It satirises the Falklands War. The book presents the story of the war in the format of a picture book for young children. It is written in a simple style with large, brightly coloured illustrations. Neither the Falkland Islands, the belligerent countries, nor their leaders are named in the text. Instead, the British prime minister Margaret Thatcher and the Argentine dictator General Leopoldo Galtieri are presented as a pair of metal monsters who send men to fight over a "sad little island" populated by a few shepherds who eat nothing but mutton. The old woman (who is "not real [but] made of Iron") derives from Thatcher's nickname "the Iron Lady", while the General (who is "not real [but] made of Tin Pots") derives from the slang term "tin-pot general" or "tin-pot dictator", meaning a petty authoritarian type. The book mentions several ways in which soldiers (who were "all real men, made of flesh and blood ... not made of Tin Pots or Iron") were killed or maimed; the pictures accompanying these parts of the text are monochrome pencil sketches, as opposed to the full-colour caricatures in the rest of the book. Following the victory by the soldiers of the Old Iron Woman, there are various celebrations, to which the maimed are not invited in case their appearance spoils the fun (a reference to actual occurrences at Falklands War memorial events).[citation needed] The refusal of either side to admit responsibility for civilian casualties is satirised with the statement that three of the islanders were killed, but that "nobody was to blame".

    Her mother was bedridden, her father rarely home, and Mary served as housekeeper, handyman, nursemaid, and servant. Not until she was thirty years old did Mary get her chance to explore the world she’d read about in her father’s library. In 1893, she arrived in West Africa, where she encountered giant Xying insects, crocodiles, hippos, and brutal heat. Mary endured the hardships of the equatorial country—and thrived.

    The beauty of the language is set off to perfection by Heller's arresting illustrations. A stunning combination of fluent prose and exquisitely wrought illustrations that makes] a winner for story hours, as well as a useful resource for the study of Cinderella through the ages." -- SLJ. Notable 1989 Children's Trade Books in Social Studies (NCSS/CBC)

    Global Babies presents children in cultural context. Diverse settings highlight specific differences in clothing, daily life, and traditions, as well as demonstrate that babies around the world are nurtured by the love, caring, and joy that surround them.

    Death, Duck and the Tulip will intrigue, haunt and enchant readers of all ages. Simple, unusual, warm and witty, this book deals with a difficult subject in a way that is elegant, straightforward, and thought-provoking.

    His neighborhood is empty--except for the many cats left behind.Alaa loves Aleppo, but when war comes his neighbors flee to safety, leaving their many pets behind. Alaa decides to stay--he can make a difference by driving an ambulance, carrying the sick and wounded to safety. One day he hears hungry cats calling out to him on his way home. They are lonely and scared, just like him. He feeds and pets them to let them know they are loved. The next day more cats come, and then even more! There are too many for Alaa to take care of on his own. Alaa has a big heart, but he will need help from others if he wants to keep all of his new friends safe.

    Watching over his sleeping son, the father reflects on the dangerous sea-crossing that lies before them. It is also a vivid portrait of their life in Homs, Syria, before the war, and of that city's swift transformation from a home into a deadly war zone. Impelled to write this story by the haunting image of young Alan Kurdi, the three-year-old Syrian boy whose body washed upon the beach in Turkey in September 2015, Hosseini hopes to pay tribute to the millions of families, like Kurdi's, who have been splintered and forced from home by war and persecution, and he will donate author proceeds from this book to the UNHCR (the UN Refugee Agency) and The Khaled Hosseini Foundation to help fund lifesaving relief efforts to help refugees around the globe. Hosseini is also a Goodwill Envoy to the UNHCR, and the founder of The Khaled Hosseini Foundation, a nonprofit that provides humanitarian assistance to the people of Afghanistan.

    But if you think you know where you are, guess again. For nothing is ever as it seems in Istvan Banyai's sleek, mysterious landscapes of pictures within pictures, which will tease and delight readers of all ages. "This book has the fascinating appeal of such works of visual trickery as the Waldo and Magic Eye books." —Kirkus Reviews "Ingenious." —The Horn Book

    Pictures and text of moving and harmonious simplicity". - Saturday Review.

    in full color. The Caldecott Medalist's powerful classic is now reissued in a handsome paperback edition, as well as a library edition.

    As a young girl leads a cast of characters on a musical journey, they learn that they have the power to make changes—big or small—in the world, in their communities, and in most importantly, in themselves.

    A young student receives a family tree assignment in school, but she can only trace back three generations. Grandma gathers the whole family, and the student learns that 400 years ago, in 1619, their ancestors were stolen and brought to America by white slave traders. But before that, they had a home, a land, a language. She learns how the people said to be born on the water survived.

    So much so that he decided to catch one of his very own. But how? Waiting for them to grow tired from being up in the sky all night doesn't work. Climbing to the top of the tallest tree? No, not tall enough. The boy has a rocket ship . . . but it is made of paper and doesn't fly well at all. Finally, just when the boy is ready to give up, he learns that sometimes things aren't where, or what, we expect them to be. First-time author/illustrator Oliver Jeffers offers a simple, childlike tale of reaching for the stars, and emerging with a friend.

    As the child's confidence grows, so does the idea itself. And then, one day, something amazing happens. This is a story for anyone, at any age, who's ever had an idea that seemed a little too big, too odd, too difficult. It's a story to inspire you to welcome that idea, to give it some space to grow, and to see what happens next. Because your idea isn't going anywhere. In fact, it's just getting started.

    A 1990 Caldecott Honor Book Bill Peet tells his life story, including his years with Disney, with illustrations on every page.