Frost scholar Lathem, who was also a close friend of the four-time Pulitzer Prize-winner, scrupulously annotated the 350-plus poems in this collection, which has been the standard edition of Frost's work since it first appeared in 1969.

    He's big. He's a bit odd. And he's a stranger. Everyone loves his brilliant animal impressions but these feelings soon sour when he starts to howl wildly at night.And once the mean-spirited, small-minded locals realise Gunnar won't conform, they conclude he must be mad. Hounded from his mill and persecuted for being different, only the love of his life and the local drunk stand by him. Can he survive? And how?

    Winner of top literary prizes in Sweden and France, Enquist's epic of power, love, and madness in 1760s Denmark is an extraordinarily elegant and gorgeous novel.

    They share walks, meals, wine, and dangerous memories. Includes 11 page reader's guide for literature teachers and students.

    A 1940s #1 Bestseller and a Historic Novel All-Time Favorite A historic novel all-time favorite, after its translation in English from Swedish, The Egyptian topped the bestseller charts in 1949 and the years following. The protagonist of the novel is the fictional character Sinuhe, the royal physician, who tells the story in exile after Akhenaten's fall and death. Apart from incidents in Egypt, the novel charts Sinuhe's travels in then Egyptian-dominated Syria, in Mitanni, Babylon, Minoan Crete, Mitanni, and among the Hittites.The main character of the novel is named after a character in an ancient Egyptian text commonly known as The Story of Sinuhe. The original story dates to a time long before that of Akhenaten: texts are known from as early as the 12th Dynasty.Much concerned about the historical accuracy of his detailed description of ancient Egyptian life forced the author to carry out considerable research into the subject. The result has been praised not only by readers but also by Egyptologists.Waltari had long been interested in Akhenaten and wrote a play about him which was staged in Helsinki in 1938. World War II provided the final impulse for exploring the subject in a novel which, although depicting events that took place over 3,300 years ago

    Compiled by her sister after the poet's death and originally published in 1956, this is the definitive edition of Millay, right up through her last poem, Mine the Harvest.

    Nominated for the prestigious Finlandia prize, this is a book of changes that speaks of metamorphoses that test all of nature from a flea to a star, from stone and grass to a human.

    He brings the baby home, and he and his wife raise the girl in their basement. When a shocking and catastrophic incident occurs, the couple’s son Jerry whisks the girl away to Stockholm to start a new life. There, he enters her in a nationwide singing competition. Another young girl who’s never fit in sees the performance on TV, and a spark is struck that will ignite the most terrifying duo in modern fiction.

    When Here was published in Poland, reviewers marveled, “How is it that she keeps getting better?” These twenty-seven poems, as rendered by prize-winning translators Clare Cavanagh and Stanislaw Baranczak, are among her greatest work. Whether writing about her teenage self, microscopic creatures, or the upsides to living on Earth, she remains a virtuoso of form, line, and thought. From the title poem: I can’t speak for elsewhere, but here on Earth we’ve got a fair supply of everything. Here we manufacture chairs and sorrows, scissors, tenderness, transistors, violins, teacups, dams, and quips . . . Like nowhere else, or almost nowhere, you’re given your own torso here, equipped with the accessories required for adding your own children to the rest. Not to mention arms, legs, and astonished head.

    On the way, Hans Thomas receives a mysterious miniature book—the fantastic memoir of a sailor shipwrecked in 1842 on a strange island where a deck of cards come to life.Structured as a deck of cards—each chapter is one in the deck—"The Solitaire Mystery" weaves together fantasy and reality, fairy tales and family history. Full of questions about the meaning of life, it will spur its listeners to reexamine their own.

    Oliver's poems begin in the small everyday moments familiar to all dog lovers, but through her extraordinary vision these observations become higher meditations on the world and our place in it.Dog Songs includes visits with old friends, like Oliver's beloved Percy, and introduces still others in poems of love and laughter, heartbreak and grief. Throughout, the many dogs of Oliver's life emerge as fellow travelers and guides, uniquely able to open our eyes to the lessons of the moment and the joys of nature and connection.

    This collection includes: "The Glass Essay," a powerful poem about the end of a love affair, told in the context of Carson's reading of the Brontë sisters; "Book of Isaiah," a poem evoking the deeply primitive feel of ancient Judaism; and "The Fall of Rome," about her trip to "find" Rome and her struggle to overcome feelings of a terrible alienation there.

    THE ROAD TO JERUSALEM covers his childhood and education at the Cistercian monastry of Varnhem. There he is taught the best of spiritual and worldly learning, as well as being trained to become a master archer and swordsman by the giant Brother Guilbert, a former knight. At seventeen, equipped to become a monk or a warrior, Arn returns home, a young man and yet an innocent in the ways of the world. Two sisters cross his path: one seduces him, while with the other sister, Cecilia, he falls deeply in love. In loving two sisters he has committed a crime punishable by both civil and clerical authorities, and he is sentenced to serve 20 years as a Knight Templar in the Holy Land.

    Houghton Mifflin is proud to have published SELECTED POEMS, 1965-1975, a volume of selections from Atwood's poetry of that decade.

    Childhood tells the story of a misfit child's single-minded determination to become a poet; Youth describes her early experiences of sex, work, and independence. Dependency picks up the story as the narrator embarks on the first of her four marriages and goes on to describe her horrible descent into drug addiction, enabled by her sinister, gaslighting doctor-husband.Throughout, the narrator grapples with the tension between her vocation as a writer and her competing roles as daughter, wife, mother, and drug addict, and she writes about female experience and identity in a way that feels very fresh and pertinent to today's discussions around feminism. Ditlevsen's trilogy is remarkable for its intensity and its immersive depiction of a world of complex female friendships, family and growing up--in this sense, it's Copenhagen's answer to Elena Ferrante's Neapolitan Novels. She can also be seen as a spiritual forerunner of confessional writers like Karl Ove Knausgaard, Annie Ernaux, Rachel Cusk and Deborah Levy. Her trilogy is drawn from her own experiences but reads like the most compelling kind of fiction.Born in a working-class neighborhood in Copenhagen in 1917, Ditlevsen became famous for her poetry while still a teenager, and went on to write novels, stories and memoirs before committing suicide in 1976. Having been dismissed by the critical establishment in her lifetime as a working-class, female writer, she is now being rediscovered and championed as one of Denmark's most important modern authors, with Tove fever gripping readers.