It is one of the most devastating episodes in the history of the twentieth century. With unprecedented authority and detail, Red Famine investigates how this happened, who was responsible, and what the consequences were. It is the fullest account yet published of these terrible events.The book draws on a mass of archival material and first-hand testimony only available since the end of the Soviet Union, as well as the work of Ukrainian scholars all over the world. It includes accounts of the famine by those who survived it, describing what human beings can do when driven mad by hunger. It shows how the Soviet state ruthlessly used propaganda to turn neighbours against each other in order to expunge supposedly 'anti-revolutionary' elements. It also records the actions of extraordinary individuals who did all they could to relieve the suffering.The famine was rapidly followed by an attack on Ukraine's cultural and political leadership - and then by a denial that it had ever happened at all. Census reports were falsified and memory suppressed. Some western journalists shamelessly swallowed the Soviet line; others bravely rejected it, and were undermined and harassed. The Soviet authorities were determined not only that Ukraine should abandon its national aspirations, but that the country's true history should be buried along with its millions of victims. Red Famine, a triumph of scholarship and human sympathy, is a milestone in the recovery of those memories and that history. At a moment of crisis between Russia and Ukraine, it also shows how far the present is shaped by the past.

    One of the most important messages the book conveys is that war means pain. Chekh is not showing the reader any heroic combat, focusing instead on the quiet, mundane, and harsh soldier’s life. Chekh masterfully selects the most poignant details of this kind of life.

    Whether you are a president or a terrorist, if you don't understand how to deploy the power of social media effectively you may win the odd battle but you will lose a twenty-first century war. Here, journalist David Patrikarakos draws on unprecedented access to key players to provide a new narrative for modern warfare. He travels thousands of miles across continents to meet a de-radicalized female member of ISIS recruited via Skype, a liberal Russian in Siberia who takes a job manufacturing "Ukrainian" news, and many others to explore the way social media has transformed the way we fight, win, and consume wars-and what this means for the world going forward.

     This Adelphi book argues that the crisis has yielded a ruinous outcome, in which all the parties are worse off and international security has deteriorated. This negative-sum scenario resulted from years of zero-sum behaviour on the part of Russia and the West in post-Soviet Eurasia, which the authors rigorously analyse. The rivalry was manageable in the early period after the Cold War, only to become entrenched and bitter a decade later. The upshot has been systematic losses for Russia, the West and the countries caught in between. All the governments involved must recognise that long-standing policies aimed at achieving one-sided advantage have reached a dead end, Samuel Charap and Timothy J. Colton argue, and commit to finding mutually acceptable alternatives through patient negotiation. Samuel Charap is Senior Fellow for Russia and Eurasia at the International Institute for Strategic Studies. Timothy J. Colton is Morris and Anna Feldberg Professor of Government and Russian Studies, Harvard University.

    Directly and indirectly, the poems collected in this volume engage with the events and experiences of war, reflecting on the themes of alienation, loss, dislocation, and disability; as well as justice, heroism, courage, resilience, generosity, and forgiveness. In addressing these themes, the poems also raise questions about art, politics, citizenship, and moral responsibility. The anthology brings together some of the most compelling poetic voices from different regions of Ukraine. Young and old, female and male, somber and ironic, tragic and playful, filled with extraordinary terror and ordinary human delights, the voices recreate the human sounds of war in its tragic complexity.Oksana Maksymchuk is an author of two award-winning books of poetry in the Ukrainian language, and a recipient of Richmond Lattimore and Joseph Brodsky-Stephen Spender translation prizes. She works on problems of cognition and motivation in Plato’s moral psychology. Maksymchuk teaches philosophy at the University of Arkansas.Max Rosochinsky is a poet and translator from Simferopol, Crimea. His poems had been nominated for the PEN International New Voices Award in 2015. With Maksymchuk, he won first place in the 2014 Brodsky-Spender competition. His academic work focuses on twentieth century Russian poetry, especially Osip Mandelshtam and Marina Tsvetaeva.

    Originally built in the 1920s, they afforded workers a place to holiday, courtesy of a state-funded voucher system. At their peak they were visited by millions of citizens across the USSR every year. A combination of medical institution and spa, the era's sanatoriums are among the most innovative buildings of their time.Although aesthetically diverse, Soviet utopian values permeated every aspect of these structures; Western holidays were perceived as decadent. By contrast, sanatorium breaks were intended to edify and strengthen visitors: health professionals carefully monitored guests throughout their stay, so they could return to work with renewed vigor. Certain sanatoriums became known for their specialist treatments, such as crude-oil baths, radon water douches and stints in underground salt caves.While today some sanatoriums are in critical states of decline, many are still fully operational and continue to offer their Soviet-era treatments to visitors. Using specially commissioned photographs by leading photographers of the post-Soviet territories, and texts by sanatorium expert Maryam Omidi, this book documents over 45 sanatoriums and their unconventional treatments. From Armenia to Uzbekistan, it represents the most comprehensive survey to date of this fascinating and previously overlooked Soviet institution.

    In his poems, Symonenko focuses on his personal life and a search for the self instead of the collective. Silence refers to the first half of his poetry: an intimate lyrical voice of meditative solitude that reflects on the nature, on life, as well as on personal relationships.The second half of the published collection-thunder, represents anger, even rage, over the inequalities in Soviet society and the systematic suppression of Ukrainian identity.…Symonenko was a true patriot at a time when Ukrainian patriotism was particularly dangerous in the USSR.Michael M. Naydan, Woskob Family Professor of Ukrainian Studies at The Pennsylvania State University

    Two separate peace treaties were signed at Brest-Litovsk the first between the Central Powers and Ukraine and the second between the Central Powers and Bolshevik Russia.Borislav Chernev, through an insightful and in-depth analysis of primary sources and archival material, argues that although its duration was short lived, the Brest-Litovsk settlement significantly affected the post-Imperial transformation of East Central Europe. The conference became a focal point for the interrelated processes of peacemaking, revolution, imperial collapse, and nation-state creation in the multi-ethnic, entangled spaces of East Central Europe. Chernev's analysis expands beyond the traditional focus on the German-Russian relationship, paying special attention to the policies of Austria-Hungary, Bulgaria, and Ukraine. The transformations initiated by the Brest-Litovsk conferences ushered in the twilight of empire as the Habsburg, Hohenzollern, and Ottoman Empires all shared the fate of their Romanov counterpart at the end of World War I."

    Both sides stand accused of collaborating with fascists; of committing war-crimes; of serving foreign interests. This proxy-war between Russia and the West was accompanied by a fierce information war. This book separates fact from fiction with extensive and reliable documentation. While remaining critical of Russia and the Donbass rebellion, De Ploeg demonstrates that many of the recent disasters can be traced to Ukrainian ultranationalists, pro-western political elites and their European and North-American backers. This book tackles the ultranationalist violence during and after the EuroMaidan movement, and documents how many of these groups are heirs to former Nazi-collaborators. It shows how the Ukrainian state has seized on the ultranationalist war-rhetoric to serve its own agenda, clamping down on civil liberties on a scale unprecedented since Ukrainian independence. De Ploeg argues that Kiev itself has been the biggest obstacle to peace in Donbass, with multiple leaks suggesting that Washington is using its financial leverage to push a pro-war line in Ukraine. With the nation's eyes turned towards Russia, the EU and IMF have successfully pressured Ukraine into adopting far-reaching austerity programs, while oligarchic looting of state assets and massive tax-avoidance facilitated by western states continue unabated. He shows that the pro-Western and pro-Russian camps are often similar: neoliberal, authoritarian, nationalist and heavily dependent on foreign support. A far cry from civilizational or ideological clashes, De Ploeg argues that the current tensions flow from NATOs military dominance and aggressive posture, both globally and within post-soviet space, where Russia seeks to defend the status-quo. Packed with shocking facts; deftly moving from the local to the international, from the historical to the recent; De Ploeg connects the dots, consistently offering the necessary context for understanding the multiple faces of imperialism within Ukraine and beyond. Written in an accessible language, Ukraine in the Crossfire offers a truly comprehensive and independent narrative of the Ukrainian conflict.