Six people longing to mend broken hearts and shattered dreams… Three romances ready to blossom in the charming Midwest town of Clayburn. REMEMBER TO FORGET: Graphic designer Maggie Anderson has lived under her boyfriend's tyranny for nearly two years...until she's carjacked in New York. Will this terrifying experience be the end for Maggie—or the beginning of a freedom greater than she dares imagine? But to gain her freedom, she'll have to remember to forget everything about her old life… LEAVING NOVEMBER: Eight years ago, Vienne Kenney moved away from Clayburn and all its gossip to pursue a law degree in California. But now she has failed the bar exam…again. Is she destined to be stuck forever, a failure—just like her father—in this podunk Kansas town? YESTERDAY’S EMBERS: On Thanksgiving Day, Douglas DeVore kissed his beloved wife good-bye, unaware that it would be the last time he'd see her—or their precious daughter Rachel. Left with five kids to raise on his own, and already juggling two jobs to make ends meet, Doug wonders how he'll manage moment by moment, much less day after day, without Kaye's love and support.

    She is a successful writer, he is a revered columnist. They have a perfect understanding of each other. Until a pushy young female journalist—on assignment to profile Gus—quite deliberately seeks to undermine that understanding. The fallout is dreadful—but beautifully and convincingly portrayed in all its painful consequences.

    The struggle for supremacy between the Chalukya Emperor, Pulikesi II, and the Pallava Emperor, Mahendra Varmar and at a later stage his son, Narasimha Varmar, forms the core of the novel. The story begins with Pulikesi’s unanticipated invasion of the Pallava Kingdom and the ruses Mahendra Varmar employs to safeguard his kingdom and the capital, Kanchi. Mahendra Varmar is handicapped by his ill equipped smaller army which is no match to the larger Chalukya army. Pulikesi’s invasion is not Mahendra Varmar’s sole cause for concern. The impractical yet ardent romance between his only son, Crown Prince Narasimha Varmar and the beautiful and talented danseuse, Sivakami, the daughter of the land’s foremost sculptor, Aayanar, and the fate of Mamallapuram which Mahendra Varmar is in the midst of converting in to a “dream world” filled with exquisite sculptures weigh heavily on him. The scheming Chalukya loyalist Naganandi Bikshu, the young and brave Pallava army commander Paranjyothi, the mysterious Vajrabahu, the passionate sculptor Aayanar and the Pallava spies Shatrugnan and Gundodharan aid in the story’s progression . This intense and unforgettable narrative by Kalki Krishnamurthy plays on the emotions of the readers and concludes with a least expected climax.

    a visionary work that bridges the history and culture of two worlds."--Frank Rich, New York TimesBased on a true story that stunned the world, and inspired by Giacomo Puccini's opera Madama Butterfly, M. Butterfly was an immediate sensation when it premiered in 1988. It opens in the cramped prison cell where diplomat Rene Gallimard is being held captive by the French government--and by his own illusions. He recalls a time when Song Liling, the beautiful Chinese diva, touched him with a love as vivid, as seductive--and as elusive--as a butterfly.How could he have known that his true love was, in fact, a spy for the Chinese government--and a man disguised as a woman? The diplomat relives the twenty-year affair from the temptation to the seduction, from its consummation to the scandal that ultimately consumed them both.M. Butterfly is one of the most compelling, explosive, and slyly humorous dramas ever to light the Broadway stage, a work of unrivaled brilliance, illuminating the conflict between men and women, the differences between East and West, racial stereotypes--and the shadows we cast around our most cherished illusions.The original cast included John Lithgow as Gallimard and BD Wong as Song Liling. During the show's 777-performance run, David Dukes, Anthony Hopkins, Tony Randall, and John Rubinstein were also cast as Gallimard. Hwang adapted the play for a 1993 film directed by David Cronenberg, starring Jeremy Irons and John Lone.TEXT OF THE BROADWAY REVIVAL

    They realize too late that this is no ordinary plague...and that the enemy they have to fight may not be the only thing they need to worry about.Book One of The Salvation Plague series.The Turning includes foul language, graphic violence, and some mature themes.

    He is quickly disappointed when a dead body turns up floating in the Great Dismal Swamp. And this is not just any dead body. Ashley Myrtle was the wife of a prominent local politician. Greg soon discovers that Ashley, an apparent drowning victim, may have been murdered. Unfortunately, no one wants to believe him. The mayor, the woman's husband, an old boyfriend and even her coworkers seem eager to rule her death an accidental drowning. With help from a reluctant FBI agent, Greg follows a trail of small town secrets and lies to discover what really happened on that cold spring day. Refusing to give up, he discovers a vital clue deep in the swamp that leads to the killer. But justice won't be served until he can prove it was a case of murder.

    They live alone with their dog Taliban, playing Playstation, watching porn; surviving. Occasionally their chaotic mum Maggie visits, sometimes she passes out on the front lawn. But when Jenny knocks on the door, the boys discover a world far beyond what they know, a world full of love, possibility and danger.

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    But, as much as she loves Stan, Lizzie senses a darker side to him that his mother cannot see. It isn't long before his bitterness causes Lizzie to question her relationship, and ultimately leads to tragedy...

    If you have not yet bought the original copy, make sure to purchase it before buying this unofficial summary from aBookaDay. SPECIAL OFFER $2.99 (Regularly priced: $3.99) It is just a daily train ride, a little imagination running wild as she enjoys the scenery from her window seat. It is something we all do, right? Rachel Watson makes up innocent stories about the people she sees. For Rachel it is comforting, something steadfast in her crumbling world. She rides the train every morning like she always has, but without the purpose she once had. Her failed marriage and her descent into alcoholism make her an outcast. She rides into town to a job she no longer has, only to come back at the end of the day to a roommate she is lying to. She has no purpose and nothing seems to be changing until she witnesses something important. Rachel’s favorite imaginary couple that she peers at every day from the train seem to be having trouble. She calls them “Jason” and “Jess”. Rachel can’t quite figure out where she fits in. She was wandering around in a drunken stupor the night “jess” disappears. Rachel starts trying to regain her memories from that night. She tries to piece together the memories of that hazy night. Rachel’s new found hobby is a welcome distraction from her life and problems. She has been dealing not only with an ex-husband, but his new wife as well. Once his mistress, Anna is now having Tom’s baby. Rachel feels inadequate as a result of her infertility and her alcohol problems, blaming herself for the demise of her marriage. Rachel starts out trying to offer a little information into what might have happened to “Jess”, but she becomes obsessed with the case and the people in it. Rachel tries to fill a void with strangers and a case that, supposedly, has nothing to do with her. As Rachel learns to trust herself and her instincts she comes face to face with something she never expected. Read more.... Download your copy today! for a limited time discount of only $2.99! Available on PC, Mac, smart phone, tablet or Kindle device. © 2015 All Rights Reserved

    Then, just when he's convinced his life has passed him by, Sonny, by a stroke of fate, is given a second chance at living. Can he get it right?  Will he be able to evade the grinding loneliness that stalks him? Will he find a way to overcome the unbearable regret that haunts him? Will he ever risk loving again, to find someone with no good-byes in her heart? And, most of all, will he become the man he always could have been?

    

    A transvestite and celebrated antiques dealer who successfully navigated the two most oppressive regimes of the past century-the Nazis and the Communists--while openly gay and defiantly in drag, von Mahlsdorf was both hailed as a cultural hero and accused of colluding with the Stasi. In an attempt to discern the truth about Charlotte, Doug Wright has written "at once a vivid portrait of Germany in the second half of the twentieth century, a morally complex tale about what it can take to be a survivor, and an intriguing meditation on everything from the obsession with collecting to the passage of time" (Hedy Weiss, Chicago Sun-Times).

    Jo's greatest fear is that her illegitimate baby might be mentally deficient like her own father. To soothe, clean and cook for her is Geof, an effeminate art student, with whom she makes a temporary home. Bruised by insensitivity and rejection, the boy and girl find a very real comfort in each other.

    The works in the series are suitable for ages eight and up. The books are simple, retellings of the great literary classics which remain faithful to the original text.