The taunts of his now-deceased father ringing in his ears, Binh answers an ad for a live-in cook at a Parisian household, and soon finds himself employed by Gertrude Stein and Alice B. Toklas.Toklas and Stein hold court in their literary salon, for which the devoted yet acerbic Binh serves as chef, and as a keen observer of his "Mesdames" and their distinguished guests. But when the enigmatic literary ladies decide to journey back to America, Binh is faced with a monumental choice: will he, the self-imposed "exile," accompany them to yet another new country, return to his native Vietnam, or make Paris his home?

    This novel tells the story of the atmosphere in the small house where they live. Chaudhuri writes precisely and carefully trying to capture in the rhythms of his prose the faded happiness of things, the strange, pure remembered moments

    But when their firstborn son dies in a terrible accident, tragedy transforms their marriage into a bleak landscape. As the pair starts fresh in a heartbroken old villa by the sea, they are joined by Nandini, a dazzling and devious artist with a trace of leopard blood in her veins. While Nandini flamboyantly takes on Bombay’s art scene, the couple attempts to mend their marriage, eventually discovering that real love, mercurial and many-hued, is given and received in silence. Sensuous and electric, achingly moving and wickedly funny, The Last Song of Dusk is a tale of fate that will haunt your heart like an old and beloved song.“A cornucopia of life at full tilt and high color . . . Shanghvi–who’s been compared to Arundhati Roy, Zadie Smith, and Vikram Seth–combines ribald humor with prose poetry.”–Sunday Oregonian“Few first novelists achieve such perfection, such control, in their performance.”–India Today“A gorgeous novel . . . written with a youthful twinkling eye.”–Los Angeles Times Book Review“Lush, witty . . . sassy prose . . . moves like a carnival ride.”–San Francisco Chronicle

    An amazing, sui generis book, River of Fire spans two and a half millennia. Set during four Indian epochs (the classical, the medieval, the colonial, and the modern post-national), the novel is a meditation on history and human nature, tracing four souls through time. Each section is linked by characters who bear, in every period, the same names: Gautam, Champa, Kamal, and Cyril. Gautam (appearing first as a student of mysticism at the Forest University of Shravasti in the 4th century B.C.E.) and Champa (throughout embodying the enigmatic experience of Indian women) begin and end the novel; Muslim Kamal appears mid-way through, as the Muslims did, and loses himself in the Indian landscape; and Cyril, the Englishman, appears later still. In different eras, different relations from among the four -- romance and war, possession and dispossession. Yet together the characters reflect the oneness of human nature: amidst the nationalist and religious upheavals of Indian history, Hyder argues for a culture that is inclusive.Interweaving parables, legends, dreams, diaries, and letters, Hyder's prose is lyrical and witty. There is really no book like River of Fire. Qurratulain Hyder was awarded the Bharatiya Gnanpith, India's highest literary award, in 1989, and here is her masterpiece, her broadest canvas and her finest art.

     "How to Be an American Housewife" is a novel about mothers and daughters, and the pull of tradition. It tells the story of Shoko, a Japanese woman who married an American GI, and her grown daughter, Sue, a divorced mother whose life as an American housewife hasn't been what she'd expected. When illness prevents Shoko from traveling to Japan, she asks Sue to go in her place. The trip reveals family secrets that change their lives in dramatic and unforeseen ways. Offering an entertaining glimpse into American and Japanese family lives and their potent aspirations, this is a warm and engaging novel full of unexpected insight.

    After hard luck and some bad choices, Sunny has finally found a place to call home — it just happens to be in the middle of a war zone.The thirty-eight-year-old American’s pride and joy is the Kabul Coffee House, where she brings hospitality to the expatriates, misfits, missionaries, and mercenaries who stroll through its doors. She’s especially grateful that the busy days allow her to forget Tommy, the love of her life, who left her in pursuit of money and adventure.Working alongside Sunny is the maternal Halajan, who vividly recalls the days before the Taliban and now must hide a modern romance from her ultratraditional son — who, unbeknownst to her, is facing his own religious doubts. Into the café come Isabel, a British journalist on the trail of a risky story; Jack, who left his family back home in Michigan to earn “danger pay” as a consultant; and Candace, a wealthy and well-connected American whose desire to help threatens to cloud her judgment. When Yazmina, a young Afghan from a remote village, is kidnapped and left on a city street pregnant and alone, Sunny welcomes her into the café and gives her a home — but Yazmina hides a secret that could put all their lives in jeopardy.As this group of men and women discover that there’s more to one another than meets the eye, they’ll form an unlikely friendship that will change not only their own lives but the lives of an entire country.Brimming with Deborah Rodriguez’s remarkable gift for depicting the nuances of life in Kabul, and filled with vibrant characters that readers will truly care about, A Cup of Friendship is the best kind of fiction—full of heart yet smart and thought-provoking.

    It is a tale of two generations of characters brought jarringly together by the tragic sweep of war, where personal lives - the struggle to survive, raise a family, find happiness - are inextricable from the history playing out around them.Propelled by the same storytelling instinct that made The Kite Runner a beloved classic, A Thousand Splendid Suns is at once a remarkable chronicle of three decades of Afghan history and a deeply moving account of family and friendship. It is a striking, heart-wrenching novel of an unforgiving time, an unlikely friendship, and an indestructible love - a stunning accomplishment.--front flap

    After attending school in Calcutta, Benny settles in Rangoon, then part of the British Empire, and falls in love with Khin, a woman who is part of a long-persecuted ethnic minority group, the Karen. World War II comes to Southeast Asia, and Benny and Khin must go into hiding in the eastern part of the country during the Japanese Occupation, beginning a journey that will lead them to change the country’s history. After the war, the British authorities make a deal with the Burman nationalists, led by Aung San, whose party gains control of the country. When Aung San is assassinated, his successor ignores the pleas for self-government of the Karen people and other ethnic groups, and in doing so sets off what will become the longest-running civil war in recorded history. Benny and Khin’s eldest child, Louisa, has a danger-filled, tempestuous childhood and reaches prominence as Burma’s first beauty queen, soon before the country falls to dictatorship. As Louisa navigates her new-found fame, she is forced to reckon with her family’s past, the West’s ongoing covert dealings in her country, and her own loyalty to the cause of the Karen people.Based on the story of the author’s mother and grandparents, Miss Burma is a captivating portrait of how modern Burma came to be, and of the ordinary people swept up in the struggle for self-determination and freedom.

    His father sets up an ashram, and the family makes a living off of the pilgrims who seek the child’s blessings and miracles, believing young Kalki to be the tenth human incarnation of the Hindu god Vishnu. In Kalki’s tenth year, he is confronted with three trials that will test his power and prove his divine status and, his father tells him, spread his fame worldwide. While he seems to pass them, Kalki begins to question his divinity.Over the next decade, his family unravels, and every relationship he relied on—father, mother, aunt, uncle, cousin—starts falling apart. Traveling from India to the underground rock scene of New York City, Blue-Skinned Gods explores ethnic, gender, and sexual identities, and spans continents and faiths, in an expansive and heartfelt look at the need for belief in our globally interconnected world.

    A few short weeks before, Aasha’s grandmother Paati passed away under mysterious circumstances and her older sister, Uma, departed for Columbia University--leaving Aasha alone to cope with her mostly absent father, her bitter mother, and her imperturbable older brother.Beginning with Aasha’s grandfather’s ascension from Indian coolie to illustrious resident of the Big House on Kingfisher Lane, and going on to tell the story of how Appa, the family’s Oxford-educated patriarch, courted Amma, the humble girl next door, Evening Is the Whole Day moves gracefully backward and forward in time to answer the many questions that haunt the family: What was Chellam’s unforgivable crime? Why was Uma so intent on leaving? How and why did Paati die? What did Aasha see? And, underscoring all of these mysteries: What ultimately became of Appa’s once-grand dreams for his family and his country? Sweeping in scope, sumptuously lyrical, and masterfully constructed, Evening Is the Whole Day offers an unflinching look at relationships between parents and children, brothers and sisters, the wealthy and the poor, a country and its citizens--and the ways in which each sometimes fails the other. Illuminating in heartbreaking detail one Indian immigrant family’s secrets and lies while exposing the complex underbelly of Malaysia itself, Preeta Samarasan’s debut is a mesmerizing and vital achievement sure to earn her a place alongside Arundhati Roy, Kiran Desai, and Zadie Smith.

    With great warmth and humor, Meera Syal brings to life a quirky, spirited 1960s mining town and creates in her protagonist what the Washington Post calls a “female Huck Finn.” The novel follows nine-year-old Meena through a year spiced with pilfered sweets and money, bad words, and compulsive, yet inventive, lies. Anita and Me offers a fresh, sassy look at a childhood caught between two cultures.

    He has no time to mourn his wife’s death. Saahil and Zahra, his two small children, are relying on him. Amjad vows to love and protect them always. Years later, Saahil and his best friend, Ehsan, have finished university and are celebrating with friends. But when the night turns dangerous, its devastating effects will ripple through the years to come. Zahra’s world is alight with politics and activism. But she is now her father’s only source of comfort, and worries she’ll never have time for her own aspirations. Life has taken her small family in different directions – will they ever find their way back to each other? The Family Tree is the moving story of a British Muslim family full of love, laughter and resilience as well as all the faults, mistakes and stubborn loyalties which make us human.**

    The story reflects the social, political and religious scene in Bengal at the turn of the century. The forces that were operating in Bengal at that time were one of the intense nationalism and revival of ancient spiritual values and also that of liberal western thought. What makes Gora a great prose epic is not only its social content but also its brilliant story of self-searching, of resolution, of conflicts and of self discovery.

    History has already begun its steady march. Six native women clad in black and scarlet pichauras huddle around Naineetal Lake, attempting to cleanse it of threatening new influences. For, these are the days of Upper Mall Road (for Europeans and their horses) and Lower Mall Road (‘for dogs, servants and other Indians’). And this is the story of feisty young Tilottama Dutt, whose uncle hangs when he protests the reigning order—and her daughter, Deoki, who will confront change as Indians and as women. Things to Leave Behind brings alive the romance of the mixed legacy of British-Indian past. Full of the fascinating backstory of Naineetal and its unwilling entry into Indian history, throwing a shining light on the elemental confusion of caste, creed and culture, illuminated with painstaking detail, here is a fascinating historical epic and Namita Gokhale’s most ambitious novel yet.

    In a bid to erase her past and build the family she yearns for, Sophie Schofield accepts a wedding proposal from ambitious British diplomat, Lucien Grainger. When he is posted to New Delhi, into the glittering circle of ex-pat high society, old wounds begin to break open as she is confronted with the memory of her first, forbidden love and its devastating consequences. The suffocating conformity of diplomatic life soon closes in on her. This is not the India she fell in love with ten years before when her father was a maharaja’s physician, the India of tigers and scorpions and palaces afloat on shimmering lakes; the India that ripped out her heart as Partition tore the country in two, separating her from her one true love. The past haunts her still, the guilt of her actions, the destruction it wreaked upon her fragile parents, and the boy with the tourmaline eyes. Sophie had never meant to come back, yet the moment she stepped onto India’s burning soil as a newlywed wife, she realised her return was inevitable. And so begins the unravelling of an ill-fated marriage, setting in motion a devastating chain of events that will bring her face to face with a past she tried so desperately to forget, and a future she must fight for. A story of love, loss of innocence, and the aftermath of a terrible decision no one knew how to avoid.