But her life has turned inside out like a sock. She can't rely on family, her body is letting her down, and friends and colleagues are turning away—they treat her like a victim. She needs to break that narrative: build her own community, learn new strengths, and fight. But what do you do when you find out that the story you’ve been told, the story you’ve told yourself, is not true? How can you fight if you can’t trust your body? Who can you rely on if those around you don’t have your best interests at heart, and the systems designed to help do more harm than good? Mara makes a decision, and acts, but her actions unleash monsters aimed squarely at the heart of her new community.This is fiction from the front lines, incandescent and urgent, a narrative juggernaut that rips through sentiment to expose the savagery of America’s treatment of the disabled and chronically ill. But So Lucky also blazes with hope and a ferocious love of self, of the life that becomes possible when we stop believing lies.

    A young woman who has spent her entire life in a small, dusty town off the Interstate, working at her pop's mercantile, has her life thrown into chaos when a vivacious, cowboy-booted trucker, rolls into town.

    But how could she know her return to the capital would coincide with the arrival of young Warrior-in-training Senri? Beautiful and strong, Senri makes for a pleasant distraction from Alina's troubles. But as the prospective ruler of a nation, Alina can hardly devote time to pursuing a romance. As a new threat looms over the kingdom of Osota, she is left with little choice but to turn to Senri for help.Words: 105,140

    Ten years ago Jackie fled Mountain Ridge, her need to escape the pain and abuse her single motivation. It wasn’t until after she left that she realized she’d left her heart behind. Burying her feelings for the only woman she’d ever loved, and the only loving family she’d ever known, Jackie struggles to forget her past and move on with her life. Now ten years later, she wonders if she’ll ever find someone that can love the person she’s become. A suggestion from her therapist sends Jackie back to her old hometown in search of those she’d left behind so long ago. Can she settle the past and hope to find her future?

    and the Florida Crackers -the zany but lovable folks who populated the remote hamlet that was Marjorie Rawlings’ home. With a gift for humor and a venerable ear for dialect comes the author’s personal accounts of the people, scenery and wildlife of Cross Creek.Short Stories:A Crop Of BeansBenny and the Bird DogsJacob’s LadderThe PardonVarmintsThe EnemyGal Young UnAlligatorsA Plumb Clare ConscienceA Mother In MannvilleCocks Must Crow

    Yet, as too many lovers have discovered too late, though Joanna's bedroom door is always open, she keeps her wounded heart under lock and key.Knowing too well Joanna's "love 'em and leave 'em" reputation, beautiful Fiona Maddison is determined to keep their friendship platonic -- unless she can break through Joanna's impenetrable public persona. But as the sexual tension between them starts to smolder, Fiona's resolve starts to melt.Editor: Christine CassidyGenre: Romance

    Way decides to be the sitter for the night. Fascinated by both Ria and her eleven-year-old daughter, she finds herself sitting night after night, without revealing who she really is. Getting a glimpse into their family life seems like a nice change of pace from her world of music and fame. She doesn’t count on falling in love—or on having to watch Ria go on date after date.

    As a little girl in South Carolina, she prefers playing Tarzan to playing Jane. As a teenage beauty queen she spikes her Cokes with spirits of ammonia and baffles her elders with her Freedom Riding sympathies. As a young woman in the 1960s and '70s, she hypnotizes her way to Harvard, finds herself as a lesbian, then very nearly loses herself to booze and shamans. And though the wry, rebellious, and vision-haunted heroine of this exhilarating novel may sometimes seem to be living a magnolia-scented Portrait of the Artist as a Young Woman, Blanche McCrary Boyd's The Revolution of Little Girls is a completely original arid captivating work.

    Locke has lived over two centuries and works like a demon, both figuratively and literally. As the owner of a successful pharmaceutical company that specializes in blood research, she has changed the way she can live her life. Wanting for nothing, she has smartly compartmentalized her life so that when she needs to, she can pick up and start all over again, which happens every twenty years or so. Love is not an emotion A.J. spends much time on. Since losing the love of her life to the plague one hundred fifty years ago, she vowed to never travel down that road again. That isn't to say she doesn't have women when she wants them, she just wants them on her terms and that doesn't involve a long term commitment. A.J.'s cool veneer is peeled back when she sees the love of her life in a lesbian bar, in the same town, in the same day and time in which she lives. Is her mind playing tricks on her? If not, how did Clarissa survive the plague when she had made A.J. promise never to change her? Clarissa Graham is a university professor who has lived an obscure life teaching English literature. She has made it a point to stay off the radar and never become involved with anything that resembles her past life. Every once in a while Clarissa has an itch that needs to be scratched, so she finds an out of the way location to scratch it. She keeps her personal life separate from her professional one, and in doing so she is able to keep her secrets to herself. Suddenly, her life is turned upside down when someone tries to kill her. She finds herself in the middle of an assassination plot with no idea who wants her dead.

    Now, at last, The Essential Dykes to Watch Out For gathers a “rich, funny, deep and impossible to put down” (Publishers Weekly) selection from all eleven Dykes volumes. Here too are sixty of the newest strips, never before published in book form.Settle in to this wittily illustrated soap opera (Bechdel calls it “half op-ed column and half endless serialized Victorian novel”) of the lives, loves, and politics of a cast of characters, most of them lesbian, living in a midsize American city that may or may not be Minneapolis.Her brilliantly imagined countercultural band of friends -- academics, social workers, bookstore clerks -- fall in and out of love, negotiate friendships, raise children, switch careers, and cope with aging parents.Bechdel fuses high and low culture -- from foreign policy to domestic routine, hot sex to postmodern theory -- in a serial graphic narrative “suitable for humanists of all persuasions.”

    They haven't spent three minutes with us in an alleyway."Meet two women with sharp knives, soft hearts, and a big secret. Oh, and a new recruit they can't seem to dislodge from the back seat.Carly and Jane travel the roads, helping women in need. This time, someone has asked for their help - but the guy she wants them to take care of isn't scared of their knives. And probably hasn't done anything worth ending up dead for. Yet.

    After all, who would want to shoot a corporate CPA when a bounty hunter is standing in front of her? The answer forces Holt and Isabelle on a perilous journey through an underworld of drugs and underhanded deals, from the Rhode Island House of Representatives to a methadone clinic. Compelled to protect Isabelle by a sense of duty and an attraction neither of them expected, can Holt catch the assailant in time, or will her commitment to the chase leave the idea of happily ever after impossible?

    Stephen grows to be a war hero, a bestselling writer and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions.The Well of Loneliness was banned for obscenity when published in 1928. It became an international bestseller, and for decades was the single most famous lesbian novel. It has influenced how love between women is understood, for the twentieth century and beyond.