Peer into the lives of four people from the village of Bethany—a harlot, a mistress, a beggar, and a leper—as their worlds interweave and collide. Throughout similar circumstances, they each have unique and personal encounters with Jesus. Along the way, they learn what it means to experience authentic relationships, genuine community, and true faith. These emotionally charged stories reveal people who struggle with the same kinds of life issues that we all encounter today—feelings of loneliness, guilt, inadequacy, betrayal, and despair. Yet their interactions with Jesus bring profound changes to the way that they view their world, each other, and themselves. These four tales use the creative gift of imagination to explore what each of these men and women might have been thinking and feeling, while remaining true to the biblical accounts and consistent with life in first century Israel. So come on a journey that will challenge you, inspire you, and like these characters from Bethany, leave you forever changed.

    Before she can complete her task, she may need to resort to a little murder and experience a bit of Hellfire, but that's to be expected when the threads of time are ruled by sexist Thraeder pigs. Fortunately, a certain irresistible man (who happens to be the ultimate feminist) makes everything worthwhile in the end. CATEGORY: Time Travel Romance. (Not, in general, for sexist Thraeder pigs.)

    Powerful, absorbing storytelling that is perfect for fans of saga by Dilly Court, Rosie Goodwin and Maggie Hope.

    Her character is similar to that of many women we see in our lives. But what is different is the dramatic twist in the tale, which you won’t see coming. The protagonist Gauri is patient and persistent, with an undying love and affection for her husband, much like many women in the country. Indeed, Gauri’s story is the tale of many women in India, who sacrifice their needs, desires and dreams for the sake of people dear to them. This work of fiction is a tribute to every unsung woman in every household. A big salute to these strong women, without whom society will perish.

    

    He visits an old flame, buys a gun and goes on a blistering road trip through the new home front.'I don't blame the war. The war was alright. I miss it. It's just you come back to this.'Written during the London bombings of 2005, Motortown is a fierce, violent and controversial response to the anti-war movement - and to the war itself. Chaotic and complex, powerful and provocative, Simon Stephen's new play portrays a volatile and morally insecure world.Motortown premieres at the Royal Court Theatre on 21 April 2006. It follows the critically acclaimed On the Shore of the Wide World (Manchester Royal Exchange/National Theatre), winner of the Olivier Award for Best New Play (2005).

    Boom tells the story of an elderly woman and her property agent son in Singapore, who are struggling over the potential en bloc sale of their home. Their destinies become interwoven with that of an idealistic civil servant, Jeremiah, who is facing the greatest challenge of his career—persuading a reluctant corpse to yield its memories. Boom is a quirky yet poignant tale about the relocation of both dead and living, and how personal stories get left behind in the inexorable march of progress.Written by economist-turned-playwright Jean Tay, Boom was conceptualised at the Royal Court Theatre in London in 2007, and developed and staged by the Singapore Repertory Theatre in September 2008. It was nominated for Best Original Script for The Straits Times’ Life! Theatre Awards in 2009 and is now an O- and N-Level Literature text in Singapore schools.“Jean Tay is one of the most gifted playwrights I have come across in years.” —Gaurav Kripalani, Artistic Director, Singapore Repertory Theatre

    She is in love with young Artashes Otaryan, son of Elizbarov's late companion. Soon Artashes reveals to her the secret that his family has kept for years -- Elizbarov had stolen the fortune of his former companion; as a proof he presents to her Elizbarov's letters to his father. Margarita is appalled by her father's loss of honor, and is torn between her duty as a daughter and her sense of right and wrong.

    It is "one of the most brilliantly original and entertaining new plays I have seen in years: wild, weird and funny, serious, compassionate and shocking, blasphemous and reverential, intellectual and frivolous, a factual fantasy, a demented farce, a black nightmare." (Sunday Times)

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”

    Thirty-five-year-old Felix Humble is a Cambridge astro-physicist in search of a unified field theory. Following the sudden death of his father, Felix returns to his middle England home and his difficult and demanding mother, where he soon realises that his search for unity must include his own chaotic home life.Humble Boy premiered at the Royal National Theatre, London, in August 2001, and transferred to the Gielgud Theatre, London, in 2002. The play was the winner of the Susan Smith Blackburn Award 2001, the Critics' Circle Best New Play Award 2002, and the People's Choice Best New Play Award 2002.

    There are boilers to be fixed, cats to be fed, and the perfect funeral to be planned. As a mother researches burial spots and biodegradable coffins, her family is finally forced to communicate with her and each other as they face up to the future. A dark comedy about death and life going on.

    Ever been racially slurred in the sack? Ever been subjected to strangers yelling at you at 3am about the most intimate details of your life? Ever been to New York? Six characters from wildly different backgrounds make love, war and hysteria late one night in the cultural, sexual and generational smorgasbord that is Manhattan.

    The key witness is a woman whose life seems a world away from theirs. At home, their own lives begin to unravel as every version of the truth is challenged.Consent, Nina Raine’s powerful, painful, funny play, sifts the evidence from every side and puts Justice herself in the dock. It premiered as a co-production between the National Theatre and Out of Joint, directed by Roger Michell at the National Theatre in 2017.