In the fallout of the devastation, a boy is found in the wreckage of a fortress from the Great War. The strongest of the Weavers, ones who can sense emotions in others, is dispatched to monitor the child. As the boy matures it becomes evident there is a dangerous power within him. Relocated to an academy on the edge of the Commonwealth, Brent is put to the test to determine if he is the greatest threat humanity has ever encountered. As his every move is observed and scrutinized he’ll have to face the exams of instructors, attempts on his life, and the wrath of the young Weavers.

    Murder is obsolete. Death is just the beginning.In 1938, death is no longer feared but exploited. Since the discovery of the afterlife, the British Empire has extended its reach into Summerland, a metropolis for the recently deceased.Yet Britain isn’t the only contender for power in this life and the next. The Soviets have spies in Summerland, and the technology to build their own god.When SIS agent Rachel White gets a lead on one of the Soviet moles, blowing the whistle puts her hard-earned career at risk. The spy has friends in high places, and she will have to go rogue to bring him in.But how do you catch a man who’s already dead?

    A totalitarian state, worn down by an endless war, must be seen to crush home-grown insurgents with an iron fist. But Lom discovers Mirgorod to be more corrupted than he imagined: a murky world of secret police and revolutionaries, cabaret clubs and doomed artists. Lom has been chosen because he is an outsider, not involved in the struggle for power within the party. And because of the sliver of angel stone implanted in his head.

    As his frustration mounts, it hits him that no one has died in over three days. Jack's odd observation becomes something far stranger when he connects a meteorite to the bizarre phenomenon. Seizing the opportunity, Jack breaks the story and after a struggle to control the meteorite’s power is resolved, a swelling population begins to create havoc. With the survival of the human race hanging in the balance, politicians enact increasingly horrific measures and desperate citizens take matters into their own hands. Jack's in a position to not just report the news, but change it, and his decisions and observations creates an epic thriller that pits the potential of human immortality against a force designed to change - or obliterate - humanity itself. Only one man might stand in its way ... the man buried in the obits department. The Final Enemy is a story of social disintegration as well as a saga of survival. Secret plans, starvation, suicide, and a series of events that spiral the human race into a desperate survival mode evolve from a seemingly singular event and leads to a fast-paced action story that delights with its penchant for the unexpected. In the Matthew Mather and A.G. Riddle tradition, The Final Enemy is a gripping blend of thriller and science fiction that will prove hard to put down.

    

    

    Most victims die, others experience physical or psychic changes: aces have useful powers, deuces minor maybe entertaining abilities, jokers uglified, disabled, relegated to ghettos.

    The Allies are wildly out maneuvered and sent home in disgrace. Back in the States things are looking rather grim as the ultra-secret Manhattan Project runs into snafus that greatly delay the final production of the atomic bomb. President Roosevelt's approval ratings drop dramatically. Congress is desperate and the country cries out for a hero. That hero might just be Douglas MacArthur, who vowed that he would return to his beloved Philippines. He plans to do so with the backing of the entire US Armed Forces.MacArthur's plan of action is simple: take the war back to the Japanese, island by bloody island, until standing on the shores of Japan, he can proclaim victory. And possibly gain the leadership of the United States as well.

    Valente, the phenomenal talent behind the New York Times bestselling The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making.Severin Unck's father is a famous director of Gothic romances in an alternate 1946 in which talking movies are still a daring innovation due to the patent-hoarding Edison family. Rebelling against her father's films of passion, intrigue, and spirits from beyond, Severin starts making documentaries, traveling through space and investigating the levitator cults of Neptune and the lawless saloons of Mars. For this is not our solar system, but one drawn from classic science fiction in which all the planets are inhabited and we travel through space on beautiful rockets. Severin is a realist in a fantastic universe.But her latest film, which investigates the disappearance of a diving colony on a watery Venus populated by island-sized alien creatures, will be her last. Though her crew limps home to earth and her story is preserved by the colony's last survivor, Severin will never return.Told using techniques from reality TV, classic film, gossip magazines, and meta-fictional narrative, Radiance is a solar system-spanning story of love, exploration, family, loss, quantum physics, and silent film.

    But just as they are about to debut their creation, one of them suffers a breakdown, putting the whole project—and future of time travel—in jeopardy. To protect their invention, one member is exiled from the team—erasing her contributions from history.Fifty years later, time travel is a big business. Twenty-something Ruby Rebello knows her beloved grandmother, Granny Bee, was one of the pioneers, though no one will tell her more. But when Bee receives a mysterious newspaper clipping from the future reporting the murder of an unidentified woman, Ruby becomes obsessed: could it be Bee? Who would want her dead? And most importantly of all: can her murder be stopped?Traversing the decades and told from alternating perspectives, The Psychology of Time Travel introduces a fabulous new voice in fiction and a new must-read for fans of speculative fiction and women’s fiction alike.

    Tom, a contemporary historian, and his theoretical physicist girlfriend Sharon, become interested. Tom indeed becomes obsessed. By all logic, the town should have survived, but it didn't and that violates everything Tom knows about history. What's was special about Eifelheim that it utterly disappeared more than 600 years ago? Father Dietrich is the village priest of Oberhochwald, the village that will soon gain the name of Teufelheim, in later years corrupted to Eifelheim, in the year 1348, when the Black Death is gathering strength across Europe but is still not nearby. Dietrich is an educated man, knows science and philosophy, and to his astonishment becomes the first contact between humanity and an alien race from a distant star when their interstellar ship crashes in the nearby forest. It is a time of wonders, in the shadow of the plague.Tom and Sharon, and Father Dietrich, have a strange and intertwined destiny of tragedy and triumph in this brilliant SF novel by the winner of the Robert A. Heinlein Award.

    Joe Tournier has a bad case of amnesia. His first memory is of stepping off a train in the nineteenth-century French colony of England. The only clue Joe has about his identity is a century-old postcard of a Scottish lighthouse that arrives in London the same month he does. Written in illegal English—instead of French—the postcard is signed only with the letter “M,” but Joe is certain whoever wrote it knows him far better than he currently knows himself, and he's determined to find the writer. The search for M, though, will drive Joe from French-ruled London to rebel-owned Scotland and finally onto the battle ships of a lost empire's Royal Navy. In the process, Joe will remake history, and himself.

    . . and murder isn’t the worst that can happen.It’s a twenty-first century hauntingly familiar—and yet startlingly different from our own. Here the United States brokered a deal that ended World War I, and the Ottoman Empire never collapsed. And lording it over all sits the complex, seductive, and bloodthirsty North African metropolis of El Iskandryia. Almost nothing is what it seems to be in El Isk, and Ashraf Bey is no exception. Neither the rich Ottoman aristocrat everyone thinks he is, nor the minor street criminal once shipped off to prison when he fell foul of his Chinese Triad employers–the fact is that Raf has as little idea who he is as anyone else. With few clues and no money, all Raf has is a surname hinting at noble heritage and an arranged marriage to a woman who hates him. But nothing Ashraf al Mansur learns about himself is as unexpected—or as terrifying—as the brutal murder he’s accused of committing. Now, as a hunted man with the welfare of a precocious young girl in his irresponsible hands, Raf must race after a killer through an unforgiving city as foreign to him as the truth he'll uncover about himself.

    Built from the bones of all four prior Kirov Class battlecruisers, she is updated with Russia’s most lethal weapons, given back her old name, and commissioned in the year 2020. A year later, with tensions rising to the breaking point between Russia and the West, Kirov is completing her final missile trials in the Arctic Sea when a strange accident transports her to another time. With power no ship in the world can match, much less comprehend, she must decide the fate of nations in the most titanic conflict the world has ever seen—WWII. The novel is an intensely focused naval saga, where the crew of the lost Russian battlecruiser must struggle to understand what has happened to them, and then make a choice that could be decisive in the outcome of the war—who’s side are they on? The course of all future history rides in the balance! At this crucial time, Kirov finds herself just days and miles away from a secret summit at sea between Churchill and Roosevelt. On August 9, 1941, the two great leaders meet to plan cooperation in the war and lay down the Atlantic Charter, which decides the framework of post war power in the world and becomes the basis for the new United Nations and NATO. With the hindsight of history as their guide, Kirov races south toward the secret meeting place at Argentia Bay in Newfoundland. Even as she cruises for the Denmark strait, both Roosevelt and Churchill prepare to embark for the sea journey as well. The Royal Navy soon discovers what they believe to be a fearsome new German raider in the Norwegian Sea, and they join with America’s Atlantic Fleet to bar the way and hunt down the most formidable surface action ship in the world.

    The Separation suggests an alternate history lying along a road not taken in World War II. But there are complications. In 1999, history author Stuart Gratton is intrigued by a minor mystery of the European war which ended on 10 May 1941. The British-German armistice signed that month has had far-reaching consequences, including a resettlement of European Jews in Madagascar. In 1936, the identical twin brothers Joe and Jack Sawyer win a rowing medal for Britain in the Berlin Olympics: it's presented to them by Rudolf Hess. The brothers are separated not only by a twin's fierce need "to be treated as a separate human being", but by sexual rivalry and even ideology. When war breaks out Jack becomes a gung-ho bomber pilot, Joe a conscientious objector. Still they're inescapably linked, and sometimes confused. Both suffer injuries and hauntingly similar ambulance journeys. Churchill writes a puzzled memo (later unearthed by Gratton) about the anomaly of a registered-pacifist Red Cross worker flying planes for Bomber Command. Hess has significant, eventually incompatible meetings with both men. Contradictions are everywhere. As in his magical 1995 novel The Prestige Priest is fruitfully fascinated by the legerdemain of twins, doubles, impostors, symmetrical roles. Churchill's double briefly appears. So does the famous conspiracy theory that the Hess who flew to Britain with his quixotic peace deal wasn't the real Hess ring true? Clearly The Separation was impressively, extensively researched. Its evocations of bombing raids--from either side of the bomb sites--are memorable. The unfolding story strands become increasingly disorienting and hallucinatory; the easy escape route of dismissing one strand as delusion is itself subtly undermined. The Separation is filled with a sense of the precariousness of history; of small events and choices with extraordinary consequences. --David Langford