strange ominous sounds emanating from the tiny lake at the back of the house coupled with a permeation of sickly odors. An evil presence then begins to visit him during the witching hours of the late night, challenging him to a battle of wits from which there can be only one victor. Is his mysterious female visitor there to help and encourage him to flee from the house, or is she working in tandem with The Thing From the Lake? A gripping, occasionally frightening tale, Ms. Ingram wastes no time in grabbing the reader into the story and manages to weave a tale that will leave the reader guessing at every turn of events. (Summary by Roger Melin)(from Librivox)

    While practicing in his rooms in Oxford, gifted violinist John Maltravers notices a strange phenomenon: whenever a certain air is played, a mysterious presence seems to enter. Unable to rationalize this away, Maltravers becomes increasingly unsettled, until he makes a startling discovery—tucked away in a hidden cupboard in his room is a priceless Stradivarius! Obsessed by his find, he becomes increasingly withdrawn from those around him, choosing instead to explore more sinister pursuits, little knowing the spell that this seemingly perfect violin is unleashing upon him. English poet and novelist J. Meade Falkner is best remembered for his novel, Moonfleet.

    Tolkien--from which almost all fantasylands have devolved--also took shape and flower from Dunsany's example." --The Encyclopedia of Fantasy Most fantasy enthusiasts consider Lord Dunsany one of the most significant forces in modern fantasy; his influences have been observed in the works of H.P. Lovecraft, L. Sprague de Camp, Fritz Leiber, Jack Vance, and many other modern writers. The Book of Wonder is Dunsany at his peak of his talent. The stories here are a lush tapestry of language, conjuring images of people, places, and things which cannot possibly exist, yet somehow ring true. They are, in short, full of wonder. Together with Dunsany's other major collections, A Dreamer's Tales and Tales of Three Hemispheres, they are a necessary part of any fantasy collection.

    The journey is triggered by a mysterious package left to Leo by his father, to be opened on his 25th birthday; the package contains an ancient shard of pottery and several documents, suggesting an ancient mystery about the Vincey family. Holly and Leo eventually arrive in eastern Africa where they encounter a primitive race of natives and a mysterious white queen, Ayesha, who reigns as the all-powerful "She" or "She-who-must-be-obeyed" and who has a mysterious connection to young Leo. The story expresses numerous racial and evolutionary conceptions of the late Victorians, especially notions of degeneration and racial decline prominent during the fin de siècle. In the figure of She, the novel notably explored themes of female authority and feminine behaviour. It has received praise and criticism alike for its representation of womanhood. (From Wikipedia)

    Banned from reading, Florence devours books in secret and talks to herself—and narrates her story—in a unique language of her own invention. By night, she sleepwalks the corridors and is troubled by a recurrent dream in which a mysterious woman appears to threaten her younger brother Giles.After the sudden violent death of the children's first governess, a second teacher, Miss Taylor, arrives, and immediately strange phenomena begin to occur. Florence becomes convinced that the new governess is a malevolent spirit who means to do Giles harm. Against this powerful enemy, Florence must use all her intelligence and ingenuity to protect her little brother and preserve her private world. This Gothic page-turner in the tradition of The Woman in Black and The Fall of the House of Usher is told in a startlingly different and wonderfully captivating narrative voice.

    Seventeen all-new stories illuminate the steampunk world of fog and fear!Modern masters of the supernatural weave their magic to revitalize the chilling Victorian and Edwardian ghostly tale: here are haunted houses, arcane inventions, spirits reaching across the centuries, ghosts in the machine, fateful revelations, gaslit streets scarcely keeping the dark at bay, and other twisted variations on the immortal classics that frighten us still.

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    Edwards is acknowledged as one of the best Victorian ghost story writers. She was one of the select band of authors invited by Charles Dickens to contribute ghost stories to the Christmas numbers of his magazine All the Year Round, and some of her tales—such as 'The Four-fifteen Express', 'Number Three', 'My Brother's Ghost Story', and the highly influential 'The Phantom Coach'—have become staples of ghost story anthologies.There was much more to Amelia Edwards than ghost stories, however, as Richard Dalby makes clear in his introduction. She was an indefatigable traveller, and she incorporated much of what she observed into her ghost stories, many of which are set in northern and central Europe. She was also an archaeologist of world renown, who was instrumental in ensuring that the treasures and antiquities of ancient Egypt were properly excavated and preserved.The Phantom Coach is the first book to collect together all of Amelia B. Edwards's supernatural fiction. In addition to all her known ghost stories, the volume also contains three additional items, including a delightful piece by Edwards herself about 'My Home Life': a fascinating look at one of the Victorian era's most fascinating women.Contents: Introduction by Richard Dalby; 'My Brother's Ghost Story'; 'The Eleventh of March'; 'Number Three'; 'The Discovery of the Treasure Isles'; 'The Phantom Coach'; 'The Recollections of Professor Henneberg'; 'An Engineer's Story'; 'The Four-fifteen Express'; 'The Story of Salome'; 'A Service of Danger'; 'The New Pass'; 'In the Confessional'; 'Sister Johanna's Story'; 'A Night on the Borders of the Black Forest'; 'Monsieur Maurice'; 'Was it an Illusion?'; Appendixes: 'Four Ghosts'; 'A Legend of Boisguilbert'; 'My Home Life'.

    Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

    Traherne is temporarily crippled saving the life of his well-born friend, Jaspar. Thus, Jaspar is assured of inheriting his father's estate, but it is expected that Traherne will inherit great wealth as gratitude for saving the heir. But--surprise!--on the death of Jaspar's father all are shocked to learn that Traherne has been disinherited: the will has been changed at the last minute and only the suffering Traherne knows why but won't tell and then he falls in love with Jaspar's sister, the fair Octavia. However, Octavia is forbidden to marry, as Traherne is penniless.