Maybe still is. At thirty-one he has been both a brilliant failure and a dull success. He's made a lot of mistakes that have paid off and a lot of smart moves he'll regret forever (however long that turns out to be). Daniel Weir has gone from rags to riches and back, and managed to hold onto them both, though not much else. His friends all seem to be dead, fed up with him or just disgusted - and who can blame them? And now Daniel Weir is all alone. As he contemplates his life, Daniel realises he only has two problems: the past and the future. He knows how bad the past has been. But the future - well, the future is something else.

    For Gideon Mack, faithless minister, unfaithful husband and troubled soul, the existence of God, let alone the Devil, is no more credible than that of ghosts or fairies. Until the day he falls into a gorge and is rescued by someone who might just be Satan himself.Mack's testament - a compelling blend of memoir, legend, history, and, quite probably, madness - recounts one man's emotional crisis, disappearance, resurrection and death. It also transports you into an utterly mesmerising exploration of the very nature of belief.

    Godwin Baxter's scientific ambition to create the perfect companion is realized when he finds the drowned body of Bella, but his dream is thwarted by Dr. Archibald McCandless's jealous love for Baxter's creation.The hilarious tale of love and scandal that ensues would be "the whole story" in the hands of a lesser author (which in fact it is, for this account is actually written by Dr. McCandless). For Gray, though, this is only half the story, after which Bella (a.k.a. Victoria McCandless) has her own say in the matter. Satirizing the classic Victorian novel, Poor Things is a hilarious political allegory and a thought-provoking duel between the desires of men and the independence of women, from one of Scotland's most accomplished author.

    Then an enigmatic young nanny named Missy introduces him to a world he never knew existed.

    Davis Prize for Fiction "Storm Riders examines the conflicted love of a single father struggling to raise his adopted Native American son, who was born with fetal alcohol syndrome. When a small girl mysteriously drowns near a student-housing complex, the boy is implicated and the father wrestles with his own doubt, guilt, and responsibility. Bringing to life the austere beauty of the Tlingit Alaskan village of the boy's family, as well as the highly educated pockets of the East Coast, Lesley vividly portrays a father and a son struggling to come to terms with each other and above all, with the truth. This novel, as "The Chicago Tribune noted, is "a powerful tale with a strong emotional core."

    He's a Vietnam veteran, a jazz pianist, a college professor, and a prognosticator of the apocalypse (and other things Earth-shattering). But that's neither here no there. Because at Tarkington College—where he teaches—the excrement is about to hit the air-conditioning. And its all Eugene's fault.

    Jonathan Safran Foer has called her writing “thrilling.” Jeanette Winterson has praised her for her “style, ideas, and punch.” Here, in a novel at once profound, playful, and exhilaratingly inventive, she transfixes us with a portrait of a family unraveled by a mysterious visitor.Amber—thirtysomething and barefoot—shows up at the door of the Norfolk cottage that the Smarts are renting for the summer. She talks her way in. She tells nothing but lies. She stays for dinner.Eve Smart, the author of a best-selling series of biographical reconstructions, thinks Amber is a student with whom her husband, Michael, is sleeping. Michael, an English professor, knows only that her car broke down. Daughter Astrid, age twelve, thinks she’s her mother’s friend. Son Magnus, age seventeen, thinks she’s an angel.As Amber insinuates herself into the family, the questions of who she is and how she’s come to be there drop away. Instead, dazzled by her seeming exoticism, the Smarts begin to examine the accidents of their lives through the searing lens of Amber’s perceptions. When Eve finally banishes her from the cottage, Amber disappears from their sight, but not—they discover when they return home to London—from their profoundly altered lives.Fearlessly intelligent and written with an irresistible blend of lyricism and whimsy, The Accidental is a tour de force of literary improvisation that explores the nature of truth, the role of chance, and the transformative power of storytelling.

    Using a range of approaches from bitter realism to demented fantasy, Irvine Welsh is able to evoke the essential humanity, well hidden as it is, of his generally depraved, lazy, manipulative, and vicious characters. He specializes particularly in cosmic reversals--God turns a hapless footballer into a fly; an acid head and a newborn infant exchange consciousnesses with sardonically unexpected results--always displaying a corrosive wit and a telling accuracy of language and detail. Irvine Welsh is one hilariously dangerous writer and he is bound to create a sensation. Includes the following stories: "The Shooter""Eurotrash""Stoke Newington Blues""Vat '96""A Soft Touch""The Last Resort on the Adriatic""Sexual Disaster Quartet""Snuff""A Blockage in the System""Wayne Foster""Where the Debris Meets the Sea""Granny's Old Junk""The House of John Deaf""Across the Hall""Lisa's Mum Meets the Queen Mum""The Two Philosophers""Disnae Matter""The Granton Star Cause""Snowman Building Parts for Rico the Squirrel""Sport for All""The Acid House"A Smart Cunt: a novella

    The walking wounded. These are the stories of ordinary people.

    There's Pat, a twenty-year-old who has recently moved into a flat with Bruce, an athletic young man with a keen awareness of his own appearance. Their neighbor, Domenica, is an eccentric and insightful widow. In the flat below are Irene and her appealing son Bertie, who is the victim of his mother’s desire for him to learn the saxophone and italian–all at the tender age of five.Love triangles, a lost painting, intriguing new friends, and an encounter with a famous Scottish crime writer are just a few of the ingredients that add to this delightful and witty portrait of Edinburgh society, which was first published as a serial in The Scotsman newspaper.

    A hooded figure who holes up in a concrete pillbox on the beach has been seen lurking near the school. Our man takes it upon himself to confront the pervert but his interest in the Bunker Man gradually tilts from apprehension into vigilantism, then obsessed depravity...

    The problems of everyday living accumulate and begin to torture Joy, who blames her problems not on her work or on the accidental drowning of her illicit lover, but on herself. While painful and deeply serious, this is a novel of great warmth and energy: it's the wit and irony found in moments of despair that prove to be Joy's salvation. First published by Polygon in 1989 and Dalkey Archive Press in 1994, now available again.

    It is early in the 1930s and Dr Alexander Mackay is on his way to take up his post running a maternity hospital in the colony. During the voyage he meets two beautiful sisters and the seeds of a scandal are sown.Seventy years later Edward Mackay wakes after a major brain trauma. In the hazy shadowlands of illness, he conjures the figure of his dead father, a man he knew so little about. This near-death experience provokes a move to the wilds of Orkney, where Edward joins a project to harness the tides around the island as a renewable source of energy. But in the tight-knit island community passions also run high.

    First US publication for the Scottish Spence.Neil McGraw is a lad in Glasgow, an only child, the son of a dour undertaker permanently embittered by his wife's death during childbirth. Whenever the boy misbehaves, he's locked in the basement among the coffins, so it's not surprising he asks every body: What happens when you die? Against his will, he finds himself learning the trade. This is less gloomy than it sounds. The story moves at a good clip as the resilient Neil experiments with drinking and dating.The crisis comes when his dad finds him and his girl making out in a coffin. Soon, it's Neil's turn to lock his old man, dead drunk, into the basement, before hightailing it to the London of the Swinging '60s. A friendly queer, Abe Morris, offers him a crash pad, no strings attached, where Neil finds drugs, straight sex, and Zen. The party ends when Abe, stoned, is killed in traffic and Spence abandons conventional narrative to send Neil hopscotching around the world before depositing him, 15 years later, beside the funeral pyres of the Ganges. Here, he gets very sick but is rescued by a vision in a sari: Lila, a Londoner, back home for her father's funeral. The two fall in love and marry, lickety-split, before Neil is summoned back to Glasgow. His father has died, leaving him the business, which Neil gives a hippie twist, producing brightly painted coffins in unusual shapes, with Lila a business partner.The mood is light and buoyant, but novelistic concerns (what makes Lila tick? why do the couple decide not to have kids?) are shelved in favor of a scrapbook of original last rites, seasoned with Eastern mysticism. There's an appealing freshness to Spence's writing; too bad he gives up on credible plotting and characterization.

    To Maddie’s horror, Ellis decides that the only way to regain his father’s favor is to succeed in a venture his father attempted and very publicly failed at: he will hunt the famous Loch Ness monster and when he finds it he will restore his father’s name and return to his father’s good graces (and pocketbook). Joined by their friend Hank, a wealthy socialite, the three make their way to Scotland in the midst of war. Each day the two men go off to hunt the monster, while another monster, Hitler, is devastating Europe. And Maddie, now alone in a foreign country, must begin to figure out who she is and what she wants. The novel tells of Maddie’s social awakening: to the harsh realities of life, to the beauties of nature, to a connection with forces larger than herself, to female friendship, and finally, to love.