Ellis Island Hospital has been closed since 1954. When Superstorm Sandy bombards New York Harbor in 2012, Ellis Island is left battered and flooded. During an extensive clean-up, a file cabinet is discovered in the long-abandoned, vacant hospital building. It is found to contain the files of a former Senior Nursing Superintendent. Filled with documentation of nursing procedures, notes, schedules, and pages from her 1924 journal, the tender tale of Ellis Angels was inspired from these rescued files. Newly-arrived immigrants are facing enormous physical and emotional challenges. The Stanescu twins are separated from their parents, and admitted for favus scalp infections. Fabiana Morales, a beautiful young woman, comes to America to be married, but is rejected by her future husband because of her unsightly goiter. Mrs. Ryan, pregnant with her fifth child, is hospitalized for pregnancy complications. Mrs. Brunne and her newborn are facing deportation because of the newly established Quota Law, and a teenager delivers her premature infant on the floor of the Women’s Detention Dormitory.During her orientation, Miss Angie, a nurse recruit, learns the routines of the Hospital. She meets handsome Dr. Goodwin who is, unknowingly, searching for the nurse of his dreams. Miss Adeline, an experienced and spirited nurse, takes Angie under her wing. The Nursing Superintendent, Sister Gwendolyn, is keeping a watchful eye on her staff of Ellis Island Nurses. Together, through their creativity and united efforts, the nurses and doctors of Ellis Island Hospital discover ways to help their patients follow their dreams. In the process, they achieve their own American Dream, as well.

    

    It also explores the real Woody Allen, the critically acclaimed filmmaker from the Upper East Side, and his amusing movie persona of a neurotic and lovable loser.Shrewdly and effectively deconstructing Woody, John Baxter's biography illuminates Allen's preoccupation with sex and mortality, his personal quirks and obsessions, his manipulation of celebrity, and his cinematic achievement as chronicler and court jester of Manhattan's intellectual elite."A splendidly written, exhaustive account and a major achievement" - The Observer"Astute and highly entertaining biography" - Daily Telegraph"A bracing corrective to the usual po-faced, sycophantic studies of the cult of Woody" - Mail on Sunday"Full of interesting information for cinema enthusiasts" - The Spectator"The saga [of Woody and Mia] makes compulsive reading" - The Guardian

    How can she when the most important people in her life are no longer around to enjoy the festivities – because of her? Hiding out in her grandparents’ failing micro-pub, she wants to forget that the season of goodwill even exists; but her grandmother has other ideas. It’s time for Libby to face her fears – and Christmas – head on. And what better way to immerse herself in the celebrations, than working in her great aunt’s Christmas shop, just a few blocks from Central Park? Making new friends is the easy bit, but leaving the past behind proves much more difficult. The only way Libby can cope is by taking long walks in Central Park and joining an art therapy group to help her express her emotions. Harry Stanwick is a Central Park Ranger, who’s as beautiful on the inside as he is on the outside. He seems to know instinctively when Libby wants to talk and when she just needs to be left alone. Working with Harry and the rest of her new friends to save an old off-Broadway theatre and community centre from closure, Libby finally starts to remember the magic of Christmas. But she can’t stop questioning her right to be happy when her parents are gone. Can Harry convince Libby that she deserves her own Christmas miracle, or will she leave her heart -and her chance of happiness - in the Christmas shop at Central Park?

    These are not detailed biographies as such, but envelopes of trivia, scandal, viewpoints, accomplishments, failings, character flaws etc. Each one liberally sprinkled with quotes by and about the individuals examined. You will find your idols (in most cases) were far from perfect. This volume also contains a load of fascinating extras toward the end of the book.

    Reveals True Story of Kill Or Be Killed Shootouts In The Real Wild West.Recently discovered memoir by one of the Old West's most feared (but virtually unknown today) gunfighter's and lawmen puts you behind a pair of Colt .45 six-guns and immerses you in the real life man-on-man fast draw shootouts, hell-bent-for-leather outlaw chases and lead dodgin' narrow escape in the Real Old West.If you've ever wondered what it was like to strap on a six-gun and have a face-off-in-the-street gunfight where only the fastest gunslinger walks away - - then rare eyewitness account of what it was like to live and die in the Real Old West is a must read.

    Considered to be one of Melville's best short stories, "Benito Cereno" is a tale of the revolt aboard a Spanish ship. "Bartleby: The Scrivener" is a moral allegory set on Wall Street in New York. And "The Encantadas" are a collection of sketches based on Melville's experiences in the Galapagos Islands.

    wants power and excitement. Driven by his psychopathy, he plans and executes horrific acts of physical, sexual, and psychological abuse against his five children. Gripping and horrific, not for the faint of heart.

    

    These are the true and incredible stories of some of Hollywood’s biggest and best known stars, but never before told . Every story has been researched and verified, no matter how surprising or out of character it may seem to the public, for some of the world’s best known people. * "This book is a pure delight." - Daily Oklahoman * " The research is incredible and told in a most      entertaining fashion." - Houston Courier * " Chaz does it again!  This time a Best Seller!      - Blake's Review * " I read until my eyes hurt and still couldn't      put it down." -  Dexter. MacBride      - Columbia Review. *  "A Winner!" - Ray Hibbard, Edmond Life & Leisure. * “A surprise on every page. Fantastic true stories. We loved having Little Known Facts on our radio station for more than 10 years.” - Craig Stallcup – NetRadio Boston * “I could forget the news and nobody would notice. But forget to air Little Known Facts and I would get 30 phone calls.”– Matt Batton – WPRG Radio * “What a fantastic way to spend a few hours. I love these stories of my friends and fellow actors.” - Dale Robertson, Actor, Host. * “Chaz is a dear friend. I can attest to many of these stories personally. What a pleasure to see them put together in one place.” - Tony Randall, Actor -What famous woman movie star invented the snooze alarm? - What famous woman television personality was a spy in WWII? - Did you know it was a glamorous woman movie star who invented the secret codes to direct navy topedos... - Which famous star was the real impetus for the movie Pretty Woman - The Beverly Hillbillies really existed - Which famous movie star was actually AWOL from the Army - Which famous Hollywood hunk was actually a Mailman - Which television star was responsible for one of the biggest toy crazes in history - Which famous comedy star was once completely blind And many many more.

    In the first comprehensive biography of John Fante, one of the great lost souls of twentieth-century literature, Stephen Cooper untangles the enigma of an authentic American original. By turns savage and poetic, violent and full of love, such underground novels as The Road to Los Angeles; Ask the Dust; and Wait Until Spring, Bandini simultaneously reveal and disguise their author. Born in 1909 to poor Italian American parents in Colorado, Fante ventured west in 1930 to become a writer. Eventually settling in Los Angeles' faded downtown area of Bunker Hill, Fante starved between menial Depression-era jobs while writing story after story about the world he knew-full of poverty, hatred, and the madness of love. His first stories were published by H. L. Mencken in the American Mercury, but Fante also made a career in Hollywood working with the likes of Orson Welles and Darryl F. Zanuck. By the time of his death, though, he was nearly forgotten. Fortunately, readers such as Charles Bukowski began to recognize that Ask the Dust stands alongside the best work of Nathanael West and Sherwood Anderson. This exacting and vivid biography will help secure Fante's place in the American literary pantheon.

    With photographs and architectural plans never before published, paired with comments in the very voices of those who witnessed the event, those who struggled in its shadow for days and months after, and those who have dedicated the years since to rebuilding a place of hope and meditation at Ground Zero, this book will stand apart from all the rest on the tenth anniversary of that world-changing event.  Heavily illustrated and elegantly designed, the book recalls the excitement and symbolism of the Twin Towers, the horror and chaos of the attack of 9/11, the fierce devotion and exhaustion as rescue of living victims became recovery of remains. But it also carries on from that date in history to tell the inside story of the long, complex, and sometimes contentious efforts to turn eight acres of Downtown Manhattan into a lasting memorial to those lost in New York, Pennsylvania, and at the Pentagon. A solemn reminder, a historic keepsake, and a fascinating read, this is the official book published by and about the National September 11 Memorial, created by those who have been working for years to honor those who died that day. A special fold-out lists all the names of the victims, making the book itself an enduring memorial to those who died on September 11.

    Home to an unrivaled twenty-five Nobel Prize winners and generation-defining authors like T. S. Eliot, Flannery O’Connor, Susan Sontag, Tom Wolfe, Joan Didion, Philip Roth, and Jonathan Franzen, it’s a cultural institution whose importance approaches that of The New Yorker or The New York Times. But FSG is no ivory tower—the owner's wife called the office a “sexual sewer”—and its untold story is as tumultuous and engrossing as many of the great novels it has published.Boris Kachka deftly reveals the era and the city that built FSG through the stories of two men: founder-owner Roger Straus, the pugnacious black sheep of his powerful German-Jewish family—with his bottomless supply of ascots, charm, and vulgarity of every stripe—and his utter opposite, the reticent, closeted editor Robert Giroux, who rose from working-class New Jersey to discover the novelists and poets who helped define American culture. Giroux became one of T. S. Eliot’s best friends, just missed out on The Catcher in the Rye, and played the placid caretaker to manic-depressive geniuses like Robert Lowell, John Berryman, Jean Stafford, and Jack Kerouac. Straus, the brilliant showman, made Susan Sontag a star, kept Edmund Wilson out of prison, and turned Isaac Bashevis Singer from a Yiddish scribbler into a Nobelist—even as he spread the gossip on which literary New York thrived.A prolific lover and an epic fighter, Straus ventured fearlessly, and sometimes recklessly, into battle for his books, his authors, and his often-struggling company. When a talented editor left for more money and threatened to take all his writers, Roger roared, “Over my dead body”—and meant it. He turned a philosophical disagreement with Simon & Schuster head Dick Snyder into a mano a mano media war that caught writers such as Philip Roth and Joan Didion in the crossfire. He fought off would-be buyers like S. I. Newhouse (“that dwarf”) with one hand and rapacious literary agents like Andrew Wylie (“that shit”) with the other. Even his own son and presumed successor was no match for a man who had to win at any cost—and who was proven right at almost every turn.At the center of the story, always, are the writers themselves. After giving us a fresh perspective on the postwar authors we thought we knew, Kachka pulls back the curtain to expose how elite publishing works today. He gets inside the editorial meetings where writers’ fates are decided; he captures the adrenaline rush of bidding wars for top talent; and he lifts the lid on the high-stakes pursuit of that rarest commodity, public attention—including a fly-on-the-wall account of the explosive confrontation between Oprah Winfrey and Jonathan Franzen, whose relationship, Franzen tells us, “was bogus from the start.”Vast but detailed, full of both fresh gossip and keen insight into how the literary world works, Hothouse is the product of five years of research and nearly two hundred interviews by a veteran New York magazine writer. It tells an essential story for the first time, providing a delicious inside perspective on the rich pageant of postwar cultural life and illuminating the vital intellectual center of the American Century.

    This collection gathers together the best of her Pulitzer Prize-winning short fiction, including Pale Horse, Pale Rider, where a young woman lies in a fever during the influenza epidemic, her childhood memories mingling with fears for her fiancé on his way to war, and Noon Wine, a haunting story of tragedy and scandal on a small dairy farm in Texas. In all of the compelling stories collected here, harsh and tragic truths are expressed in prose both brilliant and precise.Selected and introduced by Sarah Churchwell, these 12 short stories by Katherine Anne Porter (1890-1980) include the three long tales published as Pale Horse, Pale Rider in 1937 and widely considered to be her masterpiece: Old Mortality, Noon Wine and Pale Horse, Pale Rider.

    In 1809 he published A History of New York under the pseudonym Diedrich Knickerbocker to great acclaim. The public's appetite for all things Irving was insatiable; his name alone guaranteed sales. At the time, he was one of the most famous men in the world, a friend of Dickens, Hawthorne, and Longfellow, as well as Astor, Van Buren, and Madison. But his sparkling public persona was only one side of this gentleman author. In brilliant, meticulous strokes, Brian Jay Jones renders Washington Irving in all his flawed splendor: someone who fretted about money and employment, suffered from writer's block, and doggedly cultivated his reputation. Jones offers as never before a very human portrait of the often contrasting public and private lives of this true American original.