Maya Abramovna Klotsvog has had quite a life, and she wants you to know all about it. Selfish, garrulous, and thoroughly entertaining, she tells us where she came from, who she didn't get along with, and what became of all her husbands and lovers.In Klotsvog, Margarita Khemlin creates a first-person narrator who is both deeply self-absorbed and deeply compelling. From Maya's perspective, Khemlin unfurls a retelling of the Soviet Jewish experience that integrates the historical and the personal into her protagonist's vividly drawn inner and outer lives. Maya's life story flows as a long monologue, told in unfussy language dense with Khemlin's magnificently manipulated Soviet clich�s and matter-of-fact descriptions of Soviet life. Born in a center of Jewish life in Ukraine, she spent the war in evacuation in Kazakhstan. She has few friends but several husbands, and her relationships with her relatives are strained at best. The war looms over Klotsvog, and the trauma runs deep, as do the ambiguities and ambivalences of Jewish identity. Lisa Hayden's masterful translation brings this compelling character study full of dark, sly humor and new perspectives on Jewish heritage and survival to an English-speaking audience.

    Ivan Kulik has just become Headmaster of school number 7 in Hlaby, a rural village in the Pinsk Marshes. Through his eyes we witness the tragedy of Stalinist domination where people are randomly deported to labour camps or tortured in Zovty Prison in Pinsk. The author's individual gift that sets him apart from his contemporaries is the range of his sympathies and his unromantic, unsentimental approach to the sensual lives of females. His debt to Chekhov is obvious in his ability to capture the internal drama of his characters with psychological concision.

    Since known as “The Miracle of the Vistula,” it remains one of the most crucial conflicts of the Western world. Drawing on both Polish and Russian sources, Norman Davies shows how this war was a pivotal event in the course of European history.

    Politicians and military historians may gloss over human slaughter, emphasizing the defense of national honor, but for men in active service, warfare means being - or becoming - efficient killers. In An Intimate History of Killing, historian Joanna Bourke asks: What are the social and psychological dynamics of becoming the best "citizen soldiers?" What kind of men become the best killers? How do they readjust to civilian life? These questions are answered in this groundbreaking new work that won, while still in manuscript, the Fraenkel Prize for Contemporary History. Excerpting from letters, diaries, memoirs, and reports of British, American, and Australian veterans of three wars (World War I, World War II, and Vietnam), Bourke concludes that the structure of war encourages pleasure in killing and that perfectly ordinary, gentle human beings can, and often do, become enthusiastic killers without being brutalized. This graphic, unromanticized look at men at war is sure to revise many long-held beliefs about the nature of violence.

    In this brilliantly compact, original, engaging book, Stephen Kotkin shows that the Soviet collapse resulted not from military competition but, ironically, from the dynamism of Communist ideology, the long-held dream for socialism with a human face. The neo-liberal reforms in post-Soviet Russia never took place, nor could they have, given the Soviet-era inheritance in the social, political, and economic landscape. Kotkin takes us deep into post-Stalin Soviet society and institutions, into the everyday hopes and secret political intrigues that affected 285 million people, before and after 1991. He conveys the high drama of a superpower falling apart while armed to the teeth with millions of loyal troops and tens of thousands of weapons of mass destruction. Armageddon Averted vividly demonstrates the overriding importance of history, individual ambition, geopolitics, and institutions, and deftly draws out contemporary Russia's contradictory predicament.

    It addresses itself to the central lacuna of 20th-century thought: the indulgence of Communism by the intellectuals of the West. In between the personal beginnings and the personal ending, Amis gives us perhaps the best one-hundred pages ever written about Stalin: Koba the Dread, Iosif the Terrible.The author’s father, Kingsley Amis, though later reactionary in tendency, was a “Comintern dogsbody” (as he would come to put it) from 1941 to 1956. His second-closest, and then his closest friend (after the death of the poet Philip Larkin), was Robert Conquest, our leading Sovietologist whose book of 1968, The Great Terror, was second only to Solzhenitsyn’s The Gulag Archipelago in undermining the USSR. The present memoir explores these connections.Stalin said that the death of one person was tragic, the death of a million a mere “statistic.” Koba the Dread, during whose course the author absorbs a particular, a familial death, is a rebuttal of Stalin’s aphorism.From the Hardcover edition.

    Here, we can walk down western Russia's country roads, rest in its villages, and explore some of the most engaging cities in the world. Beautifully written and infinitely insightful, Among the Russians is vivid, compelling travel writing that will also appeal to readers of history and current events—and to anyone captivated by the shape and texture of one of the world's most enigmatic culture.

    American Kompromat shows that from Trump to Jeffrey Epstein, kompromat was used in operations far more sinister than the public could ever imagine.Among them, the book addresses what may be the single most important unanswered question of the entire Trump era: Is Donald Trump a Russian asset?The answer, American Kompromat says, is yes, and it supports that conclusion backs with the first richly detailed narrative on how the KGB allegedly first "spotted" Trump as a potential asset, how they cultivated him as an asset, arranged his first trip to Moscow, and pumped him full of KGB talking points that were published in three of America's most prestigious newspapers.Among its many revelations, American Kompromat reports for the first time that:- According to Yuri Shvets, a former major in the KGB, Trump first did business over forty years ago with a Manhattan electronics store co-owned by a Soviet �migr� who Shvets believes was working with the KGB. Trump's decision to do business there triggered protocols through which the Soviet spy agency began efforts to cultivate Trump as an asset, thus launching a decades-long "relationship" of mutual benefit to Russia and Trump, from real estate to real power. - Trump's invitation to Moscow in 1987 was billed as a preliminary scouting trip for a hotel, but according to Shvets, was actually initiated by a high-level KGB official, General Ivan Gromakov. These sorts of trips were usually arranged for 'deep development, ' recruitment, or for a meeting with the KGB handlers, even if the potential asset was unaware of it. . - Before Trump's first trip to Moscow, he met with Natalia Dubinina, who worked at the United Nations library in a vital position usually reserved as a cover for KGB operatives. - In 1987, according to Shvets, the KGB circulated an internal cable hailing the successful execution of an active measure by a newly cultivated American asset who took out full page ads in The New York Times, The Washington Post, and The Boston Globe promoting policies promoted by the KGB. The ads had been taken out by Donald Trump, who, Shvets said, would become a "special unofficial contact" for the KGB, that is, an intelligence asset whose role has been compared to that of the late industrialist, Armand Hammer. A number of America's highest national security officials have said they believe Trump is a Russian asset, but neither the Mueller Report nor the numerous congressional investigations throughout Trump's presidency pursued that vital question. American Kompromat does.In addition to exploring Trump's ties to the KGB, American Kompromat also shows that from Donald Trump to Jeffrey Epstein, Russian kompromat operations documented the darkest secrets of the most powerful people in the world and transformed those secrets into potent weapons. It also reveals: - How Jeffrey Epstein and Trump jostled for influence and financial supremacy for years. A college dropout let go from his prep school teaching job, Epstein became a millionaire in part with the help of Ghislaine Maxwell's father--media tycoon Robert Maxwell, who allegedly served as a Soviet and Israeli spy and likely gave Epstein a sum estimated between $10 and $20 million before his death in 1991. - How the Jeffrey Epstein-Ghislaine Maxwell sex-trafficking operation provided a source and marketplace for sexual kompromat - dirty secrets of the richest and most powerful men in the world. While Epstein had a rule when it came to selecting women, namely, "the younger, the better," he also knew that a multimillionaire -or future leader - caught committing adultery is nothing compared to getting caught on video in the act with a minor. - How the Epstein-Maxwell ring helped enable young women with possible ties to Russian intelligence to gain access to the highest levels of Silicon Valley and the worlds of artificial intelligence, supercomputers, and the internet. This, at a time when Vladimir Putin has asserted, "Whoever becomes the leader in this sphere [artificial intelligence] will become the ruler of the world." - How Epstein had ties to Russia through sex-trafficking. Epstein partnered with Jean-Luc Brunel, head of MC2 modeling agency and a major sex trafficker, who, in turn, had worked with Peter Listerman, the celebrated procurer, or "matchmaker" as he prefers, for Russian oligarchs. - How John Mark Dougan, a former deputy sheriff in Mar-a-Lago's Palm Beach County, says he acquired 478 videos confiscated from the Jeffrey Epstein investigation, fled to Moscow, became only the fourth American to win asylum in Russia, and immediately gained access to Putin's inner circle, showing the ongoing power that comes from kompromat and how its value is highest before it is "used."

    Their “motherland” has been the battlefield where some of the largest armies have clashed, the most savage battles have been fought, and the highest death tolls paid. Having prevailed over the Mongol hordes and vanquished Napoleon and Hitler, many Russians believe that no country on earth has sacrificed so much for the world. In Russia: The Story of War Gregory Carleton explores the belief in exceptionalism that pervades Russian culture and politics and shows how Russians have forged a distinct identity rooted in war.While outsiders view Russia as an aggressor, Russians themselves see a country surrounded by enemies, poised in a permanent defensive crouch as it fights off one invader after another. Time and again, history has called upon Russia to play the savior―of Europe, of Christianity, of civilization itself―and Russia’s victories, especially over the Nazis in World War II, have come at immense cost. Even its defeats, always suffered on behalf of just causes in this telling, have become a source of pride.War is the unifying thread of Russia’s national epic, the factor that transcends its wrenching ideological transformations from the archconservative Russian Empire to the radical-totalitarian Soviet Union to the pseudo-democratic Russian Federation. Today, as Vladimir Putin’s Russia asserts itself in ever bolder ways, knowing how the nation’s war-torn past inflects its self-image is essential to understanding Russia’s sense of place in history and in the world.

    Between 1929 and 1932 the Soviet Communist Party struck a double blow at the Russian peasantry: dekulakization, the dispossession and deportation of millions of peasant families, and collectivization, the abolition of private ownership of land and the concentration of the remaining peasants in party-controlled "collective" farms. This was followed in 1932-33 by a "terror-famine," inflicted by the State on the collectivized peasants of the Ukraine and certain other areas by setting impossibly high grain quotas, removing every other source of food, and preventing help from outside--even from other areas of the Soviet Union--from reaching the starving populace. The death toll resulting from the actions described in this book was an estimated 14.5 million--more than the total number of deaths for all countries in World War I.Ambitious, meticulously researched, and lucidly written, The Harvest of Sorrow is a deeply moving testament to those who died, and will register in the Western consciousness a sense of the dark side of this century's history.

    In his provocative commentary to this new edition the philosopher Slavoj Žižek argues that Trotsky’s attack on the illusions of liberal democracy has a vital relevance today.

    With Milan Kundera, he analyzes the mix of politics and sexuality that made him the most subversive writer in communist Czechoslovakia. With Edna O’Brien, he explores the circumstances that have forced generations of Irish writers into exile. Elsewhere Roth offers appreciative portraits of two friends—the writer Bernard Malamud and the painter Philip Guston—at the end of their careers, and gives us a masterful assessment of the work of Saul Bellow. Intimate, charming, and crackling with ideas about the interplay between imagination and the writer’s historical situation, Shop Talk is a literary symposium of the highest level, presided over by America’s foremost novelist.

    The Struggle Against the State and other Essays sheds valuable insight onto the man and the movement that bore his name.

    In contrast to Germany and its former allies, which went through an effective de-Nazification campaign, the Soviet Union experienced two aborted attempts to re-evaluate its totalitarian past and to dismantle Stalinist ideology and institutions: the Thaw and perestroika. However, as the filmmaker claims, in the Soviet Union the efforts of de-Stalinization and broader de-Sovietization were only half-hearted and never completed. The myth of the great Stalinist Empire and the heroic myth of the Great Patriotic War still obscure from Russians’ communal memory the uncomfortable narratives about Stalinist purges, the Holocaust, and Soviet-era anti-Semitism. Goldovskaia’s film cuts from footage of Stalin-era parades to present-day rallies in Moscow by fascists and nationalists, suggesting that the unfinished de-Sovietization breeds a new type of totalitarian mentality.The section about Rybakov’s Heavy Sand explores Soviet-style Holocaust denial. The communal myth of Soviet martyrdom and victory in World War II is used to replace memories of the Holocaust. Goldovskaia links this Soviet experience of purposeful and state-endorsed manipulation of the historical past with the revival of anti-Semitism in present-day Russia. Anatoly Rybakov is, indeed, “the Russian story,” since it explains graphically how Russia’s way of dealing with its totalitarian past is different from the Western treatment of a similar social disease. The filmmaker’s message is clearly articulated by her observational cinema style: the agenda of de-Sovietization, including the acknowledgment of the Holocaust, has to become part of Russians’ collective memory before the country can exorcise its totalitarian demons.

    The Baron of My Backside is perfectly content as the leader of a traveling klezmer band, until his bandmates are brutally murdered. He sets out for Odessa alone, inconsolable even after he is joined by Chava, a beautiful girl with a voice like an angel. Meanwhile, Yaacov is expelled from his yeshiva for stealing; he too makes his way to Odessa along with Vincenzo, a violinist, and Tshokola, a gypsy entertainer. When these five misfits finally come together, they must set aside their differences and learn to work together (and rock a crowd) through their music. Tragic, humorous, violent, and tender, Klezmer's rich watercolor art and simple but moving story-telling draws you into the lives of these fascinating characters.