Contains a clipping of comics pages from Times Herald of Port Huron, Michigan, announcing under the date of 2-13-00 Schultz's retirement.

    If this is true for students, it is exponentially true for teachers-those hearty souls who have taken on the education of the youth of the world.This wonderful collection of the best and funniest cartoons published over the last eighty years in The New Yorker takes a wry look into the classroom-at the students, at their blindly devoted but demanding parents, and, especially, at the teachers who negotiate the delicate balance between those forces every day.With 118 cartoons, this is a perfect gift for teachers and a treasure of laughs for all!

    The other one was to Hopalong Cassidy, when I had a great crush on him at about six years old. But I did want to let you know how very much both my husband and I have enjoyed Pickles from the very first strip. Would you please consider putting a collection together in book form?"—Lois F. in Nevada  As its loyal fans will gladly tell you, Pickles has been a zinger-filled, laugh-out-loud gem since its debut in 1990. Since then, it has steadily climbed in popularity, and today appears in over 400 newspapers worldwide. Still Pickled After All These Years collects strips from this sweet intergenerational comic that alternates point of view between an older married couple, a 30-something married couple, and their son. The strip centers on Earl and Opal Pickles, who have been married over 50 years but inject plenty of spunk and insight into everything they do. Whether they're taking a wry but sympathetic glance at their divorced daughter, Sylvia, laughing at their faithful but feckless canine, Roscoe, marveling at their dictatorial feline, Muffin, or just commenting on the little things in life, Earl and Opal's good-natured wit and dry humor is brilliantly on target. Pickles is about growing old and keeping your sense of humor but never forgetting what it's like to be a child. The strip's inaugural AMP collection, Still Pickled After All These Years, encapsulates the importance of staying close to those who bring you the most joy and reminds everyone about the incalculable value of the unconditional love of pets, family, and friends.

    . .   The Get Fuzzy gang is back, and they’re leaner and meaner than ever. Bucky Katt (mastermind of mayhem) is on a steady diet of raw bacon, Beluga nut crunch, and carpa-cola in order to fit into his El Megaroid superhero suit—oatmeal cans are very slimming these days. The hapless and hopeless Satchel Pooch is in the kitchen perfecting his recipe for rubber chicken l’orange in a crayon/marker reduction sauce. And poor Rob, the vegetarian and ”owner” of the bunch, is scrounging for scraps in the midst of this gastronomical fury.   Delicious and satisfying, this treasury of cartoons features a healthy serving of favorites from Clean Up on Aisle Stupid! and You Can’t Fight Crazy. Don’t feel guilty for polishing it off in one sitting. Honestly…   . . . moderation is overrated.

    Landscape format trade paperback.

    But that's the easy part. The hard part is trying to raise her two teenage sons, Tyrell and Yusuf. She loves to read-- they'd rather play video games. She likes to eat healthy -- they'd rather eat junk food. She loves ol' school music -- they listen to hip hop. But it would all be worth it if they ever came to realize that all she wants to do is to keep them happy and safe. Based on the popular Mama's Boyz syndicated comic strip.

    Luckily, our favorite office cog has a few tricks up his sleeve. Armed with a wearable brain stimulator and ingestible nanorobots, Dilbert discovers how to outpace stress, boredom, and sitting-induced early death. He may be a cyborg with a fake personality, but meetings are more tolerable than ever

    while re-inspiring yourself!" - Rick "Shaq" Goldstein, author of 669 reviews for Amazon "Novosel's autobiographical narrative of self-determination inspires and delights, in large part because it isn't a lofty tale of grandiose achievement but a humble one; he merely wants, and earns, a chance to show what he's got." - Publisher's Weekly Based on actual events, FIELDHOUSE is a story of embracing adversity through challenges, teamwork, perseverance, grit, determination, and a positive attitude! Fieldhouse follows Scotty Novosel on his journey to play basketball for the Kansas Jayhawks. What he lacks in size he makes up for in heart, but countless obstacles and a devastating setback push his dream further and further out of reach... With incredible persistence, positive energy, and help from a cast of endearing characters, Scotty discovers just what it takes to transform vision into reality! In March 1995, Scott Novosel started for the Kansas Jayhawks in the Big 8 Championship game. For the next 20 years, through endless determination and a mantra of never giving up, Scott completed the all ages graphic novel FIELDHOUSE with the help of the Eisner Award nominated artist Sam Sharpe. Together the duo produced an instant classic! The story of the making of the book was featured on Sports Illustrated. Find out why parents, teachers, librarians, parents, and grandparents are declaring FIELDHOUSE a "MUST READ!"

    The official history and commemoration of Pogo's first decade...all wrapped up with a running commentary by Walt Kelly.

    Sadie is seventy-two years old, or perhaps, seventy-five (she isn't quite sure) and lives in the Mount Eden Senior Citizens Hotel. When she submits 50 of her best knitting patterns to an ailing publishing firm, the course of her life changes. Not only is her book published, but Sadie becomes the peoples' darling, the pure-gold TV talk show guest who knits herself into the fabric of myth. A big-hearted, moving, hilariously irresistible book.

    There are 17 classic stories, reprinted in black and white. Contains the complete stories “The Portier Fortune,” “Saree,” “The School For Girls,” “Saree Falls In Love,” “Il Fuce’s Locket,” “Black Gold (The Lands of Ben Adim),” “Competition,” “Money,” “Assignment Paris (The Spanish Jewels),” “Teachers Pet,” “The Seventh Husband,” “A Ticket Home,” “The Loot Of Robinson Crusoe (The Island Of Pearls),” “Staple Springs,” “L’Spirit,” “The Incident of the Sitting Duck,” and “The Capistrano Jewels.”

    His work has been seen by millions—no, hundreds of millions—in the pages of Playboy, The New Yorker, Punch, The National Lampoon, and many other magazines; there is no telling, really, how many readers he has corrupted or comforted. He is revered for his playfully sinister take on childhood, adulthood, men, women, and monsters. His brand of humor makes you laugh until you cry. And it’s about time that a collection of his cartoons was published that did justice to his vast body of work.When Gahan Wilson walked into Hugh Hefner’s office in 1957, he sat down as Hefner was on the phone, gently rejecting a submission to his new gentlemen’s magazine: “I think it’s very well-written and I liked it very much,” Hefner reportedly said, “but it’s anti-sin. And I’m afraid we’re pro-sin.” Wilson knew, at that moment, that he had found a kindred spirit and a potential home for his cartoons. And indeed he had; Wilson appeared in every issue of Playboy from the December 1957 issue to today. It has been one of the most fruitful, successful, and long-lived relationships between a contributor and a magazine, ever.Gahan Wilson: 50 Years of Playboy Cartoons features not only every cartoon Wilson drew for Playboy, but all his prose fiction that has appeared in that magazine as well, from his first story in the June 1962 issue, “Horror Trio,” to such classics as “Dracula Country” (September 1978). It also includes the text-and-art features he drew for Playboy, such as his look at Madame Tussaud’s Wax Museum, his take on our country’s “pathology of violence,” and his appreciation of “transplant surgery.”Wilson’s notoriously black sense of comedy is on display throughout the book, leaving no sacred cow unturned (an image curiously absent in the book), ridiculing everything from state sponsored executions to the sober precincts of the nouveau rich, from teenage dating to police line-ups, with scalding and hilarious satirical jabs. Although Wilson is known as an artist who relishes the creepy side of modern life, this three-volume set truly demonstrates the depth and breadth of his range—from illustrating private angst we never knew we had (when you eat a steak, just whom are you eating?) to the ironic and deadpan take on horrifying public issues (ecological disaster, nuclear destruction anyone?).Gahan Wilson has been peeling back the troubling layers of modern life with his incongruously playful and unnerving cartoons, assailing our deepest fears and our most inane follies. This three-volume set is a testament to one of the funniest—and wickedly disturbing—cartoonists alive.Nominated for two 2010 Will Eisner Comic Industry Awards (Best Archival Collection/Project: Strips; Best Publication Design).

    He used the elegant draftsmanship and single-panel format of the standard cartoons of the day, but turned them into more than just one-off jokes. With an inimitable mixture of wit, earnestness, and enigmatic surrealism, Dean uses this most ephemeral of forms to explore the deepest mysteries of human existence.What Am I Doing Here? depicts a world at once alien and familiar, in which everyone is naked but act like they’re clothed—a world of club-wielding commuters and byzantine inventions, secret fears, and perverse satisfactions. Through it all strolls (or crawls, or floats, or stumbles) Dean’s unclad Everyman, searching for love, happiness, and the answers to life’s biggest questions.

    Despite her extensive pre-baby research, nothing prepared her for the momentous task of caring for this new little person. Featuring dozens of funny moments like baby's first lunch out to a forensic view of the living room, this charming doodle collection includes 120 two-color illustrations and is the perfect gift for Mother's Day, baby showers, or year-round fun. Also included are a few doodling prompts in the back of the book so moms can doodle their own first-year memories.

    A semi-memoir covering a decade of the acclaimed cartoonists formative years (1935-1945), and including many reproductions of famous drawings and photos from the authors personal collection.