The holidays are normally meant to bring everyone together for joy and celebration. Instead, two unfortunate situations force these two to co-exist in the same house together, but after a while, the two of them realize that might not be a bad thing. Join these two as they try to not only piece their lives back together but also find unexpected love along the way. Find out what it means to have Xmas with a real one.

    Pavle leaves town to think things over. Weeks later, a deformed corpse is found washed up on the banks of the Danube and is identifed to be that of Pavle. The case is judged a suicide. Three years later, Pavle, now "the deceased," unexpectedly returns. He discovers that his heirs have not only plundered his estate, but also refuse to recognize him as being "legally" alive, and they unite to keep him "dead" to maintain the status quo. This is the first English translation of a masterful and darkly comic play that will enter its rightful place as a world classic. The fluid and natural translation lends itself to theatrical production. Comically absurd, filled with existential angst, it was ahead of its time in 1937. At once vaudevillian and modernist, it is distinguished by clever plotting and stinging dialogue. The play stands as a lasting and caustic satire of human greed, strangely consonant with todays society.

    His major plays are frequently revived in modern productions.

    ‘I want the world to change shape.’ ‘I'm not sure theatre can do that.’‘Well then where am I meant to take that impulse because I'm very serious about the endeavour?’A young writer challenges the status quo but discovers that creative gain comes at a personal cost.Ella Hickson's play The Writer premiered in April 2018 at the Almeida Theatre, London, in a production directed by Blanche McIntyre.

    The Civil War is over and throughout the south, slaves are being freed, soldiers are returning home and in Jewish homes, the annual celebration of Passover is being celebrated. Into the chaos of war-torn Richmond comes Caleb DeLeon, a young Confederate officer who has been severely wounded. He finds his family's home in ruins and abandoned, save for two former slaves, Simon and John, who wait in the empty house for the family's return. As the three

    Admission. Aren't there two sides to the word? And two opposing sides...It's what we let in, but it's also what we let out." For years, 38-year-old Portia Nathan has avoided the past, hiding behind her busy (and sometimes punishing) career as a Princeton University admissions officer and her dependable domestic life. Her reluctance to confront the truth is suddenly overwhelmed by the resurfacing of a life-altering decision, and Portia is faced with an extraordinary test. Just as thousands of the nation's brightest students await her decision regarding their academic admission, so too must Portia decide whether to make her own ultimate admission. Admission is at once a fascinating look at the complex college admissions process and an emotional examination of what happens when the secrets of the past return and shake a woman's life to its core.

    Choir girl Elise thinks she's found a good man in Jay, a truck driver who came blowing into her life one sultry night. Irresistible and sensual, he's caught up in romancing Elise. However, when she's ready for happily ever after, he realizes that he can't just walk away from his wife and two children. And Elise just can't seem to let him go. Everyone knows that singles ministry leader Renee is full of herself. When she starts her latest interior decorating project, she thinks her client's husband is hot, and together, they're on fire. Meanwhile his wife wants to be friends, and it's not long before a twisted game starts to unravel. For twenty-five years Tess's life revolved around her unfaithful husband (who sits on the deacon's board) and their two wonderful sons. But now the kids have left the nest and Tess wants to spread her wings. While busy seeking her first job and creating a new social life outside the church, Tess meets a new man--a most forbidden man--who rides into the picture to rock her world off its steady axis. All the while, First Lady of the church and counselor, Faye is keeping a secret of her own that is much deeper than any one of them could ever imagine.

    The prequel to G-Spot, the #1 bestseller that established the Urban Erotic genre. Meet the Man and the Myth...the Kingpin and the Killer...The Lover and the Legend...The Gangsta who put the G in the G-Spot...The TRUE King of Harlem! "I didn't come to Harlem ridin' shotgun. I came packin' one!"--GRANITE MCKAY. WARNING! This here ain't no romance, it's an urban erotic tale These gutter plots I drop will have you biting off your nails! A menace has arrived, a terror Harlem’s never seen He started from the bottom and turned a dollar into a dream! Before the ballin and the stuntin and the sexin and the flexin, Brutal vision and ambition is how this gangsta manifested! So let’s stand up and salute the ruthless boss who paved the way Let’s go back B4 the G-Spot to: The Legend of GRANITE McKAY!

    This sidesplitting play, a testimony to David’s great writing talent, is also his first time on Broadway—in fact, his first time acting on stage since eighth grade. In Fish in the Dark Larry David stars as Norman Drexel, a man in his fifties who is average in most respects except for his hyperactive libido. As Norman and his family try to navigate the death of a loved one, old acquaintances and unsettled arguments resurface with hilarious consequences.Fish in the Dark has its world premiere at the Cort Theatre on Broadway on March 5, 2015, starring Larry David.

    . . Dying City is a political play and also a psychodrama about what Arthur Miller called the politics of the soul. It’s about public conscience and private grief, and real and symbolic catastrophes.”?The New York Observer “Anyone who doubts that Mr. Shinn is among the most provocative and probing of American playwrights today need only experience the . . . sophisticated welding of form and content that is Dying City.”?The New York Times In Christopher Shinn’s new play Dying City, a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a spare downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s creepy, sophisticated drama?infused with references to 9/11 and the war in Iraq?explores how contemporary politics and recent history have transformed the lives of these three characters. Christopher Shinn was born in Hartford, Connecticut, and lives in New York. His plays include Where Do We Live, Other People, What Didn’t Happen, and On the Mountain, which have been widely produced in New York, across the United States, and in London. He is the recipient of an OBIE Award in Playwriting, as well as the Robert S. Chesney Award. He teaches playwriting at The New School for Drama.

    Book annotation not available for this title.Title FortinbrasAuthor Blessing, LeePublisher Dramatists Play ServicePublication Date 19920101Number of Pages Binding Type PAPERBACKLibrary of Congress 92165606

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    One follows Joanna Aronson as she cares for her father, Clyde, during his latest struggle with cancer while butting heads with her stepmother, Brenda, a cold woman whom Joanna suspects of neglecting him and even trying to kill him. Interspersed are Joanna’s memories of growing up in suburban Baltimore with her sister and parents in the ’60s, a life that seems idyllic yet seethes with subterranean discontents. Clyde, an English teacher, dominates the family with his charisma but undermines it with his affairs, including a liaison with one of Joanna’s teenage acquaintances. Joanna’s mother, Evie, feels trapped in housewifery and longs for the fulfillment she felt as a Communist Party activist. Joanna, though drawn like Clyde to the life of the mind, feels slighted because of his wish that she had been a boy. A colleague of her father’s seduces her at age 14. Threading through the story is Clyde’s memoir of growing up with his brother, Harry, in New York’s National Hebrew Orphan Home after his father abandoned the family and his mother placed the two boys there in 1924. It’s a Dickensian story of cold, hunger, loneliness, frequent beatings, and sexual abuse, but it’s lit with friendships and intellectual ambitions. Cherubin’s bittersweet tale is an epic and indelible character study of Clyde from frightened cub to kvetching lion in winter, with overtones of King Lear and an occasional queasily incestuous vibe. She writes in evocative prose that mixes astringent reality with glowing reverie. (“I sized up the three agents,” recalls Evie of a visit from the FBI during the Joseph McCarthy era. “Cold, smug, and bored. They could not begin to understand how alive I was during the war, how urgent and meaningful my life was thanks to the CP. How engaged I was with the world… I still miss those days.”) As Joanna grapples with her clan’s vexed legacy, the author shows how both betrayal and forgiveness can propagate across generations.An alternately dark and luminous, wounded and affectionate portrait of a family in crisis.

    In her first collection in five years, Anne Carson explores this idea with characteristic brilliance and a tantalizing range of reference, moving from Aphrodite to Antonioni, Demosthenes to Annie Dillard, Telemachos to Trotsky, and writing in forms as varied as opera libretto, screenplay, poem, oratorio, essay, shot list, and rapture. As she makes her way through these forms she slowly dismantles them, and in doing so seeks to move through the self, to its undoing.

    Moliere's farcical, tragic, anarchic Don Juan (1665) is the inspiration for Patrick Marber's new play in which the action of the original is relocated to present day Soho, London.Whereas Moliere condemned his anti-hero to a literal Hell, Marber condemns him to a hell of his own making.Don Juan in Soho premiered at the Donmar Warehouse in December 2006.