When Quinn Cruz receives that cryptic text message from her older sister Nora, she doesn’t think much of it. They haven’t seen each other in nearly a year and thanks to Nora’s fierce aloofness, their relationship consists mostly of infrequent phone calls and an occasional email or text. But when a haunted Nora shows up at the lake near Quinn's house just hours later, a chain reaction is set into motion that will change both of their lives forever. Nora’s “something” is more shocking than Quinn could have ever imagined: a little girl, cowering, wide-eyed, and tight-lipped. Nora hands her over to Quinn with instructions to keep her safe, and not to utter a word about the child to anyone, especially not their buttoned-up mother who seems determined to pretend everything is perfect. But before Quinn can ask even one of the million questions swirling around her head, Nora disappears, and Quinn finds herself the unlikely caretaker of a girl introduced simply as Lucy. While Quinn struggles to honor her sister’s desperate request and care for the lost, scared Lucy, she fears that Nora may have gotten involved in something way over her head—something that will threaten them all. But Quinn’s worries are nothing compared to the firestorm that Nora is facing. It’s a matter of life and death, of family and freedom, and ultimately, about the lengths a woman will go to protect the ones she loves.

    She has no idea who might have sent her The Perfect Stranger - or how it ended up on her nightstand. At first, she is intrigued by the suspenseful story that unfolds.And then she realizes.This isn't fiction.The Perfect Stranger recreates in vivid, unmistakable detail the day Catherine became hostage to a dark secret, a secret that only one other person knew - and that person is dead.Now that the past Catherine so desperately wants to forget is catching up with her, her world is falling apart. Plunged into a living nightmare, she knows that her only hope is to confront what really happened on that terrible day... even if the shocking truth might destroy her.

    Others don't see it, but I do.The enchanted place is an ancient stone prison, viewed through the eyes of a death row inmate who finds escape in his books and in re-imagining life around him, weaving a fantastical story of the people he observes and the world he inhabits. Fearful and reclusive, he senses what others cannot. Though bars confine him every minute of every day, he marries magical visions of golden horses running beneath the prison, heat flowing like molten metal from their backs, with the devastating violence of prison life.Two outsiders venture here: a fallen priest, and the Lady, an investigator who searches for buried information from prisoners' pasts that can save those soon-to-be-executed. Digging into the background of a killer named York, she uncovers wrenching truths that challenge familiar notions of victim and criminal, innocence and guilt, honour and corruption-ultimately revealing shocking secrets of her own.

    One girl lived. No one believes her story. The police think she’s crazy. Her therapist thinks she’s suicidal. Everyone else thinks she’s a dangerous drunk. They’re all right—but did she see the killer? As the anniversary of the murders approaches, Faith Winters is released from the psychiatric hospital and yanked back to the last spot on earth she wants to be—her hometown where the slayings took place. Wracked by the lingering echoes of survivor’s guilt, Faith spirals into a black hole of alcoholism and wanton self-destruction. Finding no solace at the bottom of a bottle, Faith decides to track down her sister’s killer—and then discovers that she’s the one being hunted. How can one woman uncover the truth when everyone’s a suspect—including herself? From the mind of Wall Street Journal bestselling author Christopher Greyson comes a story with twists and turns that take the reader on a journey of light and dark, good and evil, to the edge of madness. The Girl Who Lived should come with a warning label: Once you start reading, you won’t be able to stop. Not since Girl on the Train and Gone Girl has a psychological thriller kept readers so addicted—and guessing right until the last page.

    A typist for the New York City Police Department, she sits in judgment like a high priestess. Criminals come before her to admit their transgressions, and, with a few strokes of the keys before her, she seals their fate. But while she may hear about shootings, knifings, and crimes of passion, as soon as she leaves the room, she reverts to a dignified and proper lady. Until Odalie joins the typing pool.As Rose quickly falls under the stylish, coquettish Odalie’s spell, she is lured into a sparkling underworld of speakeasies and jazz. And what starts as simple fascination turns into an obsession from which she may never recover.

    LEAST OF ALL HIMSELF.Most of the world knows Jerry Grey by his crime-writing pseudonym, Henry Cutter - a name that's been keeping readers at the edge of their seats for more than a decade. But now that he's been diagnosed with early-onset Alzheimer's at the age of forty-nine, Jerry's career is coming to an abrupt end.His twelve books tell stories of brutal murders, of a world out of balance, of victims finding the darkest forms of justice. As his dementia continues to break down the wall between his real life and the lives of his characters, Jerry confesses his most terrible secret: the stories are real. He committed the crimes himself. His friends, family, and caretakers insist that it's all in his head, just a side effect of the devastating disease - but is it?One of the most talented and trailblazing suspense writers at work today, Edgar-nominated author Paul Cleave takes us down a dark and clever path to determine the fine line between simple fact and dangerous fiction.

    Newspapers call the abductor the Piper because he has come to lead children away, while kids whisper darker names for him in the school halls. Angelo Mazzone and his friends discover a link to the dead girl and take up the search for the killer, vowing to stop the Piper's reign of terror. Their teenage pledge becomes a journey of self-discovery and an odyssey into the darkness of their own hometown.

    After serving three years in a psychiatric prison, he’s determined to stay away from temptation. But he can't resist Annabelle--beautiful, confident, incandescent Annabelle--who alone can see past the monster to the man inside. The man he's desperately trying to be.Then Annabelle disappears.Sean is sure she’s been kidnapped—he witnessed her being taken first hand—but the police are convinced that Sean himself is at the centre of this crime. And he must admit, his illness has caused him to “lose time” before. What if there’s more to what happened then he’s able to remember?Though haunted by the fear that it might be better for Annabelle if he never finds her, Sean can’t bring himself to let go of her without a fight. To save her, he’ll have to do more than confront his own demons… He'll have to let them loose.

    A beautiful townhouse on the best street in the neighbourhood. Three bright children who are her pride and joy. Sometimes her past still hurts: losing her mother early, growing up in foster care. But her husband, Simon, is always there. A successful surgeon, he’s the envy of every woman they’ve ever met. Flowers, gifts, trips to France: nothing is too good for his family. Then Simon says another woman’s name. The way he lingers on it, Caroline , gives Marianne a shudder of suspicion, but she knows it’s nothing – she can’t entertain this flash of paranoia. In the old days, she’d have distracted herself by excelling at work, but Marianne left her glamorous career when she married. She’d speak to a friend, but she’s too busy with her children and besides, Simon doesn’t approve of the few she has left. It’s almost by accident that Marianne starts to learn more about Caroline. But once started, she can’t stop, because what she finds makes her wonder: is the question she should be asking not ‘should she be jealous’, but... ‘should she be scared?’ Fans of The Girl on the Train and I Let You Go, who are looking for a dark, gripping psychological thriller with a final twist to put their jaw on the floor, will love Our Little Lies.

    Her daughter Sky has been a captive her whole life. But one day their captor leaves the deadbolt unlocked.This is what happens next......to her twin sister, to her mother, to her daughter...and to her captor.

    When their parents commit Phoebe to a notorious asylum, Charlotte knows there's more to the story than madness. Shedding her identity to become an anonymous inmate, "Woman Ninety-Nine," Charlotte uncovers dangerous secrets. Insanity isn't the only reason her fellow inmates were put away - and those in power will do anything to keep the truth, or Charlotte, from getting out.

    A doting husband, adorable daughter, and a career on the rise - she's just been given her first murder case to defend. But all is never as it seems... Just one more night. Then I'll end it. Alison drinks too much. She's neglecting her family. And she's having an affair with a colleague whose taste for pushing boundaries may be more than she can handle. I did it. I killed him. I should be locked up. Alison's client doesn't deny that she stabbed her husband - she wants to plead guilty. And yet something about her story is deeply amiss. Saving this woman may be the first step to Alison saving herself. I'm watching you. I know what you're doing. But someone knows Alison's secrets. Someone who wants to make her pay for what she's done, and who won't stop until she's lost everything....A disturbing, toxic and compelling novel that explores the power of fear and desire, jealousy and betrayal, love and hate, BLOOD ORANGE introduces a stunning new voice in psychological suspense.

    But she knows who you are…Suzi did a bad thing. She’s paying for it now, pregnant, scared, and living in an isolated cottage with her jealous husband, Nick.When Nora moves into the only house nearby, Suzi is delighted to have a friend. So much so that she’s almost tempted to tell Nora her terrible secret. But there’s more to Nora than meets the eye. It’s impossible—does she already know what Suzi did?Meanwhile, Elle spends her days in her perfect home, fixated on keeping up appearances. But when her husband betrays her, it unravels a secret going all the way back to her childhood. She’ll do whatever it takes to hold on to him, even if that means murder. After all, she’s done it before…Caught up in their own secrets and lies, these strangers will soon realise they have more in common than they could ever have imagined. When a shocking event brings them together, their lives will never be the same again.

    Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances surrounding Ashley's life and death, McGrath comes face-to-face with the legacy of her father: the legendary, reclusive cult-horror film director Stanislaus Cordova--a man who hasn't been seen in public for more than thirty years. For McGrath, another death connected to this seemingly cursed family dynasty seems more than just a coincidence. Though much has been written about Cordova's dark and unsettling films, very little is known about the man himself. Driven by revenge, curiosity, and a need for the truth, McGrath, with the aid of two strangers, is drawn deeper and deeper into Cordova's eerie, hypnotic world. The last time he got close to exposing the director, McGrath lost his marriage and his career. This time he might lose even more.

     Arlo Wilde, a gruff has-been rock star who’s got nothing to show for his fame but track marks, is always two steps behind the other dads. His wife, beautiful ex-pageant queen Gertie, feels socially ostracized and adrift. Spunky preteen Julie curses like a sailor and her kid brother Larry is called “Robot Boy” by the kids on the block. Their next-door neighbor and Maple Street’s Queen Bee, Rhea Schroeder—a lonely community college professor repressing her own dark past—welcomes Gertie and family into the fold. Then, during one spritzer-fueled summer evening, the new best friends share too much, too soon. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes that spins out of control. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.