Placing current family dilemmas in the context of far-reaching economic, political, and demographic changes, Coontz sheds new light on such contemporary concerns as parenting, privacy, love, the division of labor along gender lines, the black family, feminism, and sexual practice.

    In fact, her book is a testament to the miraculous power of language to interpret and transform our world. It is a testament that invites readers to share her vision of experiences we all have in common: sorrow, tenderness, desire, the revelations of art, and mortality - "the hard, dry smack of death against the glass." To this community Mueller presents moments after moment where the personal and public realms intersect, where lives ranging from her own to those of Mary Shelley and Anton Webern illuminate the ways in which history shapes our lives. In "Brendel Playing Schubert," Mueller's breathtaking linguistic virtuosity reminds us how music can transport us out of ourselves and into "the nowhere where the enchanted live"; in "Midwinter Notes," the crepuscular world, stripped of its veil, shines forth as a signal from some realm where the sense of things may be revealed. In the title piece Mueller brings a sense of enduring and unclouded wonder to a recognition of all those whose lives might have been our own.

    The explosive story follows these brutal and heartless criminal terrorists as they penetrate and ravage the close-knit community of Chinatown, and the daring police work that was eventually able to bring them down. HC: William Morrow.

    One of the pair, Michael Padillo, isn’t around a lot; he keeps disappearing on “business trips.” McCorkle, his partner, wisely doesn’t ask questions; he knows Padillo has a second job—he’s a (reluctant) US agent. But McCorkle is ready to answer a call for help from Padillo, and he joins his friend in a blind journey with no inkling of what they will encounter at the turn of each dark and dangerous corner.

    The first step toward getting his life back together is meeting up with his beautiful magazine mogul girlfriend, Barbara, on Harbor Island in the Bahamas. But making it out of Florida proves to be more trouble than a gator with a toothache--and even deadlier. Zack barely leaves the state alive before he discovers Barbara's been kidnapped and her ex-lover, a photographer, murdered. Once again trouble has come knocking on Zack's door. But this time he's fighting back, with the help of a Royal Bahamanian police superintendent, his trusted mystical Taino Indian friend Boggy, and a cast of the most colorful characters ever to step into the warm Bahama sun.As unpredictable as island trade winds, Bahamarama twists and turns its way to a stunning conclusion and announces the arrival of a writer who is sure to surprise and delight mystery fans for years to come. Bahamarama is a 2005 Edgar Award Nominee for Best First Novel.

    This is not the familiar saga of mansions, avenues, and robber barons, but the messy, turbulent, often murderous story of the city's slums; the teeming streets--scene of innumerable cons and crimes whose cramped and overcrowded housing is still a prominent feature of the cityscape.Low Life voyages through Manhattan from four different directions. Part One examines the actual topography of Manhattan from 1840 to 1919; Part Two, the era's opportunities for vice and entertainment--theaters and saloons, opium and cocaine dens, gambling and prostitution; Part Three investigates the forces of law and order which did and didn't work to contain the illegalities; Part Four counterposes the city's tides of revolt and idealism against the city as it actually was.Low Life provides an arresting and entertaining view of what New York was actually like in its salad days. But it's more than simpy a book about New York. It's one of the most provocative books about urban life ever written--an evocation of the mythology of the quintessential modern metropolis, which has much to say not only about New York's past but about the present and future of all cities.

    In the days that followed, the Harts, local and state police, and J. Edgar Hoover's FBI scrambled to outwit the kidnappers, whose demands kept them at bay until they--and Brook Hart's murder--were at last discovered.Then the unthinkable: A band of vigilantes stormed the San Jose jail and hanged the two criminals in the town square as ten thousand watched. The next day the governor hailed the lynching as "a fine lesson". The San Jose lynching, which divided the nation and haunts the city still, is a chilling tale of fear, fury, and the collapse of justice--of a small American paradise turned inferno.

    This short story was originally published in Joe Hill's collection 20TH CENTURY GHOSTS.Eddie Carroll is sick to death of editing the collection America's Best New Horror, sick of reading through second-rate stories in order to find the few "best new." But one afternoon he stumbles across a new story so remarkable that he soon embarks on a quixotic quest to find its author - a quest he may not live to regret.

    But the steel-plated exterior she shows to the world - solitary, friendless, loveless - hides the hideous traumas of her past. As an orphaned child, she was horribly sexually abused by her foster parents, and the torments of the past are only barely contained by her meticulously maintained tough-guy persona. When a serious of seemingly unrelated cases - a drug bust gone bad, a mayoral assassination attempt, the abduction and murder of a states attorney, a long-hidden body walled up in a tenement basement - all point in her direction, she comes to the horrified realization that her past is no longer staying in its deeply suppressed place. It's back and it's hunting her down.

    This book highlights a case that was front page news--featured on "60 Minutes, " in The New York Times in 1993. HC: Bantam.

    Among the dozen selections is the Nebula Award-winning “Bible Stories for Adults, No. 17: The Deluge.”Contents:Bible Stories for Adults, No. 17: The Deluge (1988)Daughter Earth (1991)Known but to God and Wilbur Hines (1991)Bible Stories for Adults, No. 20: The Tower (1994)Spelling God with the Wrong Blocks (1987)The Assemblage of Kristin (1984)Bible Stories for Adults, No. 31: The Covenant (1989)Abe Lincoln in McDonald's (1989)The Confessions of Ebenezer Scrooge (1989)Bible Stories for Adults No. 46: The Soap Opera (1994)Diary of a Mad Deity (1988)Arms and the Woman (1991)

    From our colonial past to the present, the monster in all its various forms has been a staple of American culture. A masterful survey of our grim and often disturbing past, Monsters in America uniquely brings together history and culture studies to expose the dark obsessions that have helped create our national identity.Monsters are not just fears of the individual psyche, historian Scott Poole explains, but are concoctions of the public imagination, reactions to cultural influences, social change, and historical events. Conflicting anxieties about race, class, gender, sexuality, religious beliefs, science, and politics manifest as haunting beings among the populace. From Victorian-era mad scientists to modern-day serial killers, new monsters appear as American society evolves, paralleling fluctuating challenges to the cultural status quo. Consulting newspaper accounts, archival materials, personal papers, comic books, films, and oral histories, Poole adroitly illustrates how the creation of the monstrous "other" not only reflects society's fears but shapes actual historical behavior and becomes a cultural reminder of inhuman acts.

    Boorstin’s prophetic vision of an America inundated by its own illusions has become an essential resource for any reader who wants to distinguish the manifold deceptions of our culture from its few enduring truths.Cover design by Matt Dorfman.

    Rajiv Joseph's groundbreaking new American play explores both the power and the perils of human nature.

    She never made it. Her brutal murder with a golf club in her own backyard made national headlines. But for years no one was arrested, despite troubling clues pointing to the Skakels, a rich and powerful family related to the Kennedys. After the police department's first unsuccessful attempts to catch the killer, the case lay dormant, and the culprit remained free.Enter Leonard Levitt. In 1982, the Stamford Advocate and Greenwich Time newspapers asked investigative reporter Levitt to look into the murder and the undying rumors of a cover-up. Levitt soon uncovered groundbreaking information about how the police had bungled the investigation, and he learned that Tommy and Michael had lied about their activities on the night of the murder. But Levitt's articles about his findings -- and the haunting questions they raised -- almost never saw the light of day. For years, Levitt's superiors mysteriously refused to publish the stories. Convinced that the Moxley family deserved the peace and closure they had so long been denied, Levitt fought desperately to keep his discoveries alive. Finally, after Levitt's first article appeared, the case was reopened.Enter Frank Garr. As the newly appointed investigator on the Moxley case, the seasoned Greenwich detective doggedly pursued unexplored leads and became increasingly convinced that for over a decade, his colleagues had been pursuing the wrong suspects. At first mistrustful of one another, as reporters and detectives often are, Levitt and Garr became friends, encouraging each other in their quest for the truth as the obstacles against them piled up.In 2002, more than twenty-five years after Moxley's death, a shocked world watched as Michael Skakel was convicted of the murder, thanks largely to the evidence Garr alone had marshaled against him.Now, for the first time, Leonard Levitt tells the amazing true story of Garr's fight to solve the case and of how their friendship with each other, and with Martha Moxley's mother, Dorthy, sustained them over the years. A riveting, suspenseful drama that unfolds like a mystery novel, this incredible memoir also reveals how a police officer and a reporter refused to give up, and how they helped justice to prevail, against all odds.