Alternate-cover edition can be found here In his second collection, Carver establishes his reputation as one of the most celebrated and beloved short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.

    William Styron traces the betrayals and infidelities—the heritage of spite and endlessly disappointed love—that afflict the members of a Southern family and that culminate in the suicide of the beautiful Peyton Loftis.

    This drama will move you, inspire you, and probably even change your life.

    But the serenity of Maggie’s new surroundings is soon disturbed by the irrational jealousy of the lodge-keeper’s wife. Restoring her own broken spirit, Maggie must also become a healer to others. In this, she is supported by her eccentric friend, Nell Severance, whose pearl-handled revolver – the Swamp Angel – becomes Maggie’s ambiguous talisman and the novel’s symbolic core.Ethel Wilson’s best-loved novel, Swamp Angel first appeared in 1954. It remains an astute and powerful study of one woman’s integrity and of the redemptive power of compassion.

    In Rashid's opium room the air is thick and potent. A beautiful young woman leans to hold a long-stemmed pipe over a flame, her hair falling across her dark eyes. Around her, men sprawl and mutter in the gloom, each one drifting with his own tide. Here, people say that you introduce only your worst enemy to opium.Outside, stray dogs lope in packs. Street vendors hustle. Hookers call for custom through the bars of their cages as their pimps slouch in doorways in the half-light. There is an underworld whisper of a new terror: the Pathar Maar, the stone killer, whose victims are the nameless, invisible poor. There are too many of them to count in this broken city.Narcopolis is a rich, chaotic, hallucinatory dream of a novel that captures the Bombay of the 1970s in all its compelling squalor. With a cast of pimps, pushers, poets, gangsters and eunuchs, it is a journey into a sprawling underworld written in electric and utterly original prose.

    Her destiny is a tumultuous voyage across the Indian Ocean shortly before the outbreak of the Opium Wars in China. In a time of colonial upheaval, fate has thrown together a diverse cast of Indians and Westerners on board, from a bankrupt raja to a widowed tribeswoman, from a mulatto American freedman to a free-spirited French orphan. As their old family ties are washed away, they, like their historical counterparts, come to view themselves as jahaj-bhais, or ship-brothers. The vast sweep of this historical adventure spans the lush poppy fields of the Ganges, the rolling high seas, and the exotic backstreets of Canton.

    In these dazzling stories she deals with the self-discovery of adolescence, the joys and pains of love and the despair and guilt of those caught in a narrow existence. And in sensitively exploring the lives of ordinary men and women, she makes us aware of the universal nature of their fears, sorrows and aspirations.

    Indian soldiers appear, as if from nowhere, to hunt for militants on the run. Four teenage boys, who used to spend their afternoons playing cricket, or singing Bollywood ballads down by the river, have disappeared one by one, to cross into Pakistan, and join the movement against the Indian army. Only one of their friends, the son of the headman, is left behind. The families in the village begin to think it's time to flee, to search for a place of greater safety. But the headman will not allow his family to leave. And, whilst the headman watches his dreams give way beneath the growing violence, his son, under the brutal, drunken gaze of the Indian army captain, is seemingly forced to collaborate, and go into the valley to count the corpses, fearing, each day, that he will discover one of his friends, lying amongst the dead. 'The Collaborator' is a stunningly humane work of storytelling, with a poignant and unpredictable hero at its heart. In one of the most shocking and brilliantly compelling novels of recent times.Mirza Waheed lights our way into the heart of a war that is all too real.

    She tells the story herself with the utmost frankness and with an authenticity which derives from Dodie Smith's own wide experience as both actress and playwright.Mouse never felt that her nickname fully suited her; tiny she might be, but timid never. Within a day of her arrival in town she had bluffed her way into an audition at a famous theatre, infuriated its forceful young stage director, amused its kind if quite amoral actor-manager, Rex Crossway, and finally landed not a part but a toehold as a junior secretary. From then on she was involved in the engrossing affairs of the Crossway Theatre.She was also involved with her friends at the club where she lived -- Molly, a baby-faced six-footer, and elegant, ambitious LIlian who was fated to clash disastrously with Mouse, though even then they could find something to laugh at together. And later there was Zelle, rich, generous, enigmatic, and responsible for an outing to a Suffolk village pageant which proved a turning point for them all.

    Ruth had taken another woman's husband and as such 'Freeport' society thinks she is 'a human being who selfishly - basely - took her own happiness, leaving misery for others. She outraged society as completely as a woman could outrage it... One who defies it - deceives it - must be shut out from it.'But, like Emma Bovary, Edna Pontellier in 'The Awakening' and Nora in 'A Doll's House' Ruth has 'a diffused longing for an enlarged experience... Her energies having been shut off from the way they had wanted to go, she was all the more zestful for new things from life...' It is these that are explored in Fidelity.

    From a harrowingly cheerless childhood in Germany through acne-riddled high school years and his adolescent discoveries of alcohol, women, and the Los Angeles Public Library's collection of D. H. Lawrence, "Ham on Rye" offers a crude, brutal, and savagely funny portrait of an outcast's coming-of-age during the desperate days of the Great Depression.

    "The Forerunner" and "The Madman" (1932).

    Here are the hidden dramatic realities of the upper class, the undertow of religion, revealing the truth sometimes spoken in hushed whispers, more often swept away by the flourish of silk saris at extravagant dinner parties . . . or perhaps never mentioned at all.Often tragic, always youthful, yet never what those in the West expect, here in fully realized first-person prose are the lives of Ayla, the protagonist, and her boundaries and customs, as well as those of her friends: Alia, oppressed by her wealthy, overly conservative parents, and Tanzeela, a teenager trapped in an abusive arranged marriage. From silk saris to bombings; from fundamentalism to American sympathy; from Dior makeup to desperate poverty; from sexual abuse to religious taboos, the world of Ayla, in her late teens, struggling in the real world of modern-day Pakistan, is anything but simple.Silk Tether is a revealing, truthful, poignant novel destined to become a must-read by westerners seeking to understand the complex world of Islamic fundamentalist countries.

    Investigating the strange ways in which love, in spite of everything - time, war, betrayal - can last, Zweig tells the story of Ludwig, an ambitious young man from a modest background who falls in love with the wife of his rich employer. His love is returned, and the couple vow to live together, but then Ludwig is dispatched on business to Mexico, and while he is there the First World War breaks out. With travel and even communication across the Atlantic now shut down, Ludwig makes a new life in the New World. Years later, however, he returns to Germany to find his beloved a widow and their mutual attraction as strong as ever. But is it possible for love to survive precisely as the impossible?

    The kind of writing included in this collection clearly shows the reasons for Damon Runyon's world-wide reputation.