The father of Venus and Serena Williams had a grand plan for his daughters. The source of his vision, the method behind his execution, and the root of his indomitable spirit he held private. Until now. What he reveals about his success—his story of struggle, determination, hard work, and family—is told in the pages of this inspiring memoir, Black and White: The Way I See It.Richard Williams, for the first time ever, shares stories about the poverty and violence of his early life in Shreveport, Louisiana, in the 1940s—a life that could have ended on the day he was born because of indifference, racism, and cruelty were it not for the strength of his mother and the kindness of a stranger. Williams’s mother was his hero, just as he became a hero to Venus and Serena, who express in the book the lessons he taught them and how much they love their much-criticized and even maligned father. His critics claimed that he was “in the way” of his daughters’ athletic success, that he was “destroying his daughters’ marketing and advertising abilities,” and even accused him of “abuse.”Richard Williams describes a family life held together by the principles that matter most: courage, confidence, commitment, faith, and above all, love.“When you’re younger, as a female, you flock to your father. When you get older, you’re closer to your mother. I still feel really, really close to my father. . . . We have a great relationship. There is an appreciation. There is a closeness because of what we’ve been through together, and a respect,” says Serena.“Training started early for my kids, but it wasn’t only on the tennis courts. I used to take Venus and Serena to work with me so they could learn the importance of planning, responsibility, and a strong work ethic, even at their early age,” Richard Williams writes. The self-made man saw the value of education and had the discipline to practice what he learned. He went so far as to write a plan for his family’s future before his tennis champion daughters were ever born.Richard Williams has walked a long, hard, exciting, and ultimately rewarding road for seventy years, fighting every hand raised against him while raising a loving family and two of the greatest tennis players who ever lived.

    Compelled by the description of Cripps' extraordinary life in Africa, Sheers embarks on a journey through contemporary Zimbabwe in an attempt to better understand his ancestor's devotion to the country and its people and the dramatic, often bloody, differences that echo across the years.

    Franchesca Ramsey didn't set out to be an activist. Or a comedian. Or a commentator on identity, race, and culture, really. But then her YouTube video "What White Girls Say. . . to Black Girls" went viral. Twelve million views viral. Faced with an avalanche of media requests, fan letters, and hate mail, she had two choices: Jump in and make her voice heard or step back and let others frame the conversation. After a crash course in social justice and more than a few foot-in-mouth moments, she realized she had a unique talent and passion for breaking down injustice in America in ways that could make people listen and engage.In her first book, Ramsey uses her own experiences as an accidental activist to explore the many ways we communicate with each other—from the highs of bridging gaps and making connections to the many pitfalls that accompany talking about race, power, sexuality, and gender in an unpredictable public space...the internet. Well, That Escalated Quickly includes Ramsey's advice on dealing with internet trolls and low-key racists, confessions about being a former online hater herself, and her personal hits and misses in activist debates with everyone from bigoted Facebook friends and misguided relatives to mainstream celebrities and YouTube influencers. With sharp humor and her trademark candor, Ramsey shows readers we can have tough conversations that move the dialogue forward, rather than backward, if we just approach them in the right way.

    That Albert Woodfox survived was, in itself, a feat of extraordinary endurance against the violence and deprivation he faced daily. That he was able to emerge whole from his odyssey within America’s prison and judicial systems is a triumph of the human spirit, and makes his book a clarion call to reform the inhumanity of solitary confinement in the U.S. and around the world.

     According to family superstition, Gina Yashere was born to fulfill the dreams of her grandmother Patience. The powerful first wife of a wealthy businessman, Patience was poisoned by her jealous sister-wives and marked with a spot on her neck. From birth, Gina carried a similar birthmark—a sign that she was her grandmother’s chosen heir, and would fulfill Patience’s dreams. Gina would learn to speak perfect English, live unfettered by men or children, work a man’s job, and travel the world with a free spirit.Is she the reincarnation of her grandmother? Maybe. Gina isn’t ruling anything out. In Cack-Handed, she recalls her intergenerational journey to success foretold by her grandmother and fulfilled thousands of miles from home. This hilarious memoir tells the story of how from growing up as a child of Nigerian immigrants in working class London, running from skinheads, and her overprotective Mom, Gina went on to become the first female engineer with the UK branch of Otis, the largest elevator company in the world, where she went through a baptism of fire from her racist and sexist co-workers. Not believing her life was difficult enough, she later left engineering to become a stand up comic, appearing on numerous television shows and becoming one of the top comedians in the UK, before giving it all up to move to the US, a dream she’d had since she was six years old, watching American kids on television, riding cool bicycles, and solving crimes.A collection of eccentric, addictive, and uproarious stories that combine family, race, gender, class, and country, Cack-Handed reveals how Gina’s unconventional upbringing became the foundation of her successful career as an international comedian.

    (H.B.) Garlock and some months later his bride, Ruth, traveled to West Africa to bring the gospel to a place known as "the white man's grave."  Before We Kill and Eat You tells the Garlocks' fascinating real-life story of faith and calling in the face of malaria, cannibals and witch doctors.  Readers will be inspired and encouraged by tales, as if taken straight from the book of Acts, of blind men healed and of people raised from the dead.  Though many of their colleagues before them succumbed to death, H.B. and Ruth persevered in the midst of unbelievable hardship to reap an incredible harvest of believers that continues to this day.  RECOVER ONLY

    Here was a space where blackness was taking part in shaping European identity ... A continent of Algerian flea markets, Surinamese shamanism, German Reggae and Moorish castles. Yes, all this was part of Europe too, and these were people and places it needed to understand and embrace if it wanted fully functional societies. And Black Europeans, too, need to demand the right to document and disseminate our stories ... With my brown skin and my British passport - still a ticket into mainland Europe at the time of writing - I set out in search of the Afropeans, on a cold October morning.'Afropean is an on-the-ground documentary of areas where Europeans of African descent are juggling their multiple allegiances and forging new identities. Here is an alternative map of the continent, taking the reader to places like Cova Da Moura, the Cape Verdean shantytown on the outskirts of Lisbon with its own underground economy, and Rinkeby, the area of Stockholm that is eighty per cent Muslim. Johny Pitts visits the former Patrice Lumumba University in Moscow, where West African students are still making the most of Cold War ties with the USSR, and Clichy Sous Bois in Paris, which gave birth to the 2005 riots, all the while presenting Afropeans as lead actors in their own story.

    Dingz -- a bright, articulate student -- and his circle of friends like to sit around drinking and discussing AIDS, racism, history and South African politics.They also have some hair-raising adventures; like being kidnapped by taxi-drivers, contracting gonorrhea and trying to fake a death certificate. The novel's constant backdrop is the subtle but institutionalized racism at Dingz's university; which threatens to deny him financial aid. Dingz is an intelligent and likable character -- but he is certainly no saint. His anger at the racism around him is sometimes over-the-top but certainly not hard to understand, and his self-aware, cynical usage of the 'race card' is at times incredibly amusing. This is an authentic, witty, slice-of-life piece of fiction set at the time of the first South African democratic elections.

    "I am black--and brown, too," writes Emily Bernard. "Brown is the body I was born into. Black is the body of the stories I tell."The storytelling, and the mystery of Bernard's storytelling, of getting to the truth, begins with a stabbing in a New England college town. Bernard writes how, when she was a graduate student at Yale, she walked into a coffee shop and, along with six other people, was randomly attacked by a stranger with a knife ("I remember making the decision not to let the oddness of this stranger bother me"). "I was not stabbed because I was black," she writes (the attacker was white), "but I have always viewed the violence I survived as a metaphor for the violent encounter that has generally characterized American race relations. There was no connection between us, yet we were suddenly and irreparably bound by a knife, an attachment that cost us both: him, his freedom; me, my wholeness."Bernard explores how that bizarre act of violence set her free and unleashed the storyteller in her ("The equation of writing and regeneration is fundamental to black American experience").She writes in Black Is the Body how each of the essays goes beyond a narrative of black innocence and white guilt, how each is anchored in a mystery, and how each sets out to discover a new way of telling the truth as the author has lived it. "Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably . . . Race is the story of my life, and therefore black is the body of this book."And what most interests Bernard is looking at "blackness at its borders, where it meets whiteness in fear and hope, in anguish and love."

    With searing honesty he describes his conflicting experiences of growing up in a world where innocence was always surrounded by violence. From an early age he found in storytelling the means of reconciling the stark contrasts - between religion and play-acting, between the breathless discovery of a girl called Maureen and the merciless beating of a black boy, between a meeting with a dwarf who lived in a hole in the ground and an encounter with a magician who threatened to teach him what he hadn't bargained for.While living in Paris in the sixties his discovery of a wider artistic life, allied to the exhilaration of the student uprising of 1968, confirmed in him the desire to become a writer. At the same time the tragedy of Sharpeville crystallised his growing political awareness and sparked the decision to return home and oppose the apartheid establishment with all his strength. This resulted in years of harassment by the South African secret police, in censorship, and in fractured relationships with many people close to him. Equally it led to extraordinary friendships sealed by meetings with leaders of the ANC in exile in both Africa and Europe.André Brink tells the story of a life lived in tumultuous times. His long love affair with music, art, the theatre, literature and sport illuminate this memoir as do relationships with remarkable women, among them the poet Ingrid Jonker, who have shared and shaped his life, and encounters with people like Ariel Dorfman, Anna Netrebko, Nadine Gordimer, Günter Grass, Beyers Naudé, Desmond Tutu and Nelson Mandela. Above all, A Fork in the Road is a love song to the country where he was born, and where, despite its recent troubles and tragedies, he still lives.

    Why has Christianity, a religion premised upon neighborly love, failed in its attempts to heal social divisions?  In this ambitious and wide-ranging work, Willie James Jennings delves deep into the late medieval soil in which the modern Christian imagination grew, to reveal how Christianity’s highly refined process of socialization has inadvertently created and maintained segregated societies.   A probing study of the cultural fragmentation—social, spatial, and racial—that took root in the Western mind, this book shows how Christianity has consistently forged Christian nations rather than encouraging genuine communion between disparate groups and individuals.Weaving together the stories of Zurara, the royal chronicler of Prince Henry, the Jesuit theologian Jose de Acosta, the famed Anglican Bishop John William Colenso, and the former slave writer Olaudah Equiano, Jennings narrates a tale of loss, forgetfulness, and missed opportunities for the transformation of Christian communities.  Touching on issues of slavery, geography, Native American history, Jewish-Christian relations, literacy, and translation, he brilliantly exposes how the loss of land and the supersessionist ideas behind the Christian missionary movement are both deeply implicated in the invention of race.Using his bold, creative, and courageous critique to imagine a truly cosmopolitan citizenship that transcends geopolitical, nationalist, ethnic, and racial boundaries, Jennings charts, with great vision, new ways of imagining ourselves, our communities, and the landscapes we inhabit.

    He was born in Nigeria and was taught to observe the strict teachings of Islam. At age five he woke at 4:45 every morning to attend the mosque and perform dawn prayer with the other men in his village. His training to memorize the Qur'an began at age five. It was at this same age that he began copying the entire Qur'an word for word. He was being raised to emerge as a leader among clerics, capable of leading a jihad, or holy struggle, to convert nonbelievers to Islam. However, Tito's path took an expected turn when he was introduced to Christianity. His decision to believe in Jesus Christ cost him his family and his freedom. Tito thought he would spend his remaining days enduring a life sentence in an uncivilized Egyptian prison. For fifteen years he suffered and waited and prayed. Tito said, "I never gave up hope. I never stopped believing." Although he was falsely imprisoned, beaten, and ridiculed, Tito's remarkable true story is one of faith, forgiveness, and testimony that God does hear and answer prayers.

    Gemma died from acute myeloid leukaemia, just three days after being diagnosed.In Love, Interrupted, Simon is brutally honest about his journey through grief, and opens up about how close he came to ending his own life. Simon didn’t know how to carry on without Gemma; he just knew that, for the sake of his eight-year old son, he had to find a way …Love, Interrupted is a moving story of love, loss, faith, and family.

    In 1957, when June Cross was four years old, she was sent by her white mother to live with a black family in Atlantic City. Her mother, Norma, had left June’s abusive father, a comic in the well-known black vaudeville duo Stump and Stumpy, and gave June up when it became clear that her dark-skinned, kinky-haired child could no longer "pass." Within her adopted family, June struggled with her identity as the black radicalism of the times collided head on with her family’s more traditional ideals. Summer vacations were spent with her mother, now in Hollywood and married to F Troop TV actor Larry Storch. For many years, Norma, afraid that Larry’s career would suffer if anyone discovered the truth about her illegitimate daughter, told friends and reporters that June was adopted.Secret Daughter, which grew out of Cross’s Emmy Award–winning documentary, traces this thorny story with poignancy and skill. It is both a vivid snapshot of race relations in America and an inspiring journey of understanding between a mother and daughter.

    The book shows the breadth and depth of the phenomenon within institutions such as education, employment, housing, criminal justice, and healthcare. By critically assessing the magnitude of racial privilege and its enormous costs, Wise provides a rich memoir that will inspire activists, educators, or anyone interested in understanding the way that race continues to shape the experiences of people in the U.S. Using stories instead of stale statistics, Wise weaves a narrative that is at once readable and scholarly, analytical and accessible.