To unify the divided people, Conner, a nobleman of the court, devises a cunning plan to find an impersonator of the king's long-lost son and install him as a puppet prince. Four orphans are recruited to compete for the role, including a defiant boy named Sage. Sage knows that Conner's motives are more than questionable, yet his life balances on a sword's point—he must be chosen to play the prince or he will certainly be killed. But Sage's rivals have their own agendas as well.As Sage moves from a rundown orphanage to Conner's sumptuous palace, layer upon layer of treachery and deceit unfold, until finally, a truth is revealed that, in the end, may very well prove more dangerous than all of the lies taken together.

    I am no longer the simple girl hidden behind the safety of a make-believe forest. I am the story. I am the tall tale . . . I am the witch."Raised by an old fortune-teller within the dark veil of the Bavarian Black Forest, Rune has learned two valuable lessons: only take from the forest that which you can use, and never, never look anyone in the eye in the village. For something terrible happened in the forest long ago... and now, the whispers of a long-dead mother with a vengeful secret have come haunting.Forced to flee all she has ever known, Rune soon learns of a legacy she is bound to--one that is drenched in fear, witchcraft and murder--a birthright that stretches beyond the grave to the trees where Rune is no longer safe.

    Visions that make her feel like she’s really on a ship bound for America, living in Jamestown during the Starving Time, or riding the original Ferris wheel at the World’s Fair.But these brushes with history pull her from her daily life without warning, sometimes leaving her with strange lasting effects and wounds she can’t explain. Trying to excuse away the aftereffects has booked her more time in the principal’s office than in any of her classes and a permanent place at the bottom of the social hierarchy. Alex is desperate to find out what her visions mean and get rid of them.It isn’t until she meets Porter, a stranger who knows more than should be possible about her, that she learns the truth: Her visions aren’t really visions. Alex is a Descender – capable of traveling back in time by accessing Limbo, the space between Life and Afterlife. Alex is one soul with fifty-six past lives, fifty-six histories.Fifty-six lifetimes to explore: the prospect is irresistible to Alex, especially when the same mysterious boy with soulful blue eyes keeps showing up in each of them. But the more she descends, the more it becomes apparent that someone doesn’t want Alex to travel again. Ever.And will stop at nothing to make this life her last.

    That promise leads them into a war for which they are ill prepared, a war that threatens the homes and lives of the very people they are trying to protect. But war is simple compared to what follows, when the bloody fighting is done and a fragile peace is at hand. Although she wants to turn her back on politics and the crown, Meliara is summoned to the royal palace. There, she soon discovers, friends and enemies look alike, and intrigue fills the dance halls and the drawing rooms. If she is to survive, Meliara must learn a whole new way of fighting--with wit and words and secret alliances. In war, at least, she knew whom she could trust. Now she can trust no one. The Firebird edition of Crown Duel combines the hardcover editions of Crown Duel and Court Duel-and features a never-before-published story by Sherwood Smith!

    He sails with revenge in his heart—his beloved sister has been raped by her landlord, William Baxterhouse, who escapes on another ship with even grander plans for success in New South Wales. In Sydney, hard workers like Leary and ruthless newcomers like Baxterhouse find a city fired by the Gold Rush and dedicated to creating the finest buildings in the colony. Leary has a double motive to make his construction company succeed: he has fallen in love with the beautiful Clarissa McGuire, whose family despise him, and Baxterhouse continues to rise in wealth and influence, seemingly untouchable. Meanwhile another woman, Beth O’Hare, is in love with John Leary, and he makes some hard choices—including a climactic showdown with Baxterhouse.This is the first novel in The Sandstone Trilogy: a new, magnificent view of nineteenth-century Sydney from the ground up.Three novels, Unbound Justice, Unshackled and Succession, span 37 years of Sydney life in the second half of the nineteenth century. They follow the fortunes of 20-year-old John Leary, who in 1850 leaves his rural home in Ireland and sails as an assisted immigrant to New South Wales.His trade is carpentry but his ambition is boundless. By hard work, talent and opportunism he manages to create his own construction company, never ceasing the struggle to become the biggest and the best. The building industry becomes a metaphor for his chosen city, with its mixture of squalor and grandeur, of corruption and high ideals.The Sandstone Trilogy is a historical drama with a rich cast of compelling characters. It is also a family saga, in which love, revenge and tragedy all come to influence the Learys’ destiny.‘Well-written and thoroughly enjoyable. It’s a love story with a vivid background of those early days of European settlement—and all the drinking, hard work, treachery and jostling for position that was mandatory in those times. You warm to the characters as they make their way in this new land. More of it!’Wendy O’HanlonAustralian Provincial Newspapers

    It’s the only way to contain the fey curse that scars her cheek. The Great War is five years gone, but its scattered victims remain—the ironskin. When a carefully worded listing appears for a governess to assist with a "delicate situation"—a child born during the Great War—Jane is certain the child is fey-cursed, and that she can help. Teaching the unruly Dorie to suppress her curse is hard enough; she certainly didn’t expect to fall for the girl’s father, the enigmatic artist Edward Rochart. But her blossoming crush is stifled by her own scars, and by his parade of women. Ugly women, who enter his closed studio...and come out as beautiful as the fey. Jane knows Rochart cannot love her, just as she knows that she must wear iron for the rest of her life. But what if neither of these things is true? Step by step Jane unlocks the secrets of her new life—and discovers just how far she will go to become whole again.

    But when the 'unsinkable' Titanic hits an iceberg one cold dark night, May's dreams are instantly shattered. Jumping from the sinking ship at the last minute, May loses sight of Joe and Ellen. Distraught, she is pulled into a lifeboat. Minutes later, the real-life Captain Smith swims to the lifeboat and hands May a baby swaddled in blankets. Beside herself, and in virtual darkness, May believes the baby to be Ellen. This rescue is witnessed by fellow survivor, Celeste Parkes, married to an American industrialist who is on her way back to Ohio after her mother's funeral. In horror, they both watch the death throes of the mighty ship; May traumatised, knowing her husband has drowned, Celeste wishing her bully of a husband had been on board and out of her life. As the dawn comes up, and the two women are rescued by the Carpathia, a friendship is formed, one which is destined to transcend the Atlantic and social differences between them and last a lifetime. Then May makes a shocking discovery and a split-second decision which will change the lives of so many.

    But when a dreamy stranger shows up on their private beach claiming it's his own—and that the year is 1925—she is swept into a mystery a hundred years in the making.As she searches for answers in the present, Cassandra discovers a truth that puts their growing love—and Lawrence's life—into jeopardy. Desperate to save him, Cassandra must find a way to change history…or risk losing Lawrence forever.

    Let it rise to meet the call. Isabelle of Kirklees has only ever known a quiet life inside the sheltered walls of the convent, where she lives with her mother, Marien. But after she is arrested by royal soldiers for defending innocent villagers, Isabelle becomes the target of the Wolf, King John's ruthless right hand. Desperate to keep her daughter safe, Marien helps Isabelle escape and sends her on a mission to find the one person who can help: Isabelle's father, Robin Hood.As Isabelle races to stay out of the Wolf's clutches and find the father she's never known, she is thrust into a world of thieves and mercenaries, handsome young outlaws, new enemies with old grudges, and a king who wants her entire family dead. As she joins forces with Robin and his Merry Men in a final battle against the Wolf, will Isabelle find the strength to defy the crown and save the lives of everyone she holds dear?

    Petersburg, Russia, 1888. As she attends a whirl of glittering balls, royal debutante Katerina Alexandrovna, Duchess of Oldenburg, tries to hide a dark secret: she can raise the dead. No one knows. Not her family. Not the girls at her finishing school. Not the tsar or anyone in her aristocratic circle. Katerina considers her talent a curse, not a gift. But when she uses her special skill to protect a member of the Imperial Family, she finds herself caught in a web of intrigue.An evil presence is growing within Europe's royal bloodlines—and those aligned with the darkness threaten to topple the tsar. Suddenly Katerina's strength as a necromancer attracts attention from unwelcome sources . . . including two young men—George Alexandrovich, the tsar's standoffish middle son, who needs Katerina's help to safeguard Russia, even if he's repelled by her secret, and the dashing Prince Danilo, heir to the throne of Montenegro, to whom Katerina feels inexplicably drawn.The time has come for Katerina to embrace her power, but which side will she choose—and to whom will she give her heart?

    Caterina Lombardi is desperate - her mother has abandoned them already and her brother is being drawn into the mafia. Early one morning, among the ruins of the bombed Naples streets, she is forced to go to extreme lengths to protect her family and in doing so forges a future very different to the one she expected. But will the secrets of her family's past be her downfall? This epic novel is an unforgettably powerful story of love, loss and the long shadow of war.

    Proud, stubborn, bound to marry for the good of their kingdoms, this prince and princess will steal your heart, but will they fall in love?

    Set during the Hundred Years War (1337-1453), the narrative creates believable human beings from the great roll of historical figures. Here are the mad Charles VI, the brilliant Louis d'Orleans, Joan of Arc, Henry V, and, most importantly, Charles d'Orleans, whose loyalty to France brought him decades of captivity in England. A natural poet and scholar, his birth and rank thrust him into the center of intrigue and strife, and through his observant eyes readers enter fully into his colorful, dangerous times. First published in the Netherlands in 1949, this book has never been out of print there and has been reprinted 15 times. Hella S. Haasse has written 17 novels as well as poetry, plays and essays, and has received many honors and awards including the Netherlands State Award for Literature. Her books have been translated into English, French, German, Swedish, Italian, Hungarian, Serbo-Croatian and Welsh.

    Two years ago, only Judith returned, permanently mutilated, reviled and ignored by those who were once her friends and family.Unable to speak, Judith lives like a ghost in her own home, silently pouring out her thoughts to the boy who’s owned her heart as long as she can remember—even if he doesn’t know it—her childhood friend, Lucas.But when Roswell Station is attacked, long-buried secrets come to light, and Judith is forced to choose: continue to live in silence, or recover her voice, even if it means changing her world, and the lives around her, forever.This startlingly original novel will shock and disturb you; it will fill you with Judith’s passion and longing; and its mysteries will keep you feverishly turning the pages until the very last.