There is knowledge only the wild can give us, knowledge specific to it, knowledge specific to the experience of it. These are its gifts to us. How wild is wilderness and how wild are our experiences in it, asks Jack Turner in the pages of The Abstract Wild. His answer: not very wild. National parks and even so-called wilderness areas fall far short of offering the primal, mystic connection possible in wild places. And this is so, Turner avows, because any managed land, never mind what it's called, ceases to be wild. Moreover, what little wildness we have left is fast being destroyed by the very systems designed to preserve it. Natural resource managers, conservation biologists, environmental economists, park rangers, zoo directors, and environmental activists: Turner's new book takes aim at these and all others who labor in the name of preservation. He argues for a new conservation ethic that focuses less on preserving things and more on preserving process and "leaving things be." He takes off after zoos and wilderness tourism with a vengeance, and he cautions us to resist language that calls a tree "a resource" and wilderness "a management unit." Eloquent and fast-paced, The Abstract Wild takes a long view to ask whether ecosystem management isn't "a bit of a sham" and the control of grizzlies and wolves "at best a travesty." Next, the author might bring his readers up-close for a look at pelicans, mountain lions, or Shamu the whale. From whatever angle, Turner stirs into his arguments the words of dozens of other American writers including Thoreau, Hemingway, Faulkner, and environmentalist Doug Peacock. We hunger for a kind of experience deep enough to change our selves, our form of life, writes Turner. Readers who take his words to heart will find, if not their selves, their perspectives on the natural world recast in ways that are hard to ignore and harder to forget.

    All the poems are in William Stafford's familiar, reflective voice, and some had been freshly typed at the time of Stafford's death in August of 1993. The book is hospitable to a full range of experiences, moods, stunts with language, tones, expressive landmarks, and intimacies with the universe. Long considered a major voice in twentieth century American poetry, William Stafford is also one of our nation's most popular poets.

    Funny & practical illustrations.

    He's worked a number of years in Montana as a rangeman and wants to live where there's no snow in the winter. So he sets out for New Mexico, a place where he's heard the weather is mild and the living is easy. But getting there may be tougher than he thinks.In the Wyoming town of Derby, Lockwood is wounded in a gunfight and has to stay long enough to recuperate...and meet the pretty widow, Lady Barlow, owner of the Barlow ranch. The ranch is in need of a ramrod, but Lockwood refuses the job. After all, Wyoming isn't much warmer than Montana. But it looks like Fate—or someone else—doesn't want Lockwood to leave town. When he tries, he's ambushed and forced to stay again. It seems to Lockwood like his journey's ending, but sometimes life leads you down trails you never expected. Some mighty dangerous trails.

    Originally published and presented to Congress last fall, this book serves as a valuable introduction to the current crisis America faces.

    Over 80,000 copies sold world-wide. Hardcover. 120 pages. 101 color photographs.

    The author tells her fascinating true story of returning a wolf to the wilderness and, in the process, discovering her own roots. Promotion in conjunction with the Humane Society of the United States and the American Humane Society.

    Essays by 13 contributors who interpret the North Cascades from the different perspectives of their disciplines and daily