When the opportunity presents itself, Phryne decides it might be amusing to try her hand at becoming a lady detective in Australia. Immediately upon settling into Melbourne's Hotel Windsor, Phryne finds herself embroiled in mystery. From poisoned wives and cocaine smuggling, to police corruption and rampant communism (not to mention erotic encounters with the beautiful Russian dancer, Sasha de Lisse), Cocaine Blues charts a crescendo of steamy intrigue, culminating in the Turkish baths of Little Lonsdale Street.

    Just as they're beginning to reconnect, Callie discovers her aunt's body on the floor of her music box shop. Grief-stricken, Callie finds she can't accept Melodie's death being called accidental. How could her strong and healthy aunt take such a fatal fall? And why was she there in the middle of the night?As Callie searches for the truth, signs seem to come from her late aunt through a favorite music box, urging Callie on. Or are they warnings? If Callie isn't careful, she could meet a similar deadly fate amid Melodie's collection.

    As an antiques dealer, Josie knows how to make an honest assessment, and she's about to land her largest account. But when the owner of the collection is found stabbed to death, Josie's fingerprints are all over his possessions…and the murder weapon. Suddenly Josie's innocence appears as tarnished as an old relic. Everybody's got their eyes on her, especially the local police chief who may or may not be in love with her. Now it's just a matter of time before Josie can produce enough evidence to clear her name--or fall into the clutches of the real killer and find herself CONSIGNED TO DEATH

    Lady Adelaide Compton has recently (and satisfactorily) interred her husband, Major Rupert Charles Cressleigh Compton, hero of the Somme, in the family vault in the village churchyard.Rupert died by smashing his Hispano-Suiza on a Cotswold country road while carrying a French mademoiselle in the passenger seat. With the house now Addie's, needed improvements in hand, and a weekend house party underway, how inconvenient of Rupert to turn up! Not in the flesh, but in—actually, as a—spirit. Rupert has to perform a few good deeds before becoming welcomed to heaven—or, more likely, thinks Addie, to hell.Before Addie can convince herself she's not completely lost her mind, a murder disrupts her careful seating arrangement. Which of her twelve houseguests is a killer? Her mother, the formidable Dowager Marchioness of Broughton? Her sister Cecilia, the born-again vegetarian? Her childhood friend and potential lover, Lord Lucas Waring? Rupert has a solid alibi as a ghost and an urge to detect. A debaucher in life and an annoyance in death, Addie knows she can't leave Rupert to solve the murders of her sweet old gardener and a naked neighbor by himself.Enter Inspector Devenand Hunter from the Yard, an Anglo-Indian who is not going to let some barmy society beauty witnessed talking to herself derail his investigation. Something very peculiar is afoot at Compton Court and he's going to get to the bottom of it—or go as mad as its mistress trying.The Lady Adelaide Mysteries:Nobody's Sweetheart Now (Book 1)Who's Sorry Now? (Book 2)Just Make Believe (Book 3)

    Her best friend, Vicki, supplies the shop with honey and homemade lotions, candles and royal jelly. While Mona and Vicki are off taste testing the gluten-free catering the shop mysterious burns down. When a body is recovered from the fire, Vicki’s brother, incidentally the most handsome cop Mona has ever laid eyes on, is assigned to the case. Everyone in town has a motive and it's up to Mona to solve this sticky situation.

    . .December 1918: As a difficult year draws to a close, there is much to celebrate for nineteen-year-old Phoebe Renshaw and her three siblings at their beloved family estate of Foxwood Hall. The dreadful war is finally over; eldest daughter Julia's engagement to their houseguest, the Marquis of Allerton, appears imminent; and all have gathered to enjoy peace on earth, good will toward men. But the peace of Foxwood Hall is shattered on the morning of Boxing Day, when the Marquis goes missing. Not entirely missing, however, as macabre evidence of foul play turns up in gift boxes given to lady's maid Eva Huntford and a handful of others. Having overheard her sister and the Marquis in a heated exchange the night before, Lady Phoebe takes a personal interest in solving the mystery. As the local constable suspects a footman at Foxwood Hall, Phoebe and Eva follow the clues to a different conclusion. But both young women will need to think outside the box to wrap up this case--before a cornered killer lashes out with ill will toward them. . .

    By night, she creates her own intricately detailed coloring books for adults, filling the pages with objects that catch her eye. There's plenty of inspiration in her new apartment--a beautiful carriage house belonging to Professor John Maxwell, Florrie's boss. He offers the property to Florrie rent-free with one condition--she must move in immediately to prevent his covetous sister and nephew from trying to claim it.When the professor's nephew, Delbert, arrives, he proves just as sketchy as Florrie feared. But the following morning, Delbert has vanished. It's not until she visits the third floor of the store that Florrie makes a tragic discovery--there's a trap door in the landing, and a dead Delbert inside. The esteemed Professor Maxwell is an obvious suspect, but Florrie is certain this case isn't so black and white. Doodling clues, she begins to consider other colorful characters on the scene, all with a motive for murder. With a killer drawing closer, Florrie will need to think outside the lines . . . before death makes his mark again.

    Fifteen years later she's got a degree in hospitality management and a great job supervising every aspect of the day-to-day operations of a high-end boutique hotel on the Baltimore waterfront. Then her high school best friend asks her to come talk with the town leaders of Asheford, but she won't say why. Kate can't cut her last link to her past, so she agrees to make the short trip across the state to Asheford.Once Kate arrives, the town council members reveal that their town is on the verge of going bankrupt, and they've decided that Kate's skills and knowledge make her the perfect person to cure all their ills. The town has used its last available funds to buy the huge Victorian mansion just outside of town, hoping to use it to attract some of the tourists who travel to visit the nearby Civil War battle sites. Kate has less-than-fond memories of the mansion, for personal reasons, but to make matters worse, the only person who has presented a possible alternate plan is Cordelia Walker--Kate's high school nemesis, who had a hand in driving Kate away from Asheford so many years.But a few days later Kate receives a call from the police--Cordelia has been found dead on the mansion property, and Kate is all-but certain that her name is high on the suspect list. She finds herself juggling the murder investigation and her growing fascination with the magnificent old house that turns out to be full of long-hidden mysteries itself. Kate knows she must clear her name and save her town--before she ends up behind bars.

    Instead, the three strike up an unlikely friendship.Then Kate finds George's dead body. The police dismiss it as a drug-related street crime, but Kate knows he was no drug dealer. Now she must solve George's murder and find someone willing to adopt his intimidating companion before Bella is sent to the big dog park in the sky. With the murderer on her trail, Kate has to work fast or her next Corpse Pose may be for real.

    According to her friends, Lucy Lancaster, Austin, Texas genealogist, has never been drunk. Tipsy, sure, but drunk? No way. So when she arrives back at her office from a three-martini lunch a few sheets to the wind, it's a notable occasion. Even more momentous is what her client, Austin billionaire Gus Halloran, has announced on live television with a blotto Lucy standing at his side: Texas senator Caleb Applewhite might be responsible for the murder of Seth Halloran.Of course, Lucy is a genealogist, so the murder in question took place back in 1849. And it's possible that another nineteenth-century Texas politician may, in fact, have murdered Gus's great-great-grandfather instead. Lucy is determined to prove beyond a shadow of a doubt who the guilty man is, but when her curiosity lands her at the scene of another murder—this time, in the present-day—she realizes that the branches of some family trees shouldn't be shaken, for they're more twisted and dangerous than she ever thought possible.

    She doesn't know much about what she's gotten herself into, other than that the work sounds exciting, and that her new boss, Edwin MacAlister, has given her the opportunity of a lifetime. Edwin has promised that she'll be working with "a desk that has seen the likes of kings and queens, paupers and princes," and Delaney can't wait to get started.When she arrives, she meets her new Scottish family; also working at the Cracked Spine are Rosie, perpetually wrapped in scarves, and who always has tiny dog Hector in tow; Hamlet, a nineteen-year-old thespian with a colored past and bright future; and Edwin, who is just as enigmatic and mysterious as Delaney expected. An unexpected bonus is Tom the bartender from across the street, with his piercing eyes, and a rolling brogue -- and it doesn't hurt that he looks awfully good in a kilt.But before she can settle into her new life, a precious artifact -- a previously undiscovered First Folio of Shakespeare's plays -- goes missing, and Edwin's sister is murdered, seemingly in connection to the missing folio. Delaney decides to do some sleuthing of her own, to find out just what the real story is behind the priceless folio, and how it's connected to the tragic death, all without getting harmed herself.

    So when the well-heeled Branson family wants to memorialize their murdered son in a coffin portrait, Cherry scrambles to win their patronage from her small town rival. As the clock ticks toward the deadline, Cherry faces more trouble than just a controversial subject. Between ex-boyfriends, her flaky family, an illegal gambling ring, and outwitting a killer on a spree, Cherry finds herself painted into a corner she’ll be lucky to survive.“An entertaining mystery full of quirky characters and solid plotting...Highly recommended for anyone who likes their mysteries strong and their mint juleps stronger!” – Jennie Bentley, New York Times Bestselling Author of Flipped Out“The tone of this marvelously cracked book is not unlike Sophie Littlefield’s brilliant A Bad Day for Sorry, as author Reinhart dishes out shovelfuls of ribald humor and mayhem. It takes a rare talent to successfully portray a beer-and-hormone-addled artist as a sympathetic and worthy heroine, but Reinhart pulls it off with tongue-in-cheek panache.” – Mystery Scene Magazine“Don’t miss Portrait of a Dead Guy by Larissa Reinhart! Portrait is pure enjoyment, a laugh out loud mystery with some Southern romance thrown in. Five stars.” — Lynn Farris, National Mystery Review Examiner at Examiner.com“Laugh-out-loud funny and as Southern as sweet tea and cheese grits, Larissa Reinhart’s masterfully crafted whodunit, Portrait of a Dead Guy, provides high-octane action with quirky, down-home characters and a trouble-magnet heroine who’ll steal readers’ hearts.” – Debby Giusti, Author of The Captain’s Mission and The Colonel’s Daughter“A sweet, southern stroke of brilliance…Action, humor, mystery and a dash of romance all packed into one quirky creation. Trust me when I tell you—don’t miss this one.” — The Book Boost“Reinhart’s debut sparkles with wit. A fun, fast-paced read and a rollicking start to her Cherry Tucker Mystery Series. If you like your stories southern-fried with a side of romance, this book’s for you!” — Leslie Tentler, Author of Midnight Caller Related subjects include: cozy mysteries, women sleuths, murder mystery series, whodunit mysteries (whodunnit), humorous murder mysteries, book club recommendations, amateur sleuth books, small town humor, Southern humor, comic (humorous) crime and mystery, small town and rural.Books in the Cherry Tucker Humorous Mystery Series:QUICK SKETCH (novella in HEARTACHE MOTEL) PORTRAIT OF A DEAD GUY (#1)STILL LIFE IN BRUNSWICK STEW (#2)HIJACK IN ABSTRACT (#3) DEATH IN PERSPECTIVE (#4)THE BODY IN THE LANDSCAPE (#5)THE VIGILANTE VIGNETTE (novella)A COMPOSITION IN MURDER (#6)A VIEW TO A CHILL (novella)

    Nowadays twenty-two-year-old Siobhán O’Sullivan runs the family bistro named for her mother, along with her five siblings, after the death of their parents in a car crash almost a year ago.   It’s been a rough year for the O’Sullivans, but it’s about to get rougher. One morning, as they’re opening the bistro, they discover a man seated at a table, dressed in a suit as if for his own funeral, a pair of hot pink barber scissors protruding from his chest.   With the local garda suspecting the O’Sullivans, and their business in danger of being shunned—murder tends to spoil the appetite—it’s up to feisty redheaded Siobhán to solve the crime and save her beloved brood.

    It’s 1974 and Ellison Russell’s life revolves around her daughter and her art. She’s long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper’s death. The murder forces Ellison to confront her husband’s proclivities and his crimes—kinky sex, petty cruelties and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer. But with an interfering mother, an adoring father, a teenage daughter, and a cadre of well-meaning friends demanding her attention, can Ellison find the killer before he finds her?

    But while Shannon can do wonders with a power drill and a little elbow grease, she’s about to discover that some problems aren’t so easily fixed.... Shannon’s home-renovation and repair business is booming, but her love life needs work. On a blind date with real estate agent Jerry Saxton, she has to whip out a pair of pliers to keep Jerry from getting too hands on. Shannon is happy to put her rotten date behind her, but when Jerry’s found dead in a run-down Victorian home that she’s been hired to restore, the town’s attractive new police chief suspects that her threats may have laid the foundation for murder. Determined to clear her name, Shannon conducts her own investigation—with the help of her four best friends, her eccentric father, a nosy neighbor or two, and a handsome crime writer who’s just moved to town. But as they get closer to prying out the murderer’s identity, Shannon is viciously attacked. Now she’ll have to nail down the truth—or end up in permanent foreclosure.…