Known as the johatsu, or the 'evaporated', they are often driven by shame and hopelessness leaving behind lost jobs, disappointed families and mounting debts. In The Vanished, journalist Léna Mauger and photographer Stéphane Remael uncover the human faces behind the phenomenon through reportage, photographs and interviews with those who left, those who stayed behind and those who help orchestrate the disappearances. Their quest to learn the stories of the johatsu weaves its way through:A Tokyo neighborhood so notorious for its petty criminal activities that it was literally erased from the maps.Reprogramming camps for sub-par bureaucrats and businessmen to become 'better' employees.The charmless citadel of Toyota City with its iron grip on its employees.The 'suicide' cliffs of Tojinbo patrolled by a man fighting to save the desperate.The desolation of Fukushima in the aftermath of the tsunami.And yet, as exotic and foreign as their stories might appear to an outsider’s eyes, the human experience shared by the interviewees remains powerfully universal.

    Recent films such as Lost in Translation and Memoirs of a Geisha seem to have made everyone an expert on Japan, even if they've never been there. But the only way for a Westerner to get to know the real Japan is to become a part of it. Kate T. Williamson did just that, spending a year experiencing, studying, and reflecting on her adopted home. She brings her keen observations to us in A Year in Japan, a dramatically different look at a delightfully different way of life. Avoiding the usual clichés--Japan's polite society, its unusual fashion trends, its crowded subways--Williamson focuses on some lesser-known aspects of the country and culture. In stunning watercolors and piquant texts, she explains the terms used to order various amounts of tofu, the electric rugs found in many Japanese homes, and how to distinguish a maiko from a geisha. She observes sumo wrestlers in traditional garb as they use ATMs, the wonders of "Santaful World" at a Kyoto department store, and the temple carpenters who spend each Sunday dancing to rockabilly. A Year in Japan is a colorful journey to the beauty, poetry, and quirkiness of modern Japana book not just to look at but to experience.

    Flashbacks and multilayered stories reveal his life: an impoverished upbringing as an orphan, his eventual rise to wealth and success—despite racial and class prejudice—and an obsession with a girl from an affluent family that has haunted him all his life. A True Novel then widens into an examination of Japan’s westernization and the emergence of a middle class.   The winner of Japan’s prestigious Yomiuri Literature Prize, Mizumura has written a beautiful novel, with love at its core, that reveals, above all, the power of storytelling.

    Musashi is a novel in the best tradition of Japanese story telling. It is a living story, subtle and imaginative, teeming with memorable characters, many of them historical. Interweaving themes of unrequited love, misguided revenge, filial piety and absolute dedication to the Way of the Samurai, it depicts vividly a world Westerners know only vaguely.

    At least five generations of the Hart family had served in the British Army-his father, grandfather, and uncle had risen to the rank of general, and the ambitious young officer expected to keep up the tradition. Arriving in Tokyo on the eve of the Russo-Japanese War, Arthur met Masa Suzuki at the Officers' Club and tested out his first few words of Japanese on her. Masa had grown up in the working-class section of Tokyo, amid small-shop keepers and craftsmen. The sixth in a family of seven, she had left school at age fourteen to work in a shop. She was a dutiful Japanese daughter-when she helped her mother serve meals, she would kneel at a respectful distance while her father and brothers ate. Arthur and Masa fell in love quickly and powerfully. Throwing convention to the wind, they lived together in Tokyo until orders came for Arthur to return to England. For the next decade and a half, the two unlikely soul mates attempted to make a life together, testing the limits of racial and cultural tolerance in their countries and in themselves. Separated for years at a time, they stayed in touch through long, deeply affectionate letters they wrote to each other in Japanese. The great love affair sustained Arthur through some of the most horrific battles of the First World War, and even when the relationship came to an end, in a way that neither could have foreseen, they continued their correspondence. They wrote to each other through the troubled interwar period, as Arthur's family estate was caught up in a civil war in Ireland, as the great earthquake of 1923 ravaged Tokyo, as the militarists seized control of Japan and took the country into a brutal invasion of China, and finally, in a bitter twist of fate, as the once-allied Britain and Japan faced off against each other in the Second World War. Her letters to him were lost, but she saved every one of his, more than eight hundred in total. The authors use this treasure trove of letters to describe a story of great love and great loss and of destinies etched amid the conflicts of the first half of the twentieth century.

    It is the story of the men who created, led, and fought in the deadly Zero fighter plane. In their own words, Jiro Horikoshi (who designed the Zero), Masatake Okumiya (leader of many Zero squadrons), and Saburo Sakai (Japan's leading surviving fighter ace) as well as many other men, tell the inside story of developing the Zero and Japan's air force. They tell what it felt like to bomb American ships and to shoot down American airplanes — and then of their shock when the myth of invincibility was shattered by the new Lightning, Hellcat, and Corsair fighters. They tell of the fight against the growing strength of a remorseless American enemy; and how, in desperation the Japanese High Command ordered the creation of deadly suicide squadrons, the Kamikaze. And finally they reveal their reaction to the dropping of the atomic bombs on Hiroshima and Nagasaki.”-Print ed.

    Rachel and Drew Snow may be sisters, but  their lives have followed completely different paths. Married to a wonderful man and a mother to two strong-minded teens, Rachel hasn’t returned to her childhood home since being kicked out by her strict father after an act of careless teenage rebellion. Drew, her younger sister, followed her passion for music but takes side jobs to make ends meet and longs for the stability that has always eluded her. Both sisters recall how close they were, but the distance between them seems more than they can bridge. When their deferential Japanese mother, Hikari, is diagnosed with dementia and gives Rachel power of attorney, Rachel’s domineering father, Killian becomes enraged. In a rare moment of lucidity, Hikari asks Rachel for a book in her sewing room, and Rachel enlists her sister’s help in the search. The book—which tells the tale of real-life female samurai Tomoe Gozen, an epic saga of love, loss, and conflict during twelfth-century Japan—reveals truths about Drew and Rachel’s relationship that resonate across the centuries, connecting them in ways that turn their differences into assets.

    atomic bomb attacks on Hiroshima and Nagasaki and the ensuing death and destruction that led to the end of World War II. The events that culminated in the fall of Japan - which forever changed the course of diplomacy, geopolitics, and warfare in the twentieth century - are vividly recreated through dramatic first-hand accounts of the major participants on both sides of the Pacific. They include: Harry Truman, the inexperienced American president who made the decision that would lead to unprecedented death and destruction; the war-mongering, but mysterious, Japanese Emperor Hirohito, who ultimately presided over his country's surrender; General Leslie Groves, the no-nonsense director of the Manhattan Project; and Paul Tibbets, the pilot of the plane, the Enola Gay, which dropped the very first nuclear bomb on Hiroshima in August 1945.

    But can her victim offer redemption instead?1942. Pilot Dave Delham revels at the success of his historic Japanese bombing mission. Until he's caught and endures years of imprisonment at the hands of cruel captors. Despairing that he'll survive, Dave vows if he escapes, he'll answer God's call on his life. He made aviation history in the Doolittle Raid. Now he's called to make amends.Osaka, Japan, 1948. Miyako Matsuura longs to restore her family's shattered honor. After watching her little brother die in a horrific American air raid, she's been reduced to prostitution to survive. When the pilot whose bomb stole her brother's life returns as a missionary, her thirst for revenge consumes her.Two damaged people race along a collision course that could bring eternal change. Can Dave and Miyako transform their tragic histories and surrender to forgiveness and faith?

    In Legends of the Samurai, Hiroaki Sato confronts both the history and the legend of the samurai, untangling the two to present an authentic picture of these legendary warriors. Through his masterful translations of original samurai tales, laws, dicta, reports, and arguments accompanied by insightful commentary, Sato chronicles the changing ethos of the Japanese warrior from the samurai's historical origins to his rise to political power. A fascinating look at Japanese history as seen through the evolution of the samurai, Legends of the Samurai stands as the ultimate authority on its subject.

    But amid the gossip over the approaching festivities, there is also a worrying rumour - it seems a sinister masked man has been asking questions around the village.Then, on the night of the wedding, the Ichiyanagi household are woken by a terrible scream, followed by the sound of eerie music. Death has come to Okamura, leaving no trace but a bloody samurai sword, thrust into the pristine snow outside the house. Soon, amateur detective Kosuke Kindaichi is on the scene to investigate what will become a legendary murder case, but can this scruffy sleuth solve a seemingly impossible crime?

    The Japan she describes is not the sentimental world of Madame Butterfly but a vibrant land of real people with a complex culture and hardscrabble lives.

    Yet, in just fifty years it has transformed itself into an economic powerhouse and a democracy that can serve as a model for other countries. How was it able to do this, despite having been sapped by almost a half-century of colonial rule, ruined by war, partitioned and lacking a democratic tradition? Who are the Korean people, who achieved this second "Asian miracle"? And having accomplished it, what are their prospects now?Daniel Tudor is a journalist who has been living in and writing about Korea for almost a decade. He seeks the answers to these questions in Korean history, culture, and society and in interviews with experts, from business leaders to politicians, shamans, sports legends, poets, rock musicians, and academics. In five parts, he examines Korea's cultural foundations; the Korean character; the public sphere in politics, business, and the workplace as well as the family; life in the hours not spent working, including food, music, and cinema; and social issues that may be crucial to Korea's future, such as Koreans' interactions with outsiders. In doing so, he touches on topics as diverse as shamanism, clan-ism, the dilemma posed by North Korea (brother or enemy?), myths about doing business in Korea, and why the country's infatuation with learning English is causing huge social problems.South Korea has undergone two miracles at once: economic development and democratization. The question now is, will it become a rich yet aging society, devoid of momentum, as some see Japan? Or will the dynamism of Korean society and its willingness to change--as well as the opportunity it has now to welcome outsiders into its fold--enable it to experience a third miracle that will propel it into the ranks of the foremost countries in terms of human development, democracy, and wealth?

    Curated by Jay Rubin (who has himself freshly translated several of the stories) and introduced by Haruki Murakami this is a book which will be a revelation to many of its readers. Short story writers already well-known to English-language readers are all included - Tanizaki, Akutagawa, Murakami, Mishima, Kawabata, Yoshimoto - but also many surprising new finds. From Tsushima Yuko's 'Flames' to Sawanishi Yuten's 'Filling Up with Sugar', from Hoshi Shin'ichi's 'Shoulder-Top Secretary' to Yoshimoto Banana's 'Bee Honey', The Penguin Book of Japanese Short Stories is filled with fear, charm, beauty and comedy.

    Delicious.”—Maxine Hong Kingston The story of two women whose lives intersect in late-nineteenth-century Japan, The Teahouse Fire is also a portrait of one of the most fascinating places and times in all of history—Japan as it opens its doors to the West. It was a period when wearing a different color kimono could make a political statement, when women stopped blackening their teeth to profess an allegiance to Western ideas, and when Japan’s most mysterious rite—the tea ceremony—became not just a sacramental meal, but a ritual battlefield. We see it all through the eyes of Aurelia, an American orphan adopted by the Shin family, proprietors of a tea ceremony school, after their daughter, Yukako, finds her hiding on their grounds. Aurelia becomes Yukako’s closest companion, and they, the Shin family, and all of Japan face a time of great challenges and uncertainty. Told in an enchanting and unforgettable voice, The Teahouse Fire is a lively, provocative, and lushly detailed historical novel of epic scope and compulsive readability.